12edt: Difference between revisions
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{{Infobox ET}} | {{Infobox ET}} | ||
{{ED intro}} | |||
12edt corresponds to 7.571 edo, and can be used as a generator chain for [[Kleismic_family#Hemikleismic|hemikleismic temperament]]. From a no-twos point of view, it tempers out 49/45 and 27/25 in the 7-limit, and 1331/1125 and 1331/1225 in the 11-limit. | |||
== Prime harmonics == | == Prime harmonics == | ||
{{Harmonics in equal|12|3|1|intervals=prime}} | {{Harmonics in equal|12|3|1|intervals=prime}} | ||
== Theory == | |||
In octave land, 12edo handles the 2.3.5 subgroup and [[11edo]] handles the 2.7.11 subgroup—ie. meantone and orgone temperaments. In tritave land however, 13edt handles the 3.5.7 territory (Bohlen–Pierce) and 12edt handles the 2.3.5.13.17.19—and, it is a multiple of 4edt which is the simplest BP equal temperament. | |||
=== Macrodiatonic and macromeantone === | |||
12edt can be viewed as a version of [[12edo]] with octaves stretched out to [[3/1|tritaves]], so it contains an extremely stretched diatonic scale or [[macrodiatonic and microdiatonic|macrodiatonic]] {{sl|5L 2s}} scale. This scale has an identical structure to diatonic, but with everything stretched out to be unrecognizable, since, for example, the [[generator]] is now the size of a major seventh instead of a perfect fifth. The stretched perfect fifth can be approximated by [[17/9]] and the stretched major third by [[13/9]]. This gives rise to a "macromeantone" temperament which operates in the 3.13.17 [[subgroup]], equating 4 [[17/9]] to [[13/9]] tritave-reduced, rather than 4 [[3/2]] to [[5/4]] octave-reduced (although this is not a completely exact stretching of meantone, unlike some macromeantones like [[meansquared]] which repeats at [[4/1]]). | |||
Another example of a macrodiatonic scale is [[17ed5|hyperpyth]] which repeats at the fifth harmonic and is based on the 5:9:13:(17):(21) chord. | |||
== Interval table == | |||
{{Interval table}} | |||
== Scala file == | == Scala file == | ||
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3/1 | 3/1 | ||
</pre> | </pre> | ||
== Compositions == | == Compositions == | ||