Quasi-diatonic MOS notation: Difference between revisions
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== Tables and other resources: == | == Tables and other resources: == | ||
=== Equave names === | |||
A table of what the equave is called based on how many steps it contains, using number prefixes analogous to the Latin numbers used to name -illions. This is distinct from the Greek numbers used to name harmonics, as the term "octave" comes from Latin: | A table of what the equave is called based on how many steps it contains, using number prefixes analogous to the Latin numbers used to name -illions. This is distinct from the Greek numbers used to name harmonics, as the term "octave" comes from Latin: | ||
{| class="wikitable" | {| class="wikitable" | ||
| Line 118: | Line 117: | ||
|25 | |25 | ||
|Quinvigintave | |Quinvigintave | ||
|} | |||
=== Optimal clefs === | |||
This is the table of optimal clef layouts to be analogous to the treble and bass clef for scales with different sizes. This assumes that A3 is the top line of the bass clef. Preferably, the second line from the bottom of the staff is used as the treble clef, and the second line from the top is used as the bass clef, except when that would cause a clef with an ottava which could be avoided by using a different line for the clef indicator. | |||
{| class="wikitable" | |||
|+ | |||
!Scale size | |||
!Staff lines | |||
!Treble clef | |||
!Bass clef | |||
|- | |||
|3 | |||
|3 | |||
|A (ottava up) on 2nd line | |||
|B on 2nd line | |||
|- | |||
|4 | |||
|3 | |||
|A (ottava up) on 1st line | |||
|A on 3rd line | |||
|- | |||
|5 | |||
|4 | |||
|E on 1st line | |||
|D on 3rd line | |||
|- | |||
|6 | |||
|4 | |||
|A (ottava up) on 2nd line | |||
|E on 3rd line | |||
|- | |||
|7 | |||
|5 | |||
|G on 2nd line | |||
|F on 4th line | |||
|- | |||
|8 | |||
|5 | |||
|E on 1st line | |||
|G on 4th line | |||
|- | |||
|9 | |||
|6 | |||
|G on 2nd line | |||
|H on 5th line | |||
|- | |||
|10 | |||
|6 | |||
|E on 1st line | |||
|J on 5th line | |||
|- | |||
|11 | |||
|7 | |||
| rowspan="10" |G on 2nd line | |||
|K on 6th line | |||
|- | |||
|12 | |||
|7 | |||
|L on 6th line | |||
|- | |||
|13 | |||
|8 | |||
|M on 7th line | |||
|- | |||
|14 | |||
|8 | |||
|N on 7th line | |||
|- | |||
|15 | |||
|9 | |||
|O on 8th line | |||
|- | |||
|16 | |||
|9 | |||
|P on 8th line | |||
|- | |||
|17 | |||
|10 | |||
|Q on 9th line | |||
|- | |||
|18 | |||
|10 | |||
|R on 9th line | |||
|- | |||
|19 | |||
|11 | |||
|S on 10th line | |||
|- | |||
|20 | |||
|11 | |||
|T on 10th line | |||
|} | |} | ||
== Extension to other scales == | == Extension to other scales == | ||
For ternary systems, sharps and flats can be given subscripts or superscripts indicating what diesis is being sharpened or flattened by. | For ternary systems, sharps and flats can be given subscripts or superscripts indicating what diesis is being sharpened or flattened by. | ||