African music: Difference between revisions

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*The [[Shona]] people of [[Zimbabwean|Zimbabwe]] and neighboring countries play the re-tuneable [[mbira]]. Vocals tend to harmonize only in 4ths, 5ths and octaves. The mbira seems to have been traditionally tuned near 7edo. In modern times, it's often tuned to 12edo. Paul Berliner's book "The Soul of the Mbira" is a good resource for tuning information. Well-known Shona musicians that use the mbira include Thomas Mapfumo and Stella Chiweshe.
*The [[Shona]] people of [[Zimbabwean|Zimbabwe]] and neighboring countries play the re-tuneable [[mbira]]. Vocals tend to harmonize only in 4ths, 5ths and octaves. The mbira seems to have been traditionally tuned near 7edo. In modern times, it's often tuned to 12edo. Paul Berliner's book "The Soul of the Mbira" is a good resource for tuning information. Well-known Shona musicians that use the mbira include Thomas Mapfumo and Stella Chiweshe.


* The [[Chopi]] people of Mozambique play large marimba ensembles spanning 4 octaves. Their marimba, called the timbila, is tuned roughly equiheptatonic. The timbila tuning of the Mavila village creates an approximate [[TAMNAMS|soft-of-basic]] [[2L5s]] scale. The [[Mavila]] temperament gets its name from this village.
* The [[Chopi]] people of [[Mozambican|Mozambique]] play large marimba ensembles spanning 4 octaves. Their marimba, called the timbila, is tuned roughly equiheptatonic. The timbila tuning of the Mavila village creates an approximate [[TAMNAMS|soft-of-basic]] [[2L5s]] scale. The [[Mavila]] temperament gets its name from this village.


[[Malagasy|Madagascar]] was colonized by Indonesians long ago, and the music is a mixture of African and [[Indonesian]]. Tarika Sammy is a well-known group.
[[Malagasy|Madagascar]] was colonized by Indonesians long ago, and the music is a mixture of African and [[Indonesian]]. Tarika Sammy is a well-known group.