Kite Guitar: Difference between revisions
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v7 8 v6 | v7 8 v6 | ||
# | #IVv9no5 . 13 13 . 10 11 (4,10) (4,13) If the melody supplies the 9th, could be a v7 chord. | ||
3 4 | 3 4 . 1 2 ^b6 b7 | ||
9 v10 | 9 v10 | ||
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9 ^b10 8 | 9 ^b10 8 | ||
^VIv7 . 10 12 12 . 9 (3,9) (3,12) | ^VIv7 . 10 12 12 . 9 (3,9) (3,12) Should be a v9 chord, but not enough strings. | ||
2 3 4 1 ^7 #8 | 2 3 4 1 ^7 #8 Could start with a v7sus2 chord . 10 12 9 . 9 = 2 3 1 1 | ||
9 v10 | 9 v10 then end the bar with the v7 chord shown here. | ||
^II^m9 13 12 12 11 11 . (2,11) (2,13) (3,14) If the melody supplies the 9th, could be a ^m7 chord. | ^II^m9 13 12 12 11 11 . (2,11) (2,13) (3,14) If the melody supplies the 9th, could be a ^m7 chord. | ||
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~VIIv7 . 12 14 14 . 11 (3,11) (3,14) (2,11) (2,13) Again, should really be a v9 chord. | ~VIIv7 . 12 14 14 . 11 (3,11) (3,14) (2,11) (2,13) Again, should really be a v9 chord. | ||
2 3 4 1 ^^8 ^9 ^10 ~11 | 2 3 4 1 ^^8 ^9 ^10 ~11 Again, could start with a v7sus2 chord and end with a v7. | ||
9 v10 b12 12 | 9 v10 b12 12 | ||
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^b10 ^b3 4 5 v6 ^b7 | ^b10 ^b3 4 5 v6 ^b7 | ||
VIv7b9b12no3 4 . 3 1 0 2 (1,2) (1,4) Could instead be a v7b9b12no5 chord, 4 4 . 1 0 2 | |||
4 3 1 2 b10 10 played as 4 | 4 3 1 2 b10 10 If the melody supplies the b12th, could be a v7b9 chord, | ||
b12 12 played as 4 4 3 1 0 . | |||
II^m7 . 6 5 5 4 . (1,6)(4,5)(4,8)(3,5)(3,8)(2,4) (3,8) could be (2,2) = 7 = 6, or even (3,9) = ^7 = ^6 | II^m7 . 6 5 5 4 . (1,6)(4,5)(4,8)(3,5)(3,8)(2,4) (3,8) could be (2,2) = 7 = 6, or even (3,9) = ^7 = ^6 | ||
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Vv7b5 . 6 8 8 5 5 (2,5) Should be a v7b9b12 chord, not enough strings or fingers! | Vv7b5 . 6 8 8 5 5 (2,5) Should be a v7b9b12 chord, not enough strings or fingers! | ||
2 3 4 1 1 b9 (Vv7b5 means add a flat 5, | 2 3 4 1 1 b9 (Vv7b5 means add a flat 5, Vv7(b5) means flatten the 5.) | ||
b5 | b5 | ||