Armodue theory: Difference between revisions
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1, 1#, 2, 2#, 3, 3#, 4, 5, 5#, 6, 6#, 7, 7#, 8, 8#, 9 | 1, 1#, 2, 2#, 3, 3#, 4, 5, 5#, 6, 6#, 7, 7#, 8, 8#, 9 | ||
This is the recommended system for Armodue theory, though in technicality any notation system can be used. | |||
Relative notation is simply done by specifying the number of edosteps, in order to support alternative scale constructions. For example, one refers not to the perfect fourth or fifth (at least in the specific sense of Armodue intervals) but to the intervals of 7-eka and 9-eka. | |||
However, the interval between a note at frequency n and other at frequency 2n is called a ''tenth,'' ''decave,'' or ''decim''. | |||
The basic semitone of Armodue, whatever concrete temperament is used, is always called '''eka''' (from Sanskrit eka: one, unit). In the chromatic Armodue scale, one eka always corresponds to the interval between any two consecutive notes. | The basic semitone of Armodue, whatever concrete temperament is used, is always called '''eka''' (from Sanskrit eka: one, unit). In the chromatic Armodue scale, one eka always corresponds to the interval between any two consecutive notes. | ||