54/49: Difference between revisions
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Discussed tempering out this interval. |
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'''Zalzal's mujannab''', the interval of '''54/49''' introduced by [[Wikipedia:Mansour Zalzal|Mansour Zalzal]], is between [[11/10]] and [[10/9]] in size, being [[540/539]] sharp of 11/10 and [[245/243]] flat of 10/9. It is the interval between [[7/6]] and [[9/7]]. Tempering out 540/539 equates it with 11/10 and leads to [[swetismic chords]]. Occurring often in JI scales, it is one of the ways 11-limit harmony gets introduced into [[7-limit]] scales. | '''Zalzal's mujannab''', the interval of '''54/49''' introduced by [[Wikipedia:Mansour Zalzal|Mansour Zalzal]], is between [[11/10]] and [[10/9]] in size, being [[540/539]] sharp of 11/10 and [[245/243]] flat of 10/9. It is the interval between [[7/6]] and [[9/7]]. Tempering out 540/539 equates it with 11/10 and leads to [[swetismic chords]]. Occurring often in JI scales, it is one of the ways 11-limit harmony gets introduced into [[7-limit]] scales. | ||
Moving to [[Exotemperament|exotempering]], this can be tempered out, leading to an unnamed temperament equating 7/6 and 9/7. However, it is usually better to temper out [[25/24]] instead for a similar structural effect. | |||
== See also == | == See also == |
Revision as of 17:35, 29 October 2024
Interval information |
[sound info]
Zalzal's mujannab, the interval of 54/49 introduced by Mansour Zalzal, is between 11/10 and 10/9 in size, being 540/539 sharp of 11/10 and 245/243 flat of 10/9. It is the interval between 7/6 and 9/7. Tempering out 540/539 equates it with 11/10 and leads to swetismic chords. Occurring often in JI scales, it is one of the ways 11-limit harmony gets introduced into 7-limit scales.
Moving to exotempering, this can be tempered out, leading to an unnamed temperament equating 7/6 and 9/7. However, it is usually better to temper out 25/24 instead for a similar structural effect.