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'''Mohajira''' (/mʊˈhɑːdʒɪɹə, -hæ-/ ''muu-HA(H)-jirr-ə'' or /məˈhɑːdʒɪɹə, -hæ-/ ''mə-HA(H)-jirr-ə'', named by Jacques Dudon from Arabic مهاجرة ''Muhājirah'') is a [[Meantone_family#Mohajira|meantone]] temperament that splits 3/2 into two 11/9 | '''Mohajira''' (/mʊˈhɑːdʒɪɹə, -hæ-/ ''muu-HA(H)-jirr-ə'' or /məˈhɑːdʒɪɹə, -hæ-/ ''mə-HA(H)-jirr-ə'', named by Jacques Dudon from Arabic مهاجرة ''Muhājirah'') is a [[Meantone_family#Mohajira|meantone]] temperament that splits 3/2 into two 11/9 generators and the 6/5 into two 11/10's, thus equating 11/10 with 12/11 and 11/9 with 27/22. As a result, eight 11/9s reach 5/4, and five reach 11/8. It tempers the biyatisma ([[121/120]]) and the [[rastma]] (along with meantone's [[syntonic comma]]). It can be thought of as meantone with quarter tones as it merely splits the generator 3/2 into two equally spaced neutral thirds. Among the most common is the seven note MOS mohajira[7] which consists of the steps LsLsLss, as well as the modMOS "Rast" which merely flats the fourth by one quarter tone. | ||
For temperament data see [[Meantone family #Mohajira]]. | For temperament data see [[Meantone family #Mohajira]]. |
Revision as of 09:57, 22 June 2025
Mohajira (/mʊˈhɑːdʒɪɹə, -hæ-/ muu-HA(H)-jirr-ə or /məˈhɑːdʒɪɹə, -hæ-/ mə-HA(H)-jirr-ə, named by Jacques Dudon from Arabic مهاجرة Muhājirah) is a meantone temperament that splits 3/2 into two 11/9 generators and the 6/5 into two 11/10's, thus equating 11/10 with 12/11 and 11/9 with 27/22. As a result, eight 11/9s reach 5/4, and five reach 11/8. It tempers the biyatisma (121/120) and the rastma (along with meantone's syntonic comma). It can be thought of as meantone with quarter tones as it merely splits the generator 3/2 into two equally spaced neutral thirds. Among the most common is the seven note MOS mohajira[7] which consists of the steps LsLsLss, as well as the modMOS "Rast" which merely flats the fourth by one quarter tone.
For temperament data see Meantone family #Mohajira.
Interval chain
Up from the tonic, and fifthward | Down from the octave, and fourthward | ||||
---|---|---|---|---|---|
# | Cents* | Ratios | # | Cents* | Ratios |
0 | 0 | 1/1 | 0 | 1200 | 2/1 |
1 | 348.207 | 11/9, 27/22 | -1 | 851.793 | 44/27, 18/11 |
2 | 696.414 | 3/2 | -2 | 503.586 | 4/3 |
3 | 1044.621 | 20/11, 11/6 | -3 | 155.379 | 11/10, 12/11 |
4 | 192.828 | 9/8, 10/9 | -4 | 1007.172 | 9/5, 16/9 |
5 | 541.035 | 11/8 | -5 | 658.965 | 16/11 |
6 | 889.242 | 5/3 | -6 | 310.758 | 6/5 |
7 | 37.449 | 33/32 | -7 | 1162.551 | 64/33 |
8 | 385.656 | 5/4 | -8 | 814.344 | 8/5 |
9 | 733.863 | -9 | 466.137 | ||
10 | 1082.07 | -10 | 117.93 | ||
11 | 230.277 | -11 | 969.723 | ||
12 | 578.484 | -12 | 621.516 | ||
13 | 926.691 | -13 | 273.309 | ||
14 | 74.898 | -14 | 1125.102 |
Scales and harmony
There are seven modes of mohajira's 7-note MOS (named mosh due to being "mohajira-ish") which are structured in an analogous way to the seven modes of the major scale. They can be thought of as quarter tone altered modes in a 24 EDO setting, but also as microtonal altered scales in any equal temperament. While the Mohajira[7] MOS by itself is quite beautiful, the modMOS Rast tends to be more expressive as it contains a few major and minor thirds allowing for more contrast.
For Kentaku's further exploration, see Mohajira/Scales.