User:Nick Vuci/TonalityDiamond: Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
Moved to [[Tonality diamond|main space]] 11 MAY 2025 by [[User:Sintel|Sintel]] | Moved to [[Tonality diamond|main space]] 11 MAY 2025 by [[User:Sintel|Sintel]] | ||
A '''tonality diamond''' is a symmetric organization of [[Otonality and utonality|otonal and utonal]] chords based around a central note and bounded by an [[Odd limit|odd-limit]]. First formalized in the [[7-odd-limit]] by [[wikipedia:Max_Friedrich_Meyer|Max F. Meyer]] in 1929, the idea became central to the music and theories of [[Harry Partch]], who built his tonal system around the [[11-odd-limit]] tonality diamond. Tonality diamonds have been used both conceptually (such as for [[Target tuning|targets]] of [[temperaments]]) and practically (such as for instrument layouts) in xenharmonics ever since. | A '''tonality diamond''' is a symmetric organization of [[Otonality and utonality|otonal and utonal]] chords based around a central note and bounded by an [[Odd limit|odd-limit]]. First formalized in the [[7-odd-limit]] by [[wikipedia:Max_Friedrich_Meyer|Max F. Meyer]] in 1929, the idea became central to the music and theories of [[Harry Partch]], who built his tonal system around the [[11-odd-limit]] tonality diamond. Tonality diamonds have been used both conceptually (such as for [[Target tuning|targets]] of [[temperaments]]) and practically (such as for instrument layouts) in xenharmonics ever since. | ||
[[File:5-Limit Tonality Diamond original format.mp4|thumb]] | |||
[https://nickvuci.github.io/wiki-applets/tonalityDiamond.html '''Play some tonality diamonds to hear how they sound.''' | [https://nickvuci.github.io/wiki-applets/tonalityDiamond.html '''Play some tonality diamonds to hear how they sound.'''] | ||
== Construction == | == Construction == | ||