Zhenlige

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 I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.
-When acturally work with xen music, I only use softwares, since I cannot play any intruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[32/27]]) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.
+When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[32/27]]) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.
 [https://space.bilibili.com/281369461 Bilibili]