Harmonic series: Difference between revisions
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* Tuning to the overtones of the overtones & the undertones of the undertones. (This can produce complex scales such as [[Harry Partch]]'s 43-tone Monophonic; this kind of thing is more often called "just intonation" than "overtone music".) | * Tuning to the overtones of the overtones & the undertones of the undertones. (This can produce complex scales such as [[Harry Partch]]'s 43-tone Monophonic; this kind of thing is more often called "just intonation" than "overtone music".) | ||
== | == Music == | ||
; [[Richard Burdick]] | |||
* [http://www.i-ching-music.com/FREE102.html ''Planetary Ripples'']{{dead link}} | |||
; [[Folkart Slovakia]] ([http://www.fujara.sk/audio_samples.htm site]) | |||
* Various played with Fujara (slovak overtone flute) | |||
* [http://mysterybear.net/article/ | |||
* [http://mysterybear.net/article/ | ; {{w|Georg Friedrich Haas}} | ||
* [http:// | * Various<sup>[''which?'']</sup> | ||
* [ | |||
; [[Dave Hill]] | |||
* [http://sonic-arts.org/hill/10-passages-ji/10-passages-ji.htm ''Chord Progression on the Harmonic Overtone Series'']{{dead link}} [http://sonic-arts.org/hill/10-passages-ji/06_hill_chord-progression-on-harmonic-series.mp3 play]{{dead link}} | |||
* | |||
; [[Norbert Oldani]] | |||
* ''[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Oldani/DroneInsideAnHarmonicSeries.mp3 Drone Inside An Harmonic Series]''{{dead link}} | |||
* Various | |||
* | ; [[Dave Seidel]] | ||
* [http://mysterybear.net/article/18/threnody ''Threnody'']{{dead link}} [https://web.archive.org/web/20201127015923/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Seidel/Threnody.mp3 play] | |||
* [http://mysterybear.net/article/22/owllight ''Owllight'']{{dead link}} [https://web.archive.org/web/20201127012201/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Seidel/Owllight.mp3 play] | |||
* | * [http://mysterybear.net/article/23/palimpsest ''Palimsest'']{{dead link}} [https://web.archive.org/web/20201127012920/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Seidel/Palimpsest.mp3 play] | ||
; [[William Sethares]] | |||
* ''Immanent Sphere'' – [https://sethares.engr.wisc.edu/mp3s/immanent.html detail] | [https://web.archive.org/web/20201127013148/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/ImmanentSphere.mp3 play] | |||
; [[SoundWell]] ([http://www.soundwell.com/en/music site]) | |||
* Various ("Snake" overtone flute) | |||
; [[Spectral Voices]] ([http://www.spectralvoices.com/ site]) | |||
* Various (meditative new age with overtone singing) | |||
; [[Stimmhorn]] ([http://www.stimmhorn.ch/ site]) | |||
* Various (experimental alphorn and yodeling combined with overtone singing) | |||
; {{w|Karlheinz Stockhausen}} | |||
* {{w|Stimmung|''Stimmung''}} (1968) | |||
* {{w|Sternklang|''Sternklang''}} (1971) | |||
; [[Chris Vaisvil]] | |||
* ''Rock Trio in Harmonic Series'' (2016) – [http://chrisvaisvil.com/rock-trio-in-harmonic-series/ blog] | [http://micro.soonlabel.com/harmonic_series/Nevadatite20160226_harmonic_band.mp3 play] | |||
; {{w|Glenn Branca}} ([http://www.glennbranca.com/ site]) | |||
* ''Symphony No. 3 "Gloria"'' (1983) | |||
== See also == | == See also == |
Revision as of 08:47, 21 February 2024
The harmonic series is a sequence of tones generated by whole-number frequency ratios over a fundamental: 1/1, 2/1, 3/1, 4/1, 5/1, 6/1, 7/1… ad infinitum. Each member of this series is a harmonic (which is short for "harmonic partial").
Note that the terms overtone and overtone series are not quite synonymous with harmonic and harmonic series, respectively, although interchangeable usage is also attested. Technically speaking, overtone series excludes the starting fundamental, so the 2nd harmonic is the 1st overtone. Because of that distinction, the math of the "overtone series" is off by one. So, "harmonic series" is arguably the preferred standard.
In just intonation theory, the harmonic series is often treated as the foundation of consonance.
The subharmonic series (or undertone series) is the inversion of the harmonic series: 1/1, 1/2, 1/3, 1/4, 1/5, 1/6, 1/7... ad infinitum.
Music based on the harmonic series
The chord of nature is the name sometimes given to the harmonic series, or the series up to a certain stopping point, regarded as a chord.
Steps between adjacent members of the harmonic series are called "superparticular," and they appear in the form (n+1)/n (e.g. 4/3, 28/27, 33/32).
One might compose with the harmonic series by, for instance:
- Tuning to the first several harmonics over one fundamental;
- Tuning to an octave-repeating slice of the harmonic series for use as a scale (for instance harmonics 8 though 16, 12 through 24, 20 through 40... see overtone scales);
- Tuning to the overtones of the overtones & the undertones of the undertones. (This can produce complex scales such as Harry Partch's 43-tone Monophonic; this kind of thing is more often called "just intonation" than "overtone music".)
Music
- Various played with Fujara (slovak overtone flute)
- Various[which?]
- Various ("Snake" overtone flute)
- Various (meditative new age with overtone singing)
- Various (experimental alphorn and yodeling combined with overtone singing)
- Stimmung (1968)
- Sternklang (1971)
- Symphony No. 3 "Gloria" (1983)
See also
- Subharmonic series
- Gallery of just intervals
- Isoharmonic chords
- First Five Octaves of the Harmonic Series
- Overtone scales
- List of octave-reduced harmonics
- Prime harmonic series
- Mike Sheiman's Very Easy Scale Building From The Harmonic Series Page
- 8th Octave Overtone Tuning
External links
- Spectral music article on Wikipedia
- www.naturton-musik.de[dead link] - web site dedicated to overtone music (by Austrian composer Johannes Kotschy) - a lot of theory material and practical guides to write music based on the overtone series
- Overtone music network - a portal for overtone music.
- Oberton-Netzwerk (Xing)[dead link] - German-speaking group dedicated to overtone music on the social network platform Xing. Microtonal music in general is welcome, too.