Armodue theory: Difference between revisions
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''(summary translation from the Italian language site'' [http://www.armodue.com/ricerche.htm Armodue] '')'' | ''(summary translation from the Italian language site'' [http://www.armodue.com/ricerche.htm Armodue] '')'' | ||
Armodue theory is a xenharmonic notation and theory system for 16-note tuning, not only in the sense of [[16edo|16-tone equal temperament]], but also regarding half-equal tuning, [[Lou_Harrison|Lou Harrison]]'s [[JustIntonation|Just intonation]] 16 note scale, the natural octave division by [http://www.pertout.com/ Andrián Pertout], and the 16-to-31 [[OverToneSeries|overtone scale]] | Armodue theory is a xenharmonic notation and theory system for 16-note tuning, not only in the sense of [[16edo|16-tone equal temperament]], but also regarding half-equal tuning, [[Lou_Harrison|Lou Harrison]]'s [[JustIntonation|Just intonation]] 16 note scale, the natural octave division by [http://www.pertout.com/ Andrián Pertout], and the 16-to-31 [[OverToneSeries|overtone scale]]. | ||
== Notation == | |||
In order to make Armodue approachable, while also making its notation distinct from Western diatonic notation, the Italian creators of the [http://armodue.com/ Armodue] system named the notes numbering from 1 to 9: | In order to make Armodue approachable, while also making its notation distinct from Western diatonic notation, the Italian creators of the [http://armodue.com/ Armodue] system named the notes numbering from 1 to 9: | ||