User:CompactStar/EDO impressions: Difference between revisions

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[[6edo]]: By far the most popular of the 12edo subsets, it has quite a directionless sound unless the type of very brute-force contrast from 3edo is applied. Works well for atonal music.

[[7edo]]: Interesting but I do slightly prefer 5edo. Equalization of many different scales, but most importantly to listeners accustomed to 12edo, diatonic. Analogous to 5edo, the neutral third and sixth are on a border region, in which they are slightly too neutral to sound supraminor or submajor, but too much in the direction of minor or major to properly be in the neutral area. ~~There are~~ quasi-equal heptatonic ~~scales that are similar in sound but more versatile and also can be expanded if needed,~~ like [[33edo]]'s near-equalized diatonic or [[3L 4s]] [[neutral third scale]]s.

[[7edo]]: Interesting but I do slightly prefer 5edo. Equalization of many different scales, but most importantly to listeners accustomed to 12edo, diatonic. Analogous to 5edo, the neutral third and sixth are on a border region, in which they are slightly too neutral to sound supraminor or submajor, but too much in the direction of minor or major to properly be in the neutral area. I would rather use a quasi-equal heptatonic scale like [[33edo]]'s near-equalized diatonic or [[3L 4s]] [[neutral third scale]],, they are are similar in sound but more versatile and also can be expanded if needed.

[[8edo]]:

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 [[6edo]]: By far the most popular of the 12edo subsets, it has quite a directionless sound unless the type of very brute-force contrast from 3edo is applied.  Works well for atonal music.
-[[7edo]]: Interesting but I do slightly prefer 5edo. Equalization of many different scales, but most importantly to listeners accustomed to 12edo, diatonic. Analogous to 5edo, the neutral third and sixth are on a border region, in which they are slightly too neutral to sound supraminor or submajor, but too much in the direction of minor or major to properly be in the neutral area. There are quasi-equal heptatonic scales that are similar in sound but more versatile and also can be expanded if needed, like [[33edo]]'s near-equalized diatonic or [[3L 4s]] [[neutral third scale]]s.
+[[7edo]]: Interesting but I do slightly prefer 5edo. Equalization of many different scales, but most importantly to listeners accustomed to 12edo, diatonic. Analogous to 5edo, the neutral third and sixth are on a border region, in which they are slightly too neutral to sound supraminor or submajor, but too much in the direction of minor or major to properly be in the neutral area. I would rather use a quasi-equal heptatonic scale like [[33edo]]'s near-equalized diatonic or [[3L 4s]] [[neutral third scale]],, they are are similar in sound but more versatile and also can be expanded if needed.
 [[8edo]]: