Aberrismic theory

groundfault's aberrismic theory is a xen theory paradigm using aberrismas, a type of scale step which can be added to a scale pattern to turn it into a scale of one rank higher. The aberrisma is a new category of melodic steps that are smaller than the steps in the original scale, which are prototypically categorical "seconds" such as whole tones and semitones. The typical range for an aberrisma is 20 to 60 cents; groundfault holds the optimal melodic size for an aberrisma to be approximately 40 cents. Examples of ternary patterns that can be made by adding aberrismas to diatonic scales are:

• pinedye (5L2m1s or 1s)
• diasem (5L2m2s or 2s)
• blackdye (5L2m3s or 3s)
• diamech (5L2m4s or 4s)
• 5L2m5s (or 5s)

Aberrismic theory and RTT

Certain scales with aberrismas may be endowed with JI interpretations via RTT temperaments, such as equal temperaments. Under groundfault's use of edos (usually patent vals) as RTT temperaments, the aberrisma tends to become a 81/80 in a 2.3.5 context and a 64/63 in a 2.3.7 context. Some scales such as 5L2m5s and 5L2m7s admit a more accurate 2.3.5.7 interpretation that tempers neither 81/80 nor 64/63 but identifies the two commas, tempering out 5120/5103.

At times, a scale pattern has varying temperaments according to the tuning. For example, 5L2m3s may be given the temperament structure of either untempered 2.3.5 or Ultrapyth temperament.

Example: blackdye

The following table shows two different temperament interpretations for the same aberrismic scale pattern blackdye (sLmLsLmLsL), under untempered 2.3.5 and Ultrapyth respectively.

• Untempered does not mean that the final tuning must be the JI tuning, but simply that there exists a tuning with no deviation from JI, or that the temperament before applying the tuning map has the same rank as the JI subgroup.
• Ultrapyth, 2.3.5.7.11.13[32 & 37], is a diatonic temperament generated by a fifth even sharper than in Superpyth. 37edo provides a nearly optimal tuning. Note that we chose to regard the 3-step 2L + s as a 14/11 rather than as a 5/4, lest the interpretation merely be an extension of the untempered 2.3.5 one.

Blackdye intervals in two temperaments

Interval class	Sizes	Untempered 2.3.5	Ultrapyth
1-steps	s m L	81/80 16/15 10/9	143/140 22/21 160/143
2-steps	L + s L + m	9/8 32/27	8/7, 9/8 7/6
3-steps	L + 2s L + m + s 2L + s 2L + m	729/640 6/5 5/4 320/243	7/6 13/11 14/11 13/10
4-steps	2L + 2s 2L + m + s	81/64 4/3	13/10 4/3
5-steps	2L + m + 2s 2L + 2m + s 3L + 2s 3L + m + s	27/20 64/45 45/32 40/27	66/49 11/8 16/11 49/33
6-steps	3L + m + 2s 3L + 2m + s	3/2 128/81	3/2 20/13
7-steps	3L + m + 3s 3L + 2m + 2s 4L + m + 2s 4L + 2m + s	243/160 8/5 5/3 1280/729	20/13 11/7 22/13 12/7
8-steps	4L + m + 3s 4L + 2m + 2s	27/16 16/9	12/7 7/4, 16/9
9-steps	5L + 2m + s 5L + m + 2s 4L + 2m + 2s	9/5 15/8 160/81	143/80 21/11 280/143

Musical open problems

1. Investigate counterpoint in diatonic-based aberrismic scales.