User:BudjarnLambeth/Structural beating: Difference between revisions

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If structural beating does exist, then the greatest determining factor of a scale's structural beating will be the [[interval region]] of the scale's period.

If the equivalence is considered to be the octave, 2/1, the perfect eighth, then one would expect equal divisions of sevenths or ninths to have the most vivid structural beating. That would include tunings like [[ed7/4]s, [[ed16/9]]s, [[ed15/8]]s, [[phi to the phi|edφ<sup>φ</sup>s]], [[ed11/5]]s & [[ed9/4]]s.

If the equivalence is considered to be the octave, 2/1, the perfect eighth, then one would expect equal divisions of sevenths or ninths to have the most vivid structural beating. That would include tunings like [[ed7/4]]s, [[ed16/9]]s, [[ed15/8]]s, [[phi to the phi|edφ<sup>φ</sup>s]], [[ed11/5]]s & [[ed9/4]]s.

If the equivalence is considered to be the tritave, 3/1, the perfect twelfth, then one would expect equal divisions of elevenths or thirteenths to have the most vivid structural beating. That would include tunings like [[ed8/3]]s, [[EDN]]s, [[ed11/4]]s, [[acoustic pi|ed(pi)s]], [[ed13/4]]s & [[ed10/3]]s.

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 If structural beating does exist, then the greatest determining factor of a scale's structural beating will be the [[interval region]] of the scale's period.
-If the equivalence is considered to be the octave, 2/1, the perfect eighth, then one would expect equal divisions of sevenths or ninths to have the most vivid structural beating. That would include tunings like [[ed7/4]s, [[ed16/9]]s, [[ed15/8]]s, [[phi to the phi|edφ<sup>φ</sup>s]], [[ed11/5]]s & [[ed9/4]]s.
+If the equivalence is considered to be the octave, 2/1, the perfect eighth, then one would expect equal divisions of sevenths or ninths to have the most vivid structural beating. That would include tunings like [[ed7/4]]s, [[ed16/9]]s, [[ed15/8]]s, [[phi to the phi|edφ<sup>φ</sup>s]], [[ed11/5]]s & [[ed9/4]]s.
 If the equivalence is considered to be the tritave, 3/1, the perfect twelfth, then one would expect equal divisions of elevenths or thirteenths to have the most vivid structural beating. That would include tunings like [[ed8/3]]s, [[EDN]]s, [[ed11/4]]s, [[acoustic pi|ed(pi)s]], [[ed13/4]]s & [[ed10/3]]s.