EDe: Difference between revisions

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Line 18: Line 18:
|1
|1
|173.12
|173.12
|e^(1/10)
|e<sup>1/10</sup>
|11/10
|11/10
|flat whole tone
|flat whole tone
Line 24: Line 24:
|2
|2
|346.25
|346.25
|e^(1/5)
|e<sup>1/5</sup>
|11/9
|11/9
|neutral third
|neutral third
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|3
|3
|519.37
|519.37
|e^(3/10)
|e<sup>3/10</sup>
|43/32
|43/32
|sharp fourth
|sharp fourth
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|4
|4
|692.49
|692.49
|e^(2/5)
|e<sup>2/5</sup>
|3/2
|3/2
|flat fifth
|flat fifth
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|5
|5
|865.62
|865.62
|e^(1/2)
|e<sup>1/2</sup>
|5/3
|5/3
|flat major sixth
|flat major sixth
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|6
|6
|1038.74
|1038.74
|e^(3/5)
|e<sup>3/5</sup>
|117/64
|117/64
|neutral seventh
|neutral seventh
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|7
|7
|1211.86
|1211.86
|e^(7/10)
|e<sup>7/10</sup>
|2/1
|2/1
|stretched octave
|stretched octave
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|8
|8
|1384.99
|1384.99
|e^(4/5)
|e<sup>4/5</sup>
|20/9
|20/9
|flat major ninth
|flat major ninth
Line 66: Line 66:
|9
|9
|1558.11
|1558.11
|e^(9/10)
|e<sup>9/10</sup>
|22/9
|22/9
|neutral tenth
|neutral tenth
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|10
|10
|1731.23
|1731.23
|e/1
|e
|43/16
|43/16
|natave
|natave
Line 83: Line 83:


== 17-EDN ==
== 17-EDN ==
17-EDN is very close to 12-EDO but with slightly sharp semitones (101.84 cents). This causes the octave to be far too sharp (1222 cents) and gives it a rather pleasant sharp fifth of 712 cents.
17-EDN is very close to 12-EDO but with slightly sharp semitones (101.84 cents). This causes the octave to be far too sharp (1222.05 cents; essentially double a Pythagorean large tritone) and gives it a rather pleasant sharp fifth of 712.86 cents.
 
== 24-EDN ==
24-EDN has third tones so far sharp of 17-EDO that it becomes a stretched 50-ED8 (50\24 is 2406.74 cents). However, 43\24 is essentially the 6th harmonic (1514.83+1586.965=3101.79 cents)..

Revision as of 19:07, 23 September 2020

Equal divisions of the natave, which is the mathematical constant e used as a musical interval. e is of particular interest because of its relationship with logarithms, the fact that pitch is perceived logarithmically, and the fact that equal divisions are logarithmic.

10-EDN

Intervals of 10-EDN
Step Cents Ratio JI approximation(s) Interval
0 0.0 1/1 1/1 unison
1 173.12 e1/10 11/10 flat whole tone
2 346.25 e1/5 11/9 neutral third
3 519.37 e3/10 43/32 sharp fourth
4 692.49 e2/5 3/2 flat fifth
5 865.62 e1/2 5/3 flat major sixth
6 1038.74 e3/5 117/64 neutral seventh
7 1211.86 e7/10 2/1 stretched octave
8 1384.99 e4/5 20/9 flat major ninth
9 1558.11 e9/10 22/9 neutral tenth
10 1731.23 e 43/16 natave

Beyond the natave, some particularly pleasant JI intervals can be found: 11\10 is only 2 cents sharp from 3/1; 13\10 is very close to 11/2; and 23\10 is very close to 10/1. This last approximation in particular makes this equal division almost equivalent to 23-ed(10/1).

10-EDN is similar to 7-EDO in that its step size is roughly 1/7 of an octave, therefore roughly corresponding to the diatonic scale, but with warped, equal-size steps. However, the octave is stretched, which simultaneously helps the extremely flat fifth of 7-EDO.

20-EDN is a doubling of 10-EDN with intervals closer to semitones.

17-EDN

17-EDN is very close to 12-EDO but with slightly sharp semitones (101.84 cents). This causes the octave to be far too sharp (1222.05 cents; essentially double a Pythagorean large tritone) and gives it a rather pleasant sharp fifth of 712.86 cents.

24-EDN

24-EDN has third tones so far sharp of 17-EDO that it becomes a stretched 50-ED8 (50\24 is 2406.74 cents). However, 43\24 is essentially the 6th harmonic (1514.83+1586.965=3101.79 cents)..