User talk:Xenwolf: Difference between revisions

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== Diatonic Functions of Xenharmonic Intervals ==

Okay, so one thing I'm interested in is covering the diatonic functions of notes at various intervals' distance away from the tonic- you know, for microtonal composers who still want to work with tonality- I honestly think pages like 3/2 and 4/3 could benefit from having information on things like this. On another note, do we have information on the thirty-five 12edo proper modes? Pages documenting these modes would serve to gather variations and alternative tunings for these scales and modes into one place. For the record, I know that in my own microtonal composing, I tend not to go very far from my 12edo roots for reasons detaild in [[A recovering microtonalist's critical reaction to Why Microtonality]], yet, I also can't help but agree with Mike S in his comments in [[Microtonalists critical reaction to a recovering ~~microtonalists~~ critical reaction to Why ~~Microtonaltiy~~?]] on 7-limit and 11-limit being important- in fact, I would add the 13-limit to his list. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:11, 5 September 2020 (UTC)

Okay, so one thing I'm interested in is covering the diatonic functions of notes at various intervals' distance away from the tonic- you know, for microtonal composers who still want to work with tonality- I honestly think pages like 3/2 and 4/3 could benefit from having information on things like this. On another note, do we have information on the thirty-five 12edo proper modes? Pages documenting these modes would serve to gather variations and alternative tunings for these scales and modes into one place. For the record, I know that in my own microtonal composing, I tend not to go very far from my 12edo roots for reasons detaild in [[A recovering microtonalist's critical reaction to Why Microtonality]], yet, I also can't help but agree with Mike S in his comments in [[Microtonalists' critical reaction to a recovering microtonalist's critical reaction to Why Microtonality?]] on 7-limit and 11-limit being important- in fact, I would add the 13-limit to his list. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:11, 5 September 2020 (UTC)

: First, I guess that I'm not the right person to ask about ''diatonic functions of notes''. Second, as far as I know there are no pages about the 35 [[12edo]] modes, but it could as well be that I only missed it/them. Third, I didn't compose anything yet. Currently I mostly help others to put information into the wiki ... I really like listening xen music of any kind, I also like "meditating" on intervals, that's why I uploaded several sound examples, especially those in prime limits above 5. But I also know that timbre is very important. BTW: today I discovered that [[11/7]] has a very convincing sound. --[[User:Xenwolf|Xenwolf]] ([[User talk:Xenwolf|talk]]) 19:33, 5 September 2020 (UTC)

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 == Diatonic Functions of Xenharmonic Intervals ==
-Okay, so one thing I'm interested in is covering the diatonic functions of notes at various intervals' distance away from the tonic- you know, for microtonal composers who still want to work with tonality- I honestly think pages like 3/2 and 4/3 could benefit from having information on things like this.  On another note, do we have information on the thirty-five 12edo proper modes?  Pages documenting these modes would serve to gather variations and alternative tunings for these scales and modes into one place.  For the record, I know that in my own microtonal composing, I tend not to go very far from my 12edo roots for reasons detaild in [[A recovering microtonalist's critical reaction to Why Microtonality]], yet, I also can't help but agree with Mike S in his comments in [[Microtonalists critical reaction to a recovering microtonalists critical reaction to Why Microtonaltiy?]] on 7-limit and 11-limit being important- in fact, I would add the 13-limit to his list. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:11, 5 September 2020 (UTC)
+Okay, so one thing I'm interested in is covering the diatonic functions of notes at various intervals' distance away from the tonic- you know, for microtonal composers who still want to work with tonality- I honestly think pages like 3/2 and 4/3 could benefit from having information on things like this.  On another note, do we have information on the thirty-five 12edo proper modes?  Pages documenting these modes would serve to gather variations and alternative tunings for these scales and modes into one place.  For the record, I know that in my own microtonal composing, I tend not to go very far from my 12edo roots for reasons detaild in [[A recovering microtonalist's critical reaction to Why Microtonality]], yet, I also can't help but agree with Mike S in his comments in [[Microtonalists' critical reaction to a recovering microtonalist's critical reaction to Why Microtonality?]] on 7-limit and 11-limit being important- in fact, I would add the 13-limit to his list. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:11, 5 September 2020 (UTC)
 : First, I guess that I'm not the right person to ask about ''diatonic functions of notes''. Second, as far as I know there are no pages about the 35 [[12edo]] modes, but it could as well be that I only missed it/them. Third, I didn't compose anything yet. Currently I mostly help others to put information into the wiki ... I really like listening xen music of any kind, I also like "meditating" on intervals, that's why I uploaded several sound examples, especially those in prime limits above 5. But I also know that timbre is very important. BTW: today I discovered that [[11/7]] has a very convincing sound. --[[User:Xenwolf|Xenwolf]] ([[User talk:Xenwolf|talk]]) 19:33, 5 September 2020 (UTC)