User:Aura: Difference between revisions

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'''<u>What are your current/past/future particular interests?</u>'''

My main interests in the area of xenharmonic music at present are focused on compositions involving both more harmonically pure versions of the thirty-five 12-EDO proper heptatonic modes, and working with the 7-prime-limit and 11-prime-limit harmonies, though I'm not above messing with 13-prime-limit, 17-prime-limit and even 19-prime-limit harmonies. In addition, I've since taken a shine to [[159edo]] due to its near-perfect approximation of the 2.3.11 subgroup, and have worked on that particular page here rather extensively for a page on a mega-EDO. In the future, I'd like to take what I've learned and use it to further develop Treble-Down music- who says Bass-Up is the only direction to build chords and harmonies and melodies?

One of my main interests in the area of xenharmonic music at present are focused on compositions involving both more harmonically pure versions of the thirty-five 12-EDO proper heptatonic modes, and, surprisingly, perfecting the art of using grave fifths and acute fourths in otherwise traditional-sounding music. Another main interest of mine is working with the 7-prime-limit and 11-prime-limit harmonies, though I'm not above messing with 13-prime-limit, 17-prime-limit and even 19-prime-limit harmonies. In addition to the aforementioned, I've since taken a shine to [[159edo]] due to its near-perfect approximation of the 2.3.11 subgroup, and have worked on that particular page here rather extensively for a page on a mega-EDO. In the future, I'd like to take what I've learned and use it to further develop Treble-Down music- who says Bass-Up is the only direction to build chords and harmonies and melodies?

'''<u>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</u>'''

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 '''<u>What are your current/past/future particular interests?</u>'''
-My main interests in the area of xenharmonic music at present are focused on compositions involving both more harmonically pure versions of the thirty-five 12-EDO proper heptatonic modes, and working with the 7-prime-limit and 11-prime-limit harmonies, though I'm not above messing with 13-prime-limit, 17-prime-limit and even 19-prime-limit harmonies.  In addition, I've since taken a shine to [[159edo]] due to its near-perfect approximation of the 2.3.11 subgroup, and have worked on that particular page here rather extensively for a page on a mega-EDO.  In the future, I'd like to take what I've learned and use it to further develop Treble-Down music- who says Bass-Up is the only direction to build chords and harmonies and melodies?
+One of my main interests in the area of xenharmonic music at present are focused on compositions involving both more harmonically pure versions of the thirty-five 12-EDO proper heptatonic modes, and, surprisingly, perfecting the art of using grave fifths and acute fourths in otherwise traditional-sounding music.  Another main interest of mine is working with the 7-prime-limit and 11-prime-limit harmonies, though I'm not above messing with 13-prime-limit, 17-prime-limit and even 19-prime-limit harmonies.  In addition to the aforementioned, I've since taken a shine to [[159edo]] due to its near-perfect approximation of the 2.3.11 subgroup, and have worked on that particular page here rather extensively for a page on a mega-EDO.  In the future, I'd like to take what I've learned and use it to further develop Treble-Down music- who says Bass-Up is the only direction to build chords and harmonies and melodies?
 '''<u>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</u>'''