Kite Guitar translations by Kite Giedraitis: Difference between revisions
| Line 231: | Line 231: | ||
IV^m/3 5 . 7 6 . 0 (see note below) | IV^m/3 5 . 7 6 . 0 (see note below) | ||
Iv . 5 5 4 . 0 | Iv . 5 5 4 . 0 | ||
V4/v3 . 3 2 4 . 0 | V4/v3 . 3 2 4 . 0 | ||
IVv/3 6 . 7 7 . 0 | IVv/3 6 . 7 7 . 0 | ||
Iv/5 3 . 5 4 . 0 | Iv/5 3 . 5 4 . 0 | ||
Vv7 3 . 2 0 4 . | Vv7 3 . 2 0 4 . | ||
Iv . 5 5 4 . 0 | Iv . 5 5 4 . 0 | ||
</tt> | </tt> | ||
Instead of detuning, one could capo on the a-fret and move everything up one fret. | |||
The Blood On The Tracks version has the IVm chord voiced R-3-5. But I like it voiced with the 3rd in the bass. I like the tension created by the bass line slowly approaching the 5th, then suddenly jumping back up to the 8ve. For Dylan's voicing, just omit the bass and play . . 7 6 . 0 | The Blood On The Tracks version has the IVm chord voiced R-3-5. But I like it voiced with the 3rd in the bass. I like the tension created by the bass line slowly approaching the 5th, then suddenly jumping back up to the 8ve. For Dylan's voicing, just omit the bass and play . . 7 6 . 0 | ||