The Library: Difference between revisions

<ul><li>Smith, Charles Samuel, ''[http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary]'' . Indiana University, Ph.D., 1960.</li><li>Mandelbaum, Joel, ''[http://www.anaphoria.com/mandelbaum.html Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament]'', Indiana University, Ph.D., 1961.</li><li>Adkins, Cecil Dale, ''[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF The Theory and Practice of the Monochord] .'' State University of Iowa, Ph.D., 1963.</li><li>Farhat, Hormoz, ''The Dastgah Concept in Persian Music''. University of California, Los Angeles,, Ph.D., 1965.</li><li>Green, Burdette Lamar, ''[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]'' . The Ohio State University, Ph.D., 1969.</li><li>Signell, Karl L, <span style="">''The Turkish "makam" system in contemporary theory and practice''. XXX, Ph.D., 1973.</span></li><li>Whaley, David Robert. [https://www.researchgate.net/publication/36375527_The_microtonal_capability_of_the_horn_microform?_sg=b3UJaF_eSdScr3IkY4lvc8Cl7ZJPVluJjXXlbCIoDCsVaGsZUoEJ6VHHIY-mi1DTam52oWhky5cqZC8 The Microtonal Capability of the Horn]. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.</li><li>Battan, Suzette Mary, ''[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1 Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]'', University of Rochester, Ph.D., 1980.</li><li>Maltz, Richard Steven, [https://www.researchgate.net/publication/35073444_Microtonal_techniques_in_Charles_Ives%27s_%27Three_quarter-tone_pieces_for_two_pianos_%27_Harry_Patch%27s_%27And_the_seventh_day_petals_fell_in_Petaluma%27_and_Ben_Johnston%27s_%27Fourth_string_quartet%27 Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet'], University of South Carolina, Ph.D., 1991.</li><li>Ayers, Lydia, [https://www.researchgate.net/publication/34958258_Exploring_microtonal_tunings_a_kaleidoscope_of_extended_just_tunings_and_their_compositional_applications Exploring microtonal tunings : a kaleidoscope of extended just tunings and their compositional applications], University of Illinois at Urbana-Champaign, D.M.A thesis, 1994,</li><li>Djordjevic, Michael, L., ''Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum''. Radio Belgrade, Ph.D., 1995.</li><li>Kassel, Richard M., ''The Evolution of Harry Partch's Monophony''. CUNY, Ph.D., 1996.</li><li>Clampitt, David, ''Pairwise Well-formed Scales: Structural and Transformational Properties''. SUNY at Buffalo, Ph.D., 1997.</li><li>Carey, Norman A., ''[https://www.researchgate.net/publication/235712212_Distribution_modulo_1_and_musical_scales Distribution Modulo 1 and Musical Scales]''. University of Rochester, Ph.D., 1998.</li><li>Douthett, Jack, ''[https://www.researchgate.net/publication/234262980_The_theory_of_maximally_and_minimally_even_sets_the_one-_dimensional_antiferromagnetic_Ising_model_and_the_continued_fraction_compromise_of_musical_scales The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales]''. University of New Mexico, Ph.D., 1999.</li><li>Werntz, Julia Catherine, ''Toward an understanding of expanded equal temperament (Joseph Maneri)''. Brandeis University, Ph.D., 2000.</li><li>Quinn, Ian, ''[http://canonsrythmiques.free.fr/gueststars/diss.pdf A Unified Theory of Chord Quality in Equal Temperaments]'', Eastman School of Music, Ph.D., 2004.</li><li>Baker, Gene V. , [https://www.researchgate.net/publication/35951304_The_name_of_Zeus_notions_of_trance_and_the_17-note_microtonal_Chancey?_sg=5zT2E0Kg9plvizwlhc4wdx_8gjpxSIqq8vOS5AAHANkleXHctHfkMRCmHRoT5mMlm1KCpQ6Rt57WIa0 The name of Zeus : notions of trance and the 17-note microtonal "Chancey"], Mills College, M.F.A thesis, 2004.</li><li>Telese, Marciano, [https://www.researchgate.net/publication/317101330_Spectral_tuning_and_its_application_to_instrumental_and_vocal_composition Spectral tuning and its application to instrumental and vocal composition], thesis, 2005.</li><li>Skinner. Myles, ''[http://www.tierceron.com/diss/index.php Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]'', Buffalo University, Ph.D., 2006.</li><li>Ferrer, Rafael,''[https://www.researchgate.net/publication/215646531_The_role_of_timbre_in_the_memorization_of_microtonal_intervals The Role of Timbre in the Memorization of Microtonal Intervals], Tecnológico de Monterrey, Ph. D., 2007.''</li><li>''Yarman, Ozan,'' [http://www.ozanyarman.com/files/doctorate_thesis.pdf 79-Tone Tuning &amp; Theory for Turkish Maqam Music]''. Istanbul Technical University, Ph.D., 2008.''</li><li>''Pohlit, Stefan,'' [http://stefanpohlit.com/dissertation.engl..htm Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun]'', Istanbul Technical University, Ph.D., 2011.''</li><li>''Ederer, Eric,'' [http://www.ericederer.com/diss/diss.html The Theory and Praxis of Makam in Classical Turkish Music 1910-2010]'', University of California Santa Barbara, Ph.D., 2011.''</li><li>''Heraty, Johanne Paula,'' [http://www.ams-net.org/ddm/fullResult.php?id=15022 The Microtonal Music of Ezra Sims]'', University College Dublin, Ph.D., 2011.''</li><li>''Milne, Andrew J.,'' [https://www.researchgate.net/publication/258121094_A_computational_model_of_the_cognition_of_tonality A Computational Model for the Cognition of Tonality]'', Western Sydney University, Ph.D., 2013.''</li><li>''Burle, Jan,'' [https://www.researchgate.net/publication/275654070_An_Application_of_Calculated_Consonance_in_Computer-Assisted_Microtonal_Music An Application for the Calculated Consonance in Computer-Assisted Microtonal Music], Ph.D., 2013.</li><li>Hearne, Gareth, ''[https://www.facebook.com/l.php?u=https%3A%2F%2Fwww.dropbox.com%2Fs%2F8hp3421ne7tjnha%2FGareth%2520Hearne%2520Dissertation.pdf%3Fdl%3D0&h=TAQFNBDai Towards a new model of microtonal music: The regular temperaments of 22TET]'', UWA School of Music, honors thesis dissertation, 2014.</li></ul>

<ul><li>Chalmers, John H., 1993, [http://eamusic.dartmouth.edu/%7Elarry/published_articles/divisions_of_the_tetrachord/index.html Divisions of the Tetrachord]</li><li>[[:File:Barker_2001_-_Scientific_Method_in_Ptolemy's_Harmonics.pdf|Barker 2001 - Scientific Method in Ptolemy's Harmonics.pdf]]</li><li>[[:File:Barker_2007_-_The_Science_of_Harmonics_in_Classical_Greece.pdf|Barker 2007 - The Science of Harmonics in Classical Greece.pdf]]</li><li>Helmholtz, Hermann von, 1862, [http://www.archive.org/details/onsensationsofto00helmrich On the Sensations of Tone]</li></ul>

<ul><li>[[Music_Cognition_Literature|Music Cognition Literature]]</li><li>[[WebCite citPractice -- '''''Mike's note - what was this supposed to be?'''''</li></ul>      [[Category:books]]