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Currently experimenting with anti-diatonic stuff like EDOs 9, 11, 13, 16, and 23. | Currently experimenting with anti-diatonic stuff like EDOs 9, 11, 13, 16, and 23. | ||
At some point I plan to make a piece similar to [[wikipedia:Twelve_Microtonal_Etudes_for_Electronic_Music_Media|Easley Blackwood's 12 Etudes]] or [https://aaronandrewhunt.bandcamp.com/album/the-equal-tempered-keyboard Aaron Andrew Hunt's Equal-Tempered Keyboard], an "album" experimenting with a range of different EDO systems. | |||
'''[https://akahler.w3spaces.com/ I have a website!!]''' | '''[https://akahler.w3spaces.com/ I have a website!!]''' | ||
== An idea for notation I had == | I also exist on the [https://discord.com/invite/FSF5JFT XA Discord], currently under the alias ''Sir Semiflat''. | ||
Something I noticed in [[Ups and downs notation|regular EDO notation]], relying on Pythagorean names with an extra layer of accidentals, is that the | |||
==An idea for notation I had == | |||
Something I noticed in [[Ups and downs notation|regular EDO notation]], relying on Pythagorean names with an extra layer of accidentals, is that the Pythagorean major third in a lot of EDO systems doesn't match the [[5/4|just major third 5/4]]. So, with some thought from Just Intonation notations, I came up with something that I think might be promising. | |||
In essence, instead of solely relying on Pythaogrean names and arrows for edosteps in between (which can get unwieldy in larger EDOs, e.g. [[72edo#Intervals|72-EDO]]), I considered making the arrow represent the [[syntonic comma]] instead. If your EDO has a different pitch for the just major third and the Pythagorean major third, then of course, it has a syntonic comma that hasn't been tempered out. This won't change anything for EDOs with a syntonic comma less than or equal to one step, of course, but it could have an effect on even "sharper" systems like 37-EDO. | In essence, instead of solely relying on Pythaogrean names and arrows for edosteps in between (which can get unwieldy in larger EDOs, e.g. [[72edo#Intervals|72-EDO]]), I considered making the arrow represent the [[syntonic comma]] instead. If your EDO has a different pitch for the just major third and the Pythagorean major third, then of course, it has a syntonic comma that hasn't been tempered out. This won't change anything for EDOs with a syntonic comma less than or equal to one step, of course, but it could have an effect on even "sharper" systems like 37-EDO. | ||
Line 106: | Line 110: | ||
|17 | |17 | ||
|Bbb | |Bbb | ||
|^Ab | | ^Ab | ||
|^G | |^G | ||
|- | |- | ||
Line 112: | Line 116: | ||
|Cbb | |Cbb | ||
|^^Ab | |^^Ab | ||
|^Ab | | ^Ab | ||
|- | |- | ||
|19 | | 19 | ||
|Ex | | Ex | ||
|vvG# | |vvG# | ||
|vG# | |vG# | ||
Line 122: | Line 126: | ||
|Fx | |Fx | ||
|vG# | |vG# | ||
|vA | | vA | ||
|- | |- | ||
|21 | |21 | ||
|G# | |G# | ||
|G# | | G# | ||
|G# | |G# | ||
|- | |- | ||
Line 152: | Line 156: | ||
|F#x | |F#x | ||
|vvA# | |vvA# | ||
| | |vA# | ||
|- | |- | ||
|27 | |27 | ||
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|- | |- | ||
|28 | |28 | ||
|A# | | A# | ||
|A# | |A# | ||
|A# | |A# | ||
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|2 | |2 | ||
|Eb | |Eb | ||
|E | | E | ||
|Eb, (D | |Eb, (D | ||
|- | |- | ||
Line 241: | Line 245: | ||
|F# | |F# | ||
|F# | |F# | ||
|F#, )G | | F#, )G | ||
|- | |- | ||
|5 | | 5 | ||
|F | |F | ||
|Gb | |Gb | ||
|F, )A | |F, )A | ||
|- | |- | ||
|6 | | 6 | ||
|G | |G | ||
|G# | |G# | ||
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|8 | |8 | ||
|B | |B | ||
|A# | | A# | ||
|B, (G | |B, (G | ||
|- | |- | ||
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|Bb | |Bb | ||
|Bb | |Bb | ||
|Bb, (A | | Bb, (A | ||
|- | |- | ||
|10 | |10 | ||
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''I have also devised custom accidentals for quartertones in both diatonic and anti-diatonic systems, but the image uploading process is being weird so I'll have to figure that out at some point.'' | ''I have also devised custom accidentals for quartertones in both diatonic and anti-diatonic systems, but the image uploading process is being weird so I'll have to figure that out at some point.'' | ||
== Cloudy scales == | == Cloudy scales== | ||
I don't know about you, but I love the seventh harmonic. These scales are named after the [[cloudy comma]], and use different [[7-limit]] intervals for generators. | I don't know about you, but I love the seventh harmonic. These [[MOS scale|MOS scales]] are named after the [[cloudy comma]], and use different [[7-limit]] intervals for generators. | ||
===Cumulus Alpha=== | |||
'''''Cumulus Alpha''''' is a 5L6s MOS with [[7/4]] as the generator and [[2/1]] as the period. This appears to approximate a subset of [[26edo|26-EDO]]; it approximates the whole of 26-EDO when extended to a 5L21s MOS, which I dub '''''Cumulus Alpha Holo'''''. | |||
''That's right. We're comparing JI to EDOs instead of the other way around.'' | |||
'''' | |||
{| class="wikitable mw-collapsible" | {| class="wikitable mw-collapsible" | ||
!Steps | ! Steps | ||
!Ratio | !Ratio | ||
!Cents | !Cents | ||
Line 306: | Line 312: | ||
|0 | |0 | ||
|- | |- | ||
|1 | | 1 | ||
|16807/16384 | | 16807/16384 | ||
|43.130 | |43.130 | ||
|1 | |1 | ||
Line 362: | Line 368: | ||
|} | |} | ||
=== Cumulus Beta === | ===Cumulus Beta=== | ||
'''''Cumulus Beta''''' is an 4L5s MOS with [[7/6]] as the generator and [[2/1]] as the period. It approximates all intervals of [[9edo|9-EDO]] within a cent, proving 9-EDO's place as an exceptional 7-limit approximation. | '''''Cumulus Beta''''' is an 4L5s MOS with [[7/6]] as the generator and [[2/1]] as the period. It approximates all intervals of [[9edo|9-EDO]] within a cent, with a mean difference of about 0.409 cents, proving 9-EDO's place as an exceptional 7-limit approximation. | ||
{| class="wikitable mw-collapsible" | {| class="wikitable mw-collapsible" | ||
!Steps | !Steps | ||
Line 370: | Line 376: | ||
!9-EDO Difference | !9-EDO Difference | ||
|- | |- | ||
|0 | | 0 | ||
|1/1 | |1/1 | ||
|0.000 | |0.000 | ||
Line 421: | Line 427: | ||
|} | |} | ||
=== Cumulus Gamma === | ===Cumulus Gamma=== | ||
'''''Cumulus Gamma''''' is an 3L8s MOS with [[9/7]] as the generator and [[2/1]] as the period. It approximates all intervals of [[11edo|11-EDO]] within | '''''Cumulus Gamma''''' is an 3L8s MOS with [[9/7]] as the generator and [[2/1]] as the period. It approximates all intervals of [[11edo|11-EDO]] within 7 cents, with a mean difference of 3.199 cents. | ||
{| class="wikitable mw-collapsible" | {| class="wikitable mw-collapsible" | ||
!Steps | !Steps |
Revision as of 14:41, 22 May 2023
Hello! My name is Andrew and I like screwing around with xenharmony, especially notation.
Currently experimenting with anti-diatonic stuff like EDOs 9, 11, 13, 16, and 23.
At some point I plan to make a piece similar to Easley Blackwood's 12 Etudes or Aaron Andrew Hunt's Equal-Tempered Keyboard, an "album" experimenting with a range of different EDO systems.
I also exist on the XA Discord, currently under the alias Sir Semiflat.
An idea for notation I had
Something I noticed in regular EDO notation, relying on Pythagorean names with an extra layer of accidentals, is that the Pythagorean major third in a lot of EDO systems doesn't match the just major third 5/4. So, with some thought from Just Intonation notations, I came up with something that I think might be promising.
In essence, instead of solely relying on Pythaogrean names and arrows for edosteps in between (which can get unwieldy in larger EDOs, e.g. 72-EDO), I considered making the arrow represent the syntonic comma instead. If your EDO has a different pitch for the just major third and the Pythagorean major third, then of course, it has a syntonic comma that hasn't been tempered out. This won't change anything for EDOs with a syntonic comma less than or equal to one step, of course, but it could have an effect on even "sharper" systems like 37-EDO.
For single edosteps, we can instead use a sort of slash-like symbol Bosanquet used in his notation, and perhaps stack them on top of each other to use less horizontal space.
Here's a full example in 37-EDO:
Steps | Pythagorean notation | Old notation | New notation |
---|---|---|---|
0 | D | D | D |
1 | Eb | Eb | Eb |
2 | Fb | ^Eb | ^D |
3 | Gbb | ^^Eb | ^Eb |
4 | Bx | vvD# | vD# |
5 | Cx | vD# | vE |
6 | D# | D# | D# |
7 | E | E | E |
8 | F | F | F |
9 | Gb | Gb | Gb |
10 | Abb | ^Gb | ^F |
11 | Bbbb | ^^Gb | ^Gb |
12 | Dx | vvF# | vF# |
13 | E# | vF# | vG |
14 | F# | F# | F# |
15 | G | G | G |
16 | Ab | Ab | Ab |
17 | Bbb | ^Ab | ^G |
18 | Cbb | ^^Ab | ^Ab |
19 | Ex | vvG# | vG# |
20 | Fx | vG# | vA |
21 | G# | G# | G# |
22 | A | A | A |
23 | Bb | Bb | Bb |
24 | Cb | ^Bb | ^A |
25 | Dbb | ^^Bb | vBb |
26 | F#x | vvA# | vA# |
27 | Gx | vA# | vB |
28 | A# | A# | A# |
29 | B | B | B |
30 | C | C | C |
31 | Db | Db | Db |
32 | Ebb | ^Db | ^C |
33 | Fbb | ^^Db | ^Db |
34 | Ax | vvC# | vC# |
35 | B# | vC# | vD |
36 | C# | C# | C# |
37 | D | D | D |
And for anti-diatonic systems, use ( and ) instead of ^ and v, using harmonic notation.
An example in 13-EDO:
Steps | Pythagorean/old notation | 26-EDO Subset | New notation |
---|---|---|---|
0 | D | D | D |
1 | E | Dx, Ebb | E, (C |
2 | Eb | E | Eb, (D |
3 | Fx | Ex, Fb | (E, )F |
4 | F# | F# | F#, )G |
5 | F | Gb | F, )A |
6 | G | G# | G, )B |
7 | A | Ab | A, (F |
8 | B | A# | B, (G |
9 | Bb | Bb | Bb, (A |
10 | Cx | B# | (B, )C |
11 | C# | C | C#, )D |
12 | C | Cx, Dbb | C, )E |
13 | D | D | D |
I have also devised custom accidentals for quartertones in both diatonic and anti-diatonic systems, but the image uploading process is being weird so I'll have to figure that out at some point.
Cloudy scales
I don't know about you, but I love the seventh harmonic. These MOS scales are named after the cloudy comma, and use different 7-limit intervals for generators.
Cumulus Alpha
Cumulus Alpha is a 5L6s MOS with 7/4 as the generator and 2/1 as the period. This appears to approximate a subset of 26-EDO; it approximates the whole of 26-EDO when extended to a 5L21s MOS, which I dub Cumulus Alpha Holo.
That's right. We're comparing JI to EDOs instead of the other way around.
Steps | Ratio | Cents | Approx. 26-EDO Degree |
---|---|---|---|
0 | 1/1 | 0.000 | 0 |
1 | 16807/16384 | 43.130 | 1 |
2 | 8/7 | 231.174 | 5 |
3 | 2401/2048 | 275.304 | 6 |
4 | 64/49 | 462.348 | 10 |
5 | 343/256 | 506.478 | 11 |
6 | 512/343 | 693.522 | 15 |
7 | 49/32 | 737.652 | 16 |
8 | 4096/2401 | 924.696 | 20 |
9 | 7/4 | 968.826 | 21 |
10 | 32768/16807 | 1155.870 | 25 |
11 | 2/1 | 1200.000 | 26 |
Cumulus Beta
Cumulus Beta is an 4L5s MOS with 7/6 as the generator and 2/1 as the period. It approximates all intervals of 9-EDO within a cent, with a mean difference of about 0.409 cents, proving 9-EDO's place as an exceptional 7-limit approximation.
Steps | Ratio | Cents | 9-EDO Difference |
---|---|---|---|
0 | 1/1 | 0.000 | 0.000 |
1 | 2592/2401 | 132.516 | -0.817 |
2 | 7/6 | 266.871 | 0.204 |
3 | 432/343 | 399.387 | -0.613 |
4 | 49/36 | 533.742 | 0.409 |
5 | 72/49 | 666.258 | -0.409 |
6 | 343/216 | 800.613 | 0.613 |
7 | 12/7 | 933.129 | -0.204 |
8 | 2401/1296 | 1067.484 | 0.817 |
9 | 7/4 | 1200.000 | 0.000 |
Cumulus Gamma
Cumulus Gamma is an 3L8s MOS with 9/7 as the generator and 2/1 as the period. It approximates all intervals of 11-EDO within 7 cents, with a mean difference of 3.199 cents.
Steps | Ratio | Cents | 11-EDO Difference |
---|---|---|---|
0 | 1/1 | 0.000 | 0.000 |
1 | 729/686 | 105.252 | 3.839 |
2 | 67228/59049 | 224.580 | -6.398 |
3 | 98/81 | 329.832 | -2.559 |
4 | 9/7 | 435.084 | 1.280 |
5 | 6561/4802 | 540.336 | 5.119 |
6 | 9604/6561 | 659.664 | -5.119 |
7 | 14/9 | 764.916 | -1.280 |
8 | 81/49 | 870.168 | 2.559 |
9 | 59049/33614 | 975.420 | 6.398 |
10 | 1372/729 | 1094.748 | -3.839 |
11 | 2/1 | 1200.000 | 0.000 |