User:Holger Stoltenberg/embed: Difference between revisions

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|mode10 aug (10:13:16)<br>extra wide 3rd||[[File:Audio1_tonal_space_I-min+IV-min.mp3|72px]]||<math>I</math>min, <math>I</math>min, <math>IV</math>min, <br><math>IV</math>min, <math>I</math>min
|mode10 aug (10:13:16)<br>extra wide 3rd||[[File:Audio1_tonal_space_I-min+IV-min.mp3|72px]]||<math>I</math>min, <math>I</math>min, <math>IV</math>min, <br><math>IV</math>min, <math>I</math>min
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<br>
Fig.5 shows a comparison of four augmented chords that sound quite different: <br>
Listen to the following audio examples...
[[File:Fig-5 tonal space 753i aug.png|thumb|420px|right|<u>Fig.5</u>: Selection of different augmented chords]]
:{| class="wikitable"
!Chord
!Play
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|mode16 aug (16:20:25)<br>2 stacked pure 3rds||[[File:Audio1_tonal_space_I-min+IV-min.mp3|72px]]
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|mode14 aug (14:18:22)<br>sounds equal to (7:9:11)||[[File:Audio2_tonal_space_I-min+I-augmin+IV-min.mp3|72px]]
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|mode11 aug (11:14:17)<br>no, this is not major...||[[File:Audio1_tonal_space_I-min+IV-min.mp3|72px]]
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|mode10 aug (10:13:16)<br>extra wide 3rd||[[File:Audio1_tonal_space_I-min+IV-min.mp3|72px]]
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|<br>mode8 maj (8:10:12)<br>pure major as reference<br><br>||[[File:Audio1_tonal_space_I-min+IV-min.mp3|72px]]
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