Extraclassical tonality: Difference between revisions
m Todo:clarify |
CompactStar (talk | contribs) No edit summary |
||
| Line 5: | Line 5: | ||
== Arto and Tendo Triads == | == Arto and Tendo Triads == | ||
Arto and Tendo triads are literally the same shape as major and minor triads, an arto triad 26:30:39 results by flatting the third of a minor triad by approx one quarter tone. The Tendo triad results by sharping the third in a major triad by approx one quarter tone. The Tendo chord 10:13:15, being of a simpler ratio, is considered to be more consonant than the arto chord which is quite complex. Also, 10:13:15 tendo chord is only slightly more dissonant than the minor chord 10:12:15. Although they appear to be the same, arto and tendo chords are not seven limit, and tuning them to 14:17:21 and 6:7:9 not only tunes the tendo chord horribly, but also causes the two triads to lose their characteristic 15 limit sound. | Arto and Tendo triads are literally the same shape as major and minor triads, an arto triad 26:30:39 results by flatting the third of a minor triad by approx one quarter tone. The Tendo triad results by sharping the third in a major triad by approx one quarter tone. The Tendo chord 10:13:15, being of a simpler ratio, is considered to be more consonant than the arto chord which is quite complex. Also, 10:13:15 tendo chord is only slightly more dissonant than the minor chord 10:12:15. Although they appear to be the same, arto and tendo chords are not seven limit, and tuning them to 14:17:21 and 6:7:9 not only tunes the tendo chord horribly, but also causes the two triads to lose their characteristic 15-odd-limit sound. | ||
== Cross Tonality == | == Cross Tonality == | ||