41edo chord names: Difference between revisions

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corrected minor-major7 chord names
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|-
|-
!vM7
!vM7
|CvmvM7
|CvmM7
(CvmM?)
|CmvM7
|CmvM7
|C^mvM7
|C^mvM7
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|-
|-
!M7
!M7
|CvmM7
|Cvm,M7
|CmM7
|CmM7
(CmM?)
|C^m,M7
|C^mM7
|C~M7
|C~M7
|Cv,M7
|Cv,M7
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|Cvm^M7
|Cvm^M7
|Cm^M7
|Cm^M7
|C^m^M7
|C^mM7
(C^mM?)
|C~^M7
|C~^M7
|Cv^M7
|Cv^M7
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|}
|}
A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 41edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a [[Kite guitar]] by bending the upminor 3rd up slightly more than half a fret.
A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 41edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a [[Kite guitar]] by bending the upminor 3rd up slightly more than half a fret.
P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.


[[Category:Kite Guitar]]
[[Category:Kite Guitar]]
[[Category:41edo]]
[[Category:41edo]]