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==== [[Expanding tonal space|Part I:]] <span style="font-weight:normal">Expanding tonal space</span> ==== | ==== [[Expanding tonal space|Part I:]] <span style="font-weight:normal">Expanding tonal space</span> ==== | ||
'''Navigating tonal space''' | '''Navigating tonal space''' | ||
== Number of distinct intervals == | |||
The first five octaves of Tonal Space contain a fairly large number of intervals footed on a common tonic of 0 ¢. The intervals are well structured in rows, with each row corresponding to a mode of the overtone scale. It may be of interest to the reader to learn how many ''different'' intervals are present, since some are obviously doubled. <br> | |||
To find out, we will scan the Horizon Chart line by line (mode by mode), from the bottom up. Mode 1 has no intervals between the fundamental and the next octave. In Mode 2 we find a pure fifth, the third harmonic. This is the first time the pure fifth appears, and it will not be counted again as we scan. | |||
Table 1 summarizes the scanning results from Mode 1 through Mode 16. | |||
: Table 1: Count of | : <u>Table 1</u>: Count of distinct intervals depending on the highest implemented mode | ||
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[[File:Rob Ickes performing with Blue Highway California USA June 2010.jpg|thumb|180px|Rob Ickes performing with his band, Blue Highway, on June 21, 2010.]] | [[File:Rob Ickes performing with Blue Highway California USA June 2010.jpg|thumb|180px|Rob Ickes performing with his band, Blue Highway, on June 21, 2010.]] | ||
[[File:Heather Leigh-0981.jpg|thumb|260px|Heather Leigh-0981]] | [[File:Heather Leigh-0981.jpg|thumb|260px|Heather Leigh-0981]] |
Revision as of 10:28, 24 February 2025
Expanding tonal space
Expanding tonal space/planar extensions
Expanding tonal space/projections
Part I: Expanding tonal space
Don't forget about the function
Part I: Expanding tonal space
Navigating tonal space
Number of distinct intervals
The first five octaves of Tonal Space contain a fairly large number of intervals footed on a common tonic of 0 ¢. The intervals are well structured in rows, with each row corresponding to a mode of the overtone scale. It may be of interest to the reader to learn how many different intervals are present, since some are obviously doubled.
To find out, we will scan the Horizon Chart line by line (mode by mode), from the bottom up. Mode 1 has no intervals between the fundamental and the next octave. In Mode 2 we find a pure fifth, the third harmonic. This is the first time the pure fifth appears, and it will not be counted again as we scan.
Table 1 summarizes the scanning results from Mode 1 through Mode 16.
- Table 1: Count of distinct intervals depending on the highest implemented mode
Mode 1
up to
Mode 16
ModeNumber of
new intervals
found at
this modeAggregated
number
of different
rational intervalsTotal number
of intervals
scannedMode
found in
octave
number16 8 79 120 5 15 8 71 105 4 14 6 63 91 4 13 12 57 78 4 12 4 45 66 4 11 10 41 55 4 10 4 31 45 4 9 6 27 36 4 8 4 21 28 4 7 6 17 21 3 6 2 11 15 3 5 4 (...) 9 10 3 4 2 (3rd, b7th) 5 6 3 3 2 (4th, 6th) 3 3 2 2 1 (5th) 1 1 2 1 0 0 0 1



See also…
Sethares, William A. Tuning Timbre Spectrum Scale. London: Springer Verlag , 1999. [p65, 3.7. Overtone Scales]