17edo solfege: Difference between revisions
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Expanding the "movable-do" solfege system for [[ | Expanding the "movable-do" solfege system for [[17edo]]: an aid for microtonal singing; a way of wrapping your brain around a new sound system. | ||
Ordinary solfege syllables work very well in 17: | Ordinary solfege syllables work very well in 17: | ||
| Line 5: | Line 5: | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! 0 | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! 8 | |||
! 9 | |||
! 10 | |||
! 11 | |||
! 12 | |||
! 13 | |||
! 14 | |||
! 15 | |||
! 16 | |||
|- | |- | ||
| C | |||
| Db | |||
| C# | |||
| D | |||
| Eb | |||
| D# | |||
| E | |||
| F | |||
| Gb | |||
| F# | |||
| G | |||
| Ab | |||
| G# | |||
| A | |||
| Bb | |||
| A# | |||
| B | |||
|- | |- | ||
| do | |||
| ra | |||
| di | |||
| re | |||
| me | |||
| ri | |||
| mi | |||
| fa | |||
| se | |||
| fi | |||
| sol | |||
| le | |||
| si | |||
| la | |||
| te | |||
| li | |||
| do | |||
|} | |} | ||
| Line 66: | Line 66: | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! 0 | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! 8 | |||
! 9 | |||
! 10 | |||
! 11 | |||
! 12 | |||
! 13 | |||
! 14 | |||
! 15 | |||
! 16 | |||
|- | |- | ||
| C | |||
| Db | |||
| C# | |||
| D | |||
| Eb | |||
| D# | |||
| E | |||
| F | |||
| Gb | |||
| F# | |||
| G | |||
| Ab | |||
| G# | |||
| A | |||
| Bb | |||
| A# | |||
| B | |||
|- | |- | ||
| C | |||
| C-up | |||
| D-down | |||
| D | |||
| D-up | |||
| E-down | |||
| E | |||
| F | |||
| F-up | |||
| G-down | |||
| G | |||
| G-up | |||
| A-down | |||
| A | |||
| A-up | |||
| B-down | |||
| B | |||
|} | |} | ||
| Line 131: | Line 131: | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! 0 | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! 8 | |||
! 9 | |||
! 10 | |||
! 11 | |||
! 12 | |||
! 13 | |||
! 14 | |||
! 15 | |||
! 16 | |||
|- | |- | ||
| C | |||
| Db | |||
| '''D-down''' | |||
| D | |||
| Eb | |||
| '''E-down''' | |||
| E | |||
| F | |||
| Gb | |||
| F# | |||
| G | |||
| Ab | |||
| '''A-down''' | |||
| A | |||
| Bb | |||
| '''B-down''' | |||
| B | |||
|- | |- | ||
| do | |||
| ra | |||
| '''ru''' | |||
| re | |||
| me | |||
| '''mu''' | |||
| mi | |||
| fa | |||
| se | |||
| fi | |||
| sol | |||
| le | |||
| '''lu''' | |||
| la | |||
| te | |||
| '''tu''' | |||
| ti | |||
|} | |} | ||
| Line 194: | Line 194: | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! 0 | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! 8 | |||
! 9 | |||
! 10 | |||
! 11 | |||
! 12 | |||
! 13 | |||
! 14 | |||
! 15 | |||
! 16 | |||
|- | |- | ||
| C | |||
| Db | |||
| D-down | |||
| D | |||
| Eb | |||
| E-down | |||
| E | |||
| F | |||
| '''F-up''' | |||
| '''G-down''' | |||
| G | |||
| Ab | |||
| A-down | |||
| A | |||
| Bb | |||
| B-down | |||
| B | |||
|- | |- | ||
| do | |||
| ra | |||
| ru | |||
| re | |||
| me | |||
| mu | |||
| mi | |||
| fa | |||
| '''fu''' | |||
| '''su''' | |||
| sol | |||
| le | |||
| lu | |||
| la | |||
| te | |||
| tu | |||
| ti | |||
|} | |} | ||
| Line 255: | Line 255: | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! 0 | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! 8 | |||
! 9 | |||
! 10 | |||
! 11 | |||
! 12 | |||
! 13 | |||
! 14 | |||
! 15 | |||
! 16 | |||
|- | |- | ||
| C | |||
| '''C-up''' | |||
| D-down | |||
| D | |||
| '''D-up''' | |||
| E-down | |||
| E | |||
| F | |||
| F-up | |||
| G-down | |||
| G | |||
| '''G-up''' | |||
| A-down | |||
| A | |||
| '''A-up''' | |||
| B-down | |||
| B | |||
|- | |- | ||
| do | |||
| '''da''' | |||
| du | |||
| re | |||
| '''ro''' | |||
| mu | |||
| mi | |||
| fa | |||
| fu | |||
| su | |||
| sol | |||
| '''sa''' | |||
| lu | |||
| la | |||
| '''lo''' | |||
| tu | |||
| do | |||
|} | |} | ||
===side-by-side=== | ===side-by-side=== | ||
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{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! 0 | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! 8 | |||
! 9 | |||
! 10 | |||
! 11 | |||
! 12 | |||
! 13 | |||
! 14 | |||
! 15 | |||
! 16 | |||
|- | |- | ||
| C | |||
| Db/C-up | |||
| C#/D-down | |||
| D | |||
| Eb/D-up | |||
| D#/E-down | |||
| E | |||
| F | |||
| Gb/F-up | |||
| F#/G-down | |||
| G | |||
| Ab/G-up | |||
| G#/A-down | |||
| A | |||
| Bb/A-up | |||
| A#/B-down | |||
| B | |||
|- | |- | ||
| do | |||
| ra | |||
| di | |||
| re | |||
| me | |||
| ri | |||
| mi | |||
| fa | |||
| se | |||
| fi | |||
| sol | |||
| le | |||
| si | |||
| la | |||
| te | |||
| li | |||
| do | |||
|- | |- | ||
| do | |||
| da | |||
| du | |||
| re | |||
| ro | |||
| mu | |||
| mi | |||
| fa | |||
| fu | |||
| su | |||
| sol | |||
| sa | |||
| lu | |||
| la | |||
| lo | |||
| tu | |||
| do | |||
|} | |} | ||
See also [[ | See also [[22edo Solfege]] | ||
[[Category:17edo]] | |||
[[Category:Solfege]] | |||
Revision as of 22:35, 28 October 2018
Expanding the "movable-do" solfege system for 17edo: an aid for microtonal singing; a way of wrapping your brain around a new sound system.
Ordinary solfege syllables work very well in 17:
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | Db | C# | D | Eb | D# | E | F | Gb | F# | G | Ab | G# | A | Bb | A# | B |
| do | ra | di | re | me | ri | mi | fa | se | fi | sol | le | si | la | te | li | do |
Note that syllables usually treated as enharmonic equivalents become distinct pitches in 17 (eg. "ra" & "di"). Spelling matters here.
This system could work just fine on its own, but what if I want to respell the pitches to put them into another pitch class? For example, what if I want to treat D# as a kind of third (a neutral third) instead of a kind of second (an augmented second)? For pitches, we have up-down arrows (thank you Sagittal) that can allow us to respell like this:
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | Db | C# | D | Eb | D# | E | F | Gb | F# | G | Ab | G# | A | Bb | A# | B |
| C | C-up | D-down | D | D-up | E-down | E | F | F-up | G-down | G | G-up | A-down | A | A-up | B-down | B |
So, for example, we can respell our augmented second, D#, as a neutral third, E-down, & get something more intuitive & useful for certain purposes.
But what if we want solfege syllables for these respellings?
ru, mu, lu & tu
I offer the suffix "-u" to indicate neutral 2nds, 3rds, 6ths, & 7ths.
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | Db | D-down | D | Eb | E-down | E | F | Gb | F# | G | Ab | A-down | A | Bb | B-down | B |
| do | ra | ru | re | me | mu | mi | fa | se | fi | sol | le | lu | la | te | tu | ti |
So if we encounter a "ru," we know to take it as a neutral second (not an augmented unison); if we encounter "lu," we know to take it as a neutral sixth (not an augmented fifth) & so on.
fu & su
What about the two tritones? Perhaps you want to respell G-flat as F-up. For this, I offer "fu"; likewise, if you want G-down in place of F-up, I offer "su".
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | Db | D-down | D | Eb | E-down | E | F | F-up | G-down | G | Ab | A-down | A | Bb | B-down | B |
| do | ra | ru | re | me | mu | mi | fa | fu | su | sol | le | lu | la | te | tu | ti |
other enharmonics
Some offers, to fill out the octave:
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | C-up | D-down | D | D-up | E-down | E | F | F-up | G-down | G | G-up | A-down | A | A-up | B-down | B |
| do | da | du | re | ro | mu | mi | fa | fu | su | sol | sa | lu | la | lo | tu | do |
side-by-side
For comparison, the full system:
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | Db/C-up | C#/D-down | D | Eb/D-up | D#/E-down | E | F | Gb/F-up | F#/G-down | G | Ab/G-up | G#/A-down | A | Bb/A-up | A#/B-down | B |
| do | ra | di | re | me | ri | mi | fa | se | fi | sol | le | si | la | te | li | do |
| do | da | du | re | ro | mu | mi | fa | fu | su | sol | sa | lu | la | lo | tu | do |
See also 22edo Solfege