User:Holger Stoltenberg/embed: Difference between revisions

linked 3 of 5 uploaded audio files (work in progress)
Fig.5 was supplemented by 4 audio examples
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[[Adam Neely]]; The 7 Levels of Jazz Harmony, <br>  
[[Adam Neely]]; The 7 Levels of Jazz Harmony, <br>  
'''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}}
'''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}}
<br>
Fig.5 shows a comparison of four augmented chords that sound quite different: <br>
Listen to the following audio examples...
[[File:Fig-5 tonal space 753i aug.png|thumb|380px|right|<u>Fig.5</u>: Selection of different augmented chords]]
:{| class="wikitable"
!Chord
!Play
!Info
|-
|mode16 aug (16:20:25)<br>2 stacked pure 3rds||[[File:Audio1_tonal_space_I-min+IV-min.mp3|72px]]||<math>I</math>min, <math>I</math>min, <math>IV</math>min, <br><math>IV</math>min, <math>I</math>min
|-
|mode14 aug (14:18:22)<br>sounds equal to (7:9:11)||[[File:Audio2_tonal_space_I-min+I-augmin+IV-min.mp3|72px]]||<math>I</math>min, <math>I</math>xen-augmin, <math>IV</math>min, <br><math>IV</math>min, <math>I</math>min ... <small>''(2 times)''</small>
|-
|mode11 aug (11:14:17)<br>No, this is not major...||[[File:Audio1_tonal_space_I-min+IV-min.mp3|72px]]||<math>I</math>min, <math>I</math>min, <math>IV</math>min, <br><math>IV</math>min, <math>I</math>min
|-
|mode10 aug (10:13:16)<br>extra wide 3rd||[[File:Audio1_tonal_space_I-min+IV-min.mp3|72px]]||<math>I</math>min, <math>I</math>min, <math>IV</math>min, <br><math>IV</math>min, <math>I</math>min
|}
<br>
<br>
Fig.5 shows a comparison of four augmented chords that sound quite different. <br>
Fig.5 shows a comparison of four augmented chords that sound quite different. <br>
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!Play
!Play
|-
|-
|mode16 aug (16:20:25)<br>2 stacked pure 3rds||[[File:Audio1_tonal_space_I-min+IV-min.mp3|80px]]
|mode16 aug (16:20:25)<br>2 stacked pure 3rds||[[File:TS_aug_L16_p25_C_P-I_Fig-5.mp3|80px]]
|-
|-
|mode14 aug (14:18:22)<br>sounds equal to (7:9:11)||[[File:Audio2_tonal_space_I-min+I-augmin+IV-min.mp3|80px]]
|mode14 aug (14:18:22)<br>sounds equal to (7:9:11)||[[File:TS_aug_L14_C_P-I_Fig-5.mp3|80px]]
|-
|-
|mode11 aug (11:14:17)<br>no, this is not major...||[[File:TS_aug_L11-14-17_C_P-I_Fig-5.mp3|80px]]
|mode11 aug (11:14:17)<br>no, this is not major...||[[File:TS_aug_L11-14-17_C_P-I_Fig-5.mp3|80px]]
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|mode10 aug (10:13:16)<br>extra wide 3rd||[[File:TS_aug_L10_C_P-I_Fig-5.mp3|80px]]
|mode10 aug (10:13:16)<br>extra wide 3rd||[[File:TS_aug_L10_C_P-I_Fig-5.mp3|80px]]
|-
|-
|<br>mode8 maj (8:10:12)<br>pure major for reference<br><br>||[[File:TS_maj_lin_8_C_P-I_Fig-5.mp3|80px]]
|<br>mode8 maj (8:10:12)<br>'''pure major''' for reference<br><br>||[[File:TS_maj_lin_8_C_P-I_Fig-5.mp3|80px]]
|}
|}
<br>