User:CompactStar/Ed10/3: Difference between revisions
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Incidentally, one way to treat 10/3 as an equivalence is the use of the 2:3:6 chord as the fundamental complete sonority in a very similar way to the 4:5:6 chord in meantone. Whereas in meantone it takes four [[3/2]] to get to [[5/4]], here it takes eight [[3/1]] to get to [[3/2]] (tempering out the comma 5000000/4782969 in the 5-limit). This [[regular temperament]] yields monolarge mos with 1–12 notes, followed by a 13-note [[12L 1s (10/3-equivalent)|12L 1s⟨10/3⟩]] mos. | Incidentally, one way to treat 10/3 as an equivalence is the use of the 2:3:6 chord as the fundamental complete sonority in a very similar way to the 4:5:6 chord in meantone. Whereas in meantone it takes four [[3/2]] to get to [[5/4]], here it takes eight [[3/1]] to get to [[3/2]] (tempering out the comma 5000000/4782969 in the 5-limit). This [[regular temperament]] yields monolarge mos with 1–12 notes, followed by a 13-note [[12L 1s (10/3-equivalent)|12L 1s⟨10/3⟩]] mos. | ||
[[Category:Ed10/3| ]] <!-- main article --> | |||
[[Category:Edonoi]] | [[Category:Edonoi]] | ||
[[Category:Lists of scales]] | |||