User:Contribution/Chanopif Project: Difference between revisions

Line 106:

=== Purpose ===

Chanopif’s primary objective is to facilitate '''unambiguous, universal microtonal tunings''' within the MIDI 2.0 ecosystem. By standardizing on '''[[402653184edo|402,653,184-EDO]]''' and '''[[Tuning per channel|tuning per channel]]''', Chanopif ensures that any ~~tuning~~, any ~~note pitch~~, can be represented consistently in <code>.cnpf</code> files. Key goals and benefits include:

Chanopif’s primary objective is to facilitate '''unambiguous, universal microtonal tunings''' within the MIDI 2.0 ecosystem. By standardizing on '''[[402653184edo|402,653,184-EDO]]''' and '''[[Tuning per channel|tuning per channel]]''', Chanopif ensures that any note pitch, any tuning, can be represented consistently in <code>.cnpf</code> files. Key goals and benefits include:

* '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.

@@ Line 106: / Line 106: @@
 === Purpose ===
-Chanopif’s primary objective is to facilitate '''unambiguous, universal microtonal tunings''' within the MIDI 2.0 ecosystem. By standardizing on '''[[402653184edo|402,653,184-EDO]]''' and '''[[Tuning per channel|tuning per channel]]''', Chanopif ensures that any tuning, any note pitch, can be represented consistently in <code>.cnpf</code> files. Key goals and benefits include:
+Chanopif’s primary objective is to facilitate '''unambiguous, universal microtonal tunings''' within the MIDI 2.0 ecosystem. By standardizing on '''[[402653184edo|402,653,184-EDO]]''' and '''[[Tuning per channel|tuning per channel]]''', Chanopif ensures that any note pitch, any tuning, can be represented consistently in <code>.cnpf</code> files. Key goals and benefits include:
 * '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.