Kite Guitar Originals by Kite Giedraitis: Difference between revisions
→II-V-I riff in A downmajor: fixed a typo in the tab |
→Sweet Sweet Harmony (barbershop tag): added solfege |
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The exercise commonly also included a high tonic drone (which adds a 9th to the penultimate chord). The drone can be on the 1st string 5th fret or come from another instrument or from singing. | The exercise commonly also included a high tonic drone (which adds a 9th to the penultimate chord). The drone can be on the 1st string 5th fret or come from another instrument or from singing. | ||
Together, we turned it into a proper barbershop tag with lyrics and 4 parts | Together, we turned it into a proper barbershop tag with lyrics and 4 parts. The tenor's P1 is everyone else's P8. All notes are half notes, except the 3 pickup notes ("Gimme that") are eighth notes and the final note is a whole note. | ||
{| class="wikitable" | {| class="wikitable" | ||
|+ | |+ | ||
! rowspan="2" |lyrics | ! rowspan="2" |lyrics | ||
! colspan="4" |vocal parts | ! colspan="4" |vocal parts | ||
! colspan="4" |[[41edo solfege|solfege]] | |||
! colspan="2" |6-string guitar tab in vDb | ! colspan="2" |6-string guitar tab in vDb | ||
! colspan="2" |6-string guitar tab in Eb | ! colspan="2" |6-string guitar tab in Eb | ||
| Line 226: | Line 225: | ||
!lead | !lead | ||
!tenor | !tenor | ||
!Bs | |||
!Br | |||
!Ld | |||
!Tn | |||
![[KDF Fret Numbering|KDF frets]] | ![[KDF Fret Numbering|KDF frets]] | ||
!frets | !frets | ||
| Line 232: | Line 235: | ||
|- | |- | ||
|Gim- | |Gim- | ||
| ---- | | ---- | ||
| ---- | | ---- | ||
|P5 | |P5 | ||
| ---- | |||
| ---- | |||
| ---- | |||
|Sa | |||
| ---- | | ---- | ||
| - - ₒₒ3 - - - | | - - ₒₒ3 - - - | ||
| Line 245: | Line 251: | ||
|- | |- | ||
| -me | | -me | ||
| ---- | | ---- | ||
| ---- | | ---- | ||
|M6 | |M6 | ||
| ---- | |||
| ---- | |||
| ---- | |||
|La | |||
| ---- | | ---- | ||
| - - - ₒₒ0 - - | | - - - ₒₒ0 - - | ||
| Line 258: | Line 267: | ||
|- | |- | ||
|That | |That | ||
| ---- | | ---- | ||
| ---- | | ---- | ||
|vM7 | |vM7 | ||
| ---- | |||
| ---- | |||
| ---- | |||
|To | |||
| ---- | | ---- | ||
| - - - ₒₒ3 - - | | - - - ₒₒ3 - - | ||
| Line 271: | Line 283: | ||
|- | |- | ||
|Sweet | |Sweet | ||
|P5 | |P5 | ||
|vm7 | |vm7 | ||
| rowspan="5" |P8 | | rowspan="5" |P8 | ||
| | |vM3 | ||
|Sa | |||
|Tho | |||
| rowspan="5" |↑Da | |||
|Mo | |||
| - - ₒₒ3 ₒₒ1 ₒₒₒ1 0 | | - - ₒₒ3 ₒₒ1 ₒₒₒ1 0 | ||
| - - 11 9 13 0 | | - - 11 9 13 0 | ||
| Line 285: | Line 300: | ||
|- | |- | ||
|Sweet | |Sweet | ||
|P4 | |P4 | ||
|vM6 | |vM6 | ||
| | |vm3 | ||
|Fa | |||
|Lo | |||
|No | |||
| - ₒₒₒ2 ₒₒₒ2 ₒₒₒ1 ₒₒ3 - | | - ₒₒₒ2 ₒₒₒ2 ₒₒₒ1 ₒₒ3 - | ||
| - 14 14 13 11 - | | - 14 14 13 11 - | ||
| Line 297: | Line 314: | ||
|- | |- | ||
|Har- | |Har- | ||
|^m3 | |^m3 | ||
|^m6 | |^m6 | ||
| | |b5 | ||
|Nu | |||
|Flu | |||
|Sha | |||
| - ₒₒ3 ₒₒₒ1 ₒₒₒ1 - ₒₒ2 | | - ₒₒ3 ₒₒₒ1 ₒₒₒ1 - ₒₒ2 | ||
| - 11 13 13 - 10 | | - 11 13 13 - 10 | ||
| Line 309: | Line 328: | ||
|- | |- | ||
| -mo- | | -mo- | ||
|vM2 | |vM2 | ||
|vm6 | |vm6 | ||
| | |P4 | ||
|Ro | |||
|Flo | |||
|Fa | |||
|ₒₒₒ3 - ₒₒₒ0 ₒₒₒ1 ₒₒₒ3 - | |ₒₒₒ3 - ₒₒₒ0 ₒₒₒ1 ₒₒₒ3 - | ||
|15 - 12 13 15 - | |15 - 12 13 15 - | ||
| Line 321: | Line 342: | ||
|- | |- | ||
| -ny | | -ny | ||
|P1 | |P1 | ||
|P5 | |P5 | ||
| | |vM3 | ||
|Da | |||
|Sa | |||
|Mo | |||
|ₒₒₒ0 - ₒₒ3 ₒₒₒ1 ₒₒₒ1 - | |ₒₒₒ0 - ₒₒ3 ₒₒₒ1 ₒₒₒ1 - | ||
|12 - 11 13 13 - | |12 - 11 13 13 - | ||
| Line 332: | Line 355: | ||
|add8hi3 | |add8hi3 | ||
|} | |} | ||
The lead posts on "sweet" which turns into "-ny", so the lead ends up singing "swee". The bass uses the 41edo equi-dorian scale (P1 vM2 ^m3 P4 P5 vM6 ^m7 P8) which is reminiscent of [[250/243|Triyo/Porcupine]][7]. An optional 5th vocal part is a sub-bass which goes P8 P4 ^m6 m7 P8, with P8 being the same note as the bass's P1. This turns the vII^d^7 hi3 chord into a bVIIv9 hi5 chord. | The lead posts on "sweet" which turns into "-ny", so the lead ends up singing "swee". The bass uses the 41edo equi-dorian scale (P1 vM2 ^m3 P4 P5 vM6 ^m7 P8) which is reminiscent of [[250/243|Triyo/Porcupine]][7]. An optional 5th vocal part is a sub-bass which goes P8 P4 ^m6 m7 P8 (↑Da Fa Flu Tha ↑Da), with P8 being the same note as the bass's P1. This turns the vII^d^7 hi3 chord into a bVIIv9 hi5 chord. | ||
The guitar tab uses an open string in the 1st chord to get the hiR3 voicing. In the vDb tab, that open string can optionally be added to all the other chords too. | The guitar tab uses an open string in the 1st chord to get the hiR3 voicing. In the vDb tab, that open string can optionally be added to all the other chords too. | ||
| Line 341: | Line 364: | ||
== Downminor Etude== | == Downminor Etude== | ||
Video: https://youtu.be/hZ55MohHUb4 | Video: https://youtu.be/hZ55MohHUb4 (guitar & violin) | ||
Video (backing part only): [http://tallkite.com/KiteGuitar/Downminor%20Etude.m4v TallKite.com/KiteGuitar/Downminor Etude.m4v] | Video (backing part only): [http://tallkite.com/KiteGuitar/Downminor%20Etude.m4v TallKite.com/KiteGuitar/Downminor Etude.m4v] | ||
Audio: https://www.tallkite.com/music/DownminorNocturne.mp3 (acoustic & electric guitars) | |||
Audio (backing part only): [http://tallkite.com/KiteGuitar/Downminor%20Etude.mp3 TallKite.com/KiteGuitar/Downminor Etude.mp3] | Audio (backing part only): [http://tallkite.com/KiteGuitar/Downminor%20Etude.mp3 TallKite.com/KiteGuitar/Downminor Etude.mp3] | ||