Kite Guitar translations by Kite Giedraitis: Difference between revisions
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=== Greensleeves (traditional) === | === Greensleeves (traditional) === | ||
The 2nd chord in the first two lines, ^bVIIv, is an optional passing chord. The V7 chord is translated as Vv | The 2nd chord in the first two lines, ^bVIIv, is an optional passing chord. The V7 chord is translated as Vv^7, because Vv7 sounds inappropriate for Renaissance music. The chord is voiced 1-5-7-10, and the interval from the 7th up to the 10th is a mid 4th. 41-edo flattens this 25/18 interval nearly down to 11/8. Somehow 11/8 sounds less out of place than 10/7! The melody uses the up 4th, to match this chord and also the ^bVIIv chord. The plain 4th is only used as part of the IV^m chord. | ||
The 3rd note of both the 3rd quarter and the 4th quarter of the song ("Greensleeves '''was''' my") is controversial. Some say it's a major 6th, some say minor. In the tabs, both possibilities are shown. | The 3rd note of both the 3rd quarter and the 4th quarter of the song ("Greensleeves '''was''' my") is controversial. Some say it's a major 6th, some say minor. In the tabs, both possibilities are shown. | ||
<tt> | <tt> | ||
I^m (^bVIIv) ^bIIIv | ^bVIIv V^m | ^bVIv IV^m | Vv / | |||
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I^m (^bVIIv) ^bIIIv | ^bVIIv V^m | ^bVIv Vv^7 | I^m / | |||
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^bIIIv / | ^bVIIv V^m | ^bVIv IV^m | Vv / | ^bIIIv / | ^bVIIv V^m | ^bVIv IV^m | Vv / | ||
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^bIIIv / | ^bVIIv V^m | ^bVIv Vv | ^bIIIv / | ^bVIIv V^m | ^bVIv Vv^7 | I^m / | ||
</tt> | </tt> | ||
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6-string tab in E upminor: | 6-string tab in E upminor: | ||
<tt> | <tt> | ||
I^m ^bIIIv ^bVIIv V^m | |||
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| . . . . 1 . | 4 . . 6 4 . | 1 . . . . . | . . . . . . | | | . . . . 1 . | 4 . . 6 4 . | 1 . . . . . | . . . . . . | | ||
Line 303: | Line 303: | ||
| 3 . . . . . | 6 . . . . . | . . . . . . | 1 . . . . . | | | 3 . . . . . | 6 . . . . . | . . . . . . | 1 . . . . . | | ||
I^m ^bIIIv ^bVIIv V^m | |||
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| . . . . 1 . | 4 . . 6 4 . | 1 . . . . . | . . . . . . | | | . . . . 1 . | 4 . . 6 4 . | 1 . . . . . | . . . . . . | | ||
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| . . . . . . | 3 . . . . . | . . . . . . | 1 . . . . . | | | . . . . . . | 3 . . . . . | . . . . . . | 1 . . . . . | | ||
^bVIv Vv | ^bVIv Vv^7 I^m | ||
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| 3 . . . . . | 3 . . . . . | . . . . . . | 1 . . . . . | | | 3 . . . . . | 3 . . . . . | . . . . . . | 1 . . . . . | | ||
^bVIv Vv | ^bVIv Vv^7 I^m | ||
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8-string tab in A upminor. Adding the notes in parentheses creates the passing chords. | 8-string tab in A upminor. Adding the notes in parentheses creates the passing chords. | ||
<tt> | <tt> | ||
I^m (^bVIIv) ^bIIIv ^bVIIv V^m | |||
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| . . . . 3 . | 6 . . 8 6 . | 3 . . . . . | . . . . . . | | | . . . . 3 . | 6 . . 8 6 . | 3 . . . . . | . . . . . . | | ||
Line 376: | Line 376: | ||
| 6 . . . . . | . . . . . . | 4 . . . . . | . . . . . . | | | 6 . . . . . | . . . . . . | 4 . . . . . | . . . . . . | | ||
I^m (^bVIIv) ^bIIIv ^bVIIv V^m | |||
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| . . . . 3 . | 6 . . 8 6 . | 3 . . . . . | . . . . . . | | | . . . . 3 . | 6 . . 8 6 . | 3 . . . . . | . . . . . . | | ||
Line 386: | Line 386: | ||
| . . . . . . | . . . . . . | . . . . . . | 4 . . . . . | | | . . . . . . | . . . . . . | . . . . . . | 4 . . . . . | | ||
^bVIv Vv | ^bVIv Vv^7 I^m | ||
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Line 428: | Line 428: | ||
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^bVIv Vv | ^bVIv Vv^7 I^m | ||
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