User:Holger Stoltenberg/embed: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
7 Levels...:starting time adjusted
No edit summary
Line 1: Line 1:
...this page is used to check out embedding of videos.
...this page is used to check out embedding of videos.<br>


__TOC__
<br>
{{#ev:youtube|Q8KX9jzVYMI|720x460|center|Overtone Scales on Stage|frame}}
{{#ev:youtube|Q8KX9jzVYMI|720x460|center|Overtone Scales on Stage|frame}}


Line 11: Line 13:


==== Audio only ====
==== Audio only ====
[[File:Pedal steel played with reverb.ogg|thumb|A song played on an E9 pedal |steel guitar]]
[[File:Pedal steel played with reverb.ogg|thumb|center|A song played on an E9 pedal |steel guitar]]


==== Link to Wikipedia source ====
==== Link to Wikipedia source ====
Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar]
Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar]


<br><br><br><br><br>
==== 7 Levels of Jazz Harmony ====
==== 7 Levels of Jazz Harmony ====
{{#ev:youtube|lz3WR-F_pnM||center|  
 
[[Adam Neely]]; The 7 Levels of Jazz Harmony - '''Intonalism''' [09:12], '''Xenharmonic''' [10:46]|frame|start=552}}
 
==Neely-intonalism==
{{#ev:youtube|lz3WR-F_pnM|372|right|  
[[Adam Neely]]; The 7 Levels of Jazz Harmony, <br> '''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}}
In 2020 music educator [[Adam Neely]] picked up the term ''intonalism'' and used it in his [[7th Level of Jazz Harmony|Seven Levels of Jazz Harmony]], with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often [[12edo]]) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of [[adaptive just intonation]] where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.
 
To distinguish this form of intonalism from the other, you could call it '''Neely-intonalism'''.{{idiosyncratic}}
<br><br>

Revision as of 20:26, 2 March 2025

...this page is used to check out embedding of videos.


Overtone Scales on Stage
Video 1: [1]

Neck of a 10-string E9-pedal steel guitar: The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)

Audio only

steel guitar

Link to Wikipedia source

Link with single brackets: steelguitar






7 Levels of Jazz Harmony

Neely-intonalism

; The 7 Levels of Jazz Harmony, Intonalism [9:12], Xenharmonic [10:46]

In 2020 music educator Adam Neely picked up the term intonalism and used it in his Seven Levels of Jazz Harmony, with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often 12edo) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of adaptive just intonation where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.

To distinguish this form of intonalism from the other, you could call it Neely-intonalism.[idiosyncratic term]

  1. Video 1: Webressource and licensing: Wikimedia Commons
    The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here.