Talk:Height: Difference between revisions

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Mike Battaglia (talk | contribs)
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WikispacesArchive>Mike Battaglia
m Text replacement - "'''All discussion below is archived from the Wikispaces export in its original unaltered form.'''" to "'''All discussion below is archived from the Wikispaces export in its original unaltered form.''' <span style="color:#800000">''...
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= ARCHIVED WIKISPACES DISCUSSION BELOW =
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'''All discussion below is archived from the Wikispaces export in its original unaltered form.'''
 
<span style="color:#800000">'''PLEASE MAKE ANY NEW COMMENTS <u>ABOVE</u> THIS SECTION.'''</span> Anything below here is for archival purposes only.
 
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== Applied to chords? ==
Are height formulas applied to chords, too?  Or is this called something different? 
 
Erlich talks about Sethares "dissonance" measure not really being dissonance because 4:5:6 and 1/4:1/5:1/6 measure the same but the major chord sounds more consonant than the minor, so he calls it "roughness" only, and it must be combined with "tonalness" (similarity to a harmonic series) to estimate a total "consonance". 
 
"Unlike roughness, tonalness is not merely concerned with pairwise interactions of tones but three-way and higher interactions as well. A mathematical model for it is out of my grasp at the moment."
 
But 1/4:1/5:1/6 = 10:12:15, which *is* in the harmonic series (like every JI chord) but farther away from the root, so some kind of height function on the chord ratios would seem to fit the "tonalness" criteria.
 
- '''Omegatron''' September 10, 2014, 06:54:17 AM UTC-0700
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Revision as of 18:01, 1 October 2018

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