Pentadacus: Difference between revisions

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'''Pentadacus''' is a [[nonoctave]] [[regular temperament]] in the 5.7.11 [[subgroup]] which tempers out the comma [[831875/823543]]. It is even more exotic than [[Bohlen-Pierce]], lacking both [[2/1]] and [[3/1]], and typically it would be used with an [[equave]] of [[5/1]], also known as the pentave. It is generated by a [[meantone]]-esque small whole tone interval that represents [[54/49]]. Stacking 3 of these tones gives [[7/5]] and 7 of them give [[11/5]].  It was first discovered and named by [[User:CompactStar|CompactStar]] in 2026.
'''Pentadacus''' is a [[nonoctave]] [[regular temperament]] in the 5.7.11 [[subgroup]] which tempers out the comma [[831875/823543]]. It is even more exotic than [[Bohlen-Pierce]], lacking both [[2/1]] and [[3/1]], and typically it would be used with an [[equave]] of [[5/1]], also known as the pentave. It is generated by a [[meantone]]-esque small whole tone interval that represents [[54/49]]. Stacking 3 of these tones gives [[7/5]] and 7 of them give [[11/5]].  It was first discovered and named by [[User:CompactStar|CompactStar]] in 2026.


[[14ed5]] is an inaccurate but important tuning of Pentadacus, because in 14ed5, the whole tone generator corresponds to a single step of 14ed5, although the whole tone is bigger than usual being around [[9/8]]-sized, causing the approximations of 7/5 and 11/5 to be bad. Basically, pentadacus can be thought of as a compressed 14ed5, at least until you hit [[5/1]]. 14ed5 is also close to [[6edo]], the familiar whole-tone scale with octaves, and 6 generators in pentadacus can sound like a tempered octave but it’s usually quite inaccurate and dissonant. Properly-tuned Pentadacus generates the [[5/1]]-equivalent [[MOS scales]] [[1L 1s (5/1-equivalent)|1L 1s<5/1>]], [[1L 2s (5/1-equivalent)|1L 2s<5/1>]], etc. until ending the monolarge MOS chain at [[1L 13s (5/1-equivalent)|1L 13s<5/1>]], followed by [[14L 1s (5/1-equivalent)|14L 1s<5/1>]], [[14L 15s (5/1-equivalent)|14L 15s<5/1>]]. After this it branches into.
Pentadacus has both low [[complexity]] (especially by the standards of the 5/1-equivalent world, where scales have lots of notes) and low [[error]] if tuned correctly, providing an [[efficiency|efficient]] traversal of the 5.7.11 subgroup.
 
[[14ed5]] is an inaccurate but important tuning of Pentadacus, because in 14ed5, the whole tone generator corresponds to a single step of 14ed5, although the whole tone is bigger than usual being around [[9/8]]-sized, causing the approximations of 7/5 and 11/5 to be bad. Basically, pentadacus can be thought of as a compressed 14ed5, at least until you hit [[5/1]]. In this respect, it is similar to a [[cluster temperament]], but does not seem to exactly meet the definition of a cluster temperament. 14ed5 is also close to [[6edo]], the familiar whole-tone scale with octaves, and 6 generators in pentadacus can sound like a tempered octave but it’s usually quite inaccurate and dissonant. Properly-tuned Pentadacus generates the [[5/1]]-equivalent [[MOS scales]] [[1L 1s (5/1-equivalent)|1L 1s<5/1>]], [[1L 2s (5/1-equivalent)|1L 2s<5/1>]], etc. until ending the monolarge MOS chain at [[1L 13s (5/1-equivalent)|1L 13s<5/1>]], followed by [[14L 1s (5/1-equivalent)|14L 1s<5/1>]], [[14L 15s (5/1-equivalent)|14L 15s<5/1>]]. After this it branches into.  


Pentadacus has both low [[complexity]] (especially by the standards of the 5/1-equivalent world, where scales have lots of notes) and low [[error]] if tuned correctly, providing an [[efficiency|efficient]] traversal of the 5.7.11 subgroup. In that respect it's vaguely similar to [[meantone]] in the 5-limit and [[Bohlen-Pierce-Stearns]] in the 3.5.7 subgroup, but it also differs  because of the proximity of its generator to a step of 14ed5, while the generators of meantone and BPS are not similar to the step size of any non-trivial EDO or EDT.


Pentadacus is connected to the octave-repeating [[didacus]] temperament as both have a small whole tone generator for which 3 stack to 7/5, and [[undecimal didacus]] can actually be viewed not only as an extension of didacus to include the 11th harmonic, but also an extension of pentadacus to include octaves.
Pentadacus is connected to the octave-repeating [[didacus]] temperament as both have a small whole tone generator for which 3 stack to 7/5, and [[undecimal didacus]] can actually be viewed not only as an extension of didacus to include the 11th harmonic, but also an extension of pentadacus to include octaves.