Kite Guitar Exercises and Techniques by Kite Giedraitis: Difference between revisions
→Interesting Root Movements: added a link |
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|one of my favorites, even though 3 common tones | |one of my favorites, even though 3 common tones | ||
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These are similar to [https://viva.pressbooks.pub/openmusictheory/chapter/neo-riemannian-triadic-progressions/ neo-Riemannian progressions], but using 41-equal 7-limit tetrads not 12-equal 5-limit triads. | These are similar to [https://viva.pressbooks.pub/openmusictheory/chapter/neo-riemannian-triadic-progressions/ neo-Riemannian progressions], but using 41-equal 7-limit tetrads not 12-equal 5-limit triads. A more exact extension of the 12-equal case would allow only two tetrads, the v7 (harmonic) and vdv7 (subharmonic) ones. Interestingly, just as in the 5-limit 12-equal case, you can get from one tetrad to any other in five steps or less (four if the first and last chord have the same quality). Thus one can modulate to any key in 41edo fairly quickly. | ||
=== Harmonizing Fretwise Melodies === | === Harmonizing Fretwise Melodies === | ||