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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<span style="display: block; text-align: right;">[[9平均律|日本語]]</span>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
 
: This revision was by author [[User:Stephen_Weigel|Stephen_Weigel]] and made on <tt>2017-03-14 17:33:26 UTC</tt>.<br>
The 9EDO scale, which divides the octave into nine equal parts each of 133+1/3 cents precisely, has the peculiar property of representing certain [[Harmonic_Limit|7-limit]] intervals almost exactly. A 7-limit version of 9EDO goes
: The original revision id was <tt>608828875</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="display: block; text-align: right;"&gt;[[9平均律|日本語]]
&lt;/span&gt;
The 9EDO scale, which divides the octave into nine equal parts each of 133+1/3 cents precisely, has the peculiar property of representing certain [[Harmonic Limit|7-limit]] intervals almost exactly. A 7-limit version of 9EDO goes


1: 27/25 133.238 large limma, BP small semitone
1: 27/25 133.238 large limma, BP small semitone
2: 7/6 266.871 septimal minor third
2: 7/6 266.871 septimal minor third
3: 63/50 400.108 quasi-equal major third
3: 63/50 400.108 quasi-equal major third
4: 49/36 533.742 Arabic lute acute fourth
4: 49/36 533.742 Arabic lute acute fourth
5: 72/49 666.258 Arabic lute grave fifth
5: 72/49 666.258 Arabic lute grave fifth
6: 100/63 799.892 quasi-equal minor sixth
6: 100/63 799.892 quasi-equal minor sixth
7: 12/7 933.129 septimal major sixth
7: 12/7 933.129 septimal major sixth
8: 50/27 1066.762 grave major seventh
8: 50/27 1066.762 grave major seventh
9: 2/1 1200.000 octave
9: 2/1 1200.000 octave


Here the characterizations are taken from [[http://en.wikipedia.org/wiki/Scala_%28program%29|Scala]], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7/1 are therefore natural ones for 9EDO. The above scale generates the [[Just intonation subgroups|just intonation subgroup]] 2.27/25.7/3, which is closely related to 9EDO.
Here the characterizations are taken from [http://en.wikipedia.org/wiki/Scala_%28program%29 Scala], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7/1 are therefore natural ones for 9EDO. The above scale generates the [[Just_intonation_subgroups|just intonation subgroup]] 2.27/25.7/3, which is closely related to 9EDO.
 
=Notation=


9edo can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the __melodic__ meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.
=Notation=


The second approach preserves the __harmonic__ meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 9edo "on the fly".
9edo can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the <u>melodic</u> meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.


||= &lt;span style="color: #660000;"&gt;[[xenharmonic/Degree|Degree]]&lt;/span&gt; ||= [[xenharmonic/Cent|Cent]]s ||= Approximate
The second approach preserves the <u>harmonic</u> meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 9edo "on the fly".
Ratios ||||= Major wider
than minor ||||= Major narrower
than minor ||
||= 0 ||= 0 ||= 1/1 ||= perfect unison ||= D ||= perfect unison ||= D ||
||= 1 ||= 133 ||= 13/12, 12/11 ||= minor 2nd ||= E ||= major 2nd ||= E ||
||= 2 ||= 267 ||= 7/6 ||= major 2nd, minor 3rd ||= E#, Fb ||= minor 2nd, major 3rd ||= Eb, F# ||
||= 3 ||= 400 ||= 5/4, 9/7 ||= major 3rd ||= F ||= minor 3rd ||= F ||
||= 4 ||= 533 ||= 4/3, 11/8 ||= perfect 4th ||= G ||= perfect 4th ||= G ||
||= 5 ||= 667 ||= 16/11, 3/2 ||= perfect 5th ||= A ||= perfect 5th ||= A ||
||= 6 ||= 800 ||= 14/9, 8/5 ||= minor 6th ||= B ||= major 6th ||= B ||
||= 7 ||= 933 ||= 12/7 ||= major 6th, minor 7th ||= B#, Cb ||= minor 6th, major 7th ||= Bb, C# ||
||= 8 ||= 1067 ||= 11/6, 24/13 ||= major 7th ||= C ||= minor 7th ||= C ||
||= 9 ||= 1200 ||= 2/1 ||= octave ||= D ||= octave ||= D ||


{| class="wikitable"
|-
| style="text-align:center;" | <span style="color: #660000;">[[Degree|Degree]]</span>
| style="text-align:center;" | [[cent|Cent]]s
| style="text-align:center;" | Approximate


9EDO contains a pentatonic [[MOSScales|MOS scale]] -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called "mavila" or "antidiatonic"). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a [[http://www.neuroscience-of-music.se/pelog%20historical.htm|9EDO tradition]].
Ratios
| colspan="2" style="text-align:center;" | Major wider


[[media type="custom" key="24802430"]]
than minor
| colspan="2" style="text-align:center;" | Major narrower


[[file:9ed2-001.svg]]
than minor
|-
| style="text-align:center;" | 0
| style="text-align:center;" | 0
| style="text-align:center;" | 1/1
| style="text-align:center;" | perfect unison
| style="text-align:center;" | D
| style="text-align:center;" | perfect unison
| style="text-align:center;" | D
|-
| style="text-align:center;" | 1
| style="text-align:center;" | 133
| style="text-align:center;" | 13/12, 12/11
| style="text-align:center;" | minor 2nd
| style="text-align:center;" | E
| style="text-align:center;" | major 2nd
| style="text-align:center;" | E
|-
| style="text-align:center;" | 2
| style="text-align:center;" | 267
| style="text-align:center;" | 7/6
| style="text-align:center;" | major 2nd, minor 3rd
| style="text-align:center;" | E#, Fb
| style="text-align:center;" | minor 2nd, major 3rd
| style="text-align:center;" | Eb, F#
|-
| style="text-align:center;" | 3
| style="text-align:center;" | 400
| style="text-align:center;" | 5/4, 9/7
| style="text-align:center;" | major 3rd
| style="text-align:center;" | F
| style="text-align:center;" | minor 3rd
| style="text-align:center;" | F
|-
| style="text-align:center;" | 4
| style="text-align:center;" | 533
| style="text-align:center;" | 4/3, 11/8
| style="text-align:center;" | perfect 4th
| style="text-align:center;" | G
| style="text-align:center;" | perfect 4th
| style="text-align:center;" | G
|-
| style="text-align:center;" | 5
| style="text-align:center;" | 667
| style="text-align:center;" | 16/11, 3/2
| style="text-align:center;" | perfect 5th
| style="text-align:center;" | A
| style="text-align:center;" | perfect 5th
| style="text-align:center;" | A
|-
| style="text-align:center;" | 6
| style="text-align:center;" | 800
| style="text-align:center;" | 14/9, 8/5
| style="text-align:center;" | minor 6th
| style="text-align:center;" | B
| style="text-align:center;" | major 6th
| style="text-align:center;" | B
|-
| style="text-align:center;" | 7
| style="text-align:center;" | 933
| style="text-align:center;" | 12/7
| style="text-align:center;" | major 6th, minor 7th
| style="text-align:center;" | B#, Cb
| style="text-align:center;" | minor 6th, major 7th
| style="text-align:center;" | Bb, C#
|-
| style="text-align:center;" | 8
| style="text-align:center;" | 1067
| style="text-align:center;" | 11/6, 24/13
| style="text-align:center;" | major 7th
| style="text-align:center;" | C
| style="text-align:center;" | minor 7th
| style="text-align:center;" | C
|-
| style="text-align:center;" | 9
| style="text-align:center;" | 1200
| style="text-align:center;" | 2/1
| style="text-align:center;" | octave
| style="text-align:center;" | D
| style="text-align:center;" | octave
| style="text-align:center;" | D
|}


=Images=
9EDO contains a pentatonic [[MOSScales|MOS scale]] -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called "mavila" or "antidiatonic"). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a [http://www.neuroscience-of-music.se/pelog%20historical.htm 9EDO tradition].


[[image:9edo wheel.png width="385" height="385"]]
[[File:9ed2-001.svg|alt=alt : Your browser has no SVG support.]]


==Commas==
[[:File:9ed2-001.svg|9ed2-001.svg]]
9 EDO tempers out the following commas. (Note: This assumes val &lt; 9 14 21 25 31 33 |.)


||~ Comma ||~ Monzo ||~ Value (Cents) ||~ Name 1 ||~ Name 2 ||~ Name 3 ||
=Images=
||= 135/128 || | -7 3 1 &gt; ||&gt; 92.18 ||= Major Chroma ||= Major Limma || Pelogic Comma ||
||= 16875/16384 || | -14 3 4 &gt; ||&gt; 51.12 ||= Negri Comma ||= Double Augmentation Diesis ||  ||
||= 128/125 || | 7 0 -3 &gt; ||&gt; 41.06 ||= Diesis ||= Augmented Comma ||  ||
||= 2109375/2097152 || | -21 3 7 &gt; ||&gt; 10.06 ||= Semicomma ||= Fokker Comma ||  ||
||= 36/35 || | 2 2 -1 -1 &gt; ||&gt; 48.77 ||= Septimal Quarter Tone ||=  ||  ||
||= 525/512 || | -9 1 2 1 &gt; ||&gt; 43.41 ||= Avicenna ||= Avicenna's Enharmonic Diesis ||  ||
||= 49/48 || | -4 -1 0 2 &gt; ||&gt; 35.70 ||= Slendro Diesis ||=  ||  ||
||= 686/675 || | 1 -3 -2 3 &gt; ||&gt; 27.99 ||= Senga ||=  ||  ||
||= 2430/2401 || | 1 5 1 -4 &gt; ||&gt; 20.79 ||= Nuwell ||=  ||  ||
||= 1728/1715 || | 6 3 -1 -3 &gt; ||&gt; 13.07 ||= Orwellisma ||= Orwell Comma ||  ||
||= 225/224 || | -5 2 2 -1 &gt; ||&gt; 7.71 ||= Septimal Kleisma ||= Marvel Comma ||  ||
||= 6144/6125 || | 11 1 -3 -2 &gt; ||&gt; 5.36 ||= Porwell ||=  ||  ||
||= 65625/65536 || | -16 1 5 1 &gt; ||&gt; 2.35 ||= Horwell ||=  ||  ||
||= 99/98 || | -1 2 0 -2 1 &gt; ||&gt; 17.58 ||= Mothwellsma ||=  ||  ||
||= 121/120 || | -3 -1 -1 0 2 &gt; ||&gt; 14.37 ||= Biyatisma ||=  ||  ||
||= 176/175 || | 4 0 -2 -1 1 &gt; ||&gt; 9.86 ||= Valinorsma ||=  ||  ||
||= 385/384 || | -7 -1 1 1 1 &gt; ||&gt; 4.50 ||= Keenanisma ||=  ||  ||
||= 540/539 || | 2 3 1 -2 -1 &gt; ||&gt; 3.21 ||= Swetisma ||=  ||  ||
||= 91/90 || | -1 -2 -1 1 0 1 &gt; ||&gt; 19.13 ||= Superleap ||=  ||  ||
||= 676/675 || | 2 -3 -2 0 0 2 &gt; ||&gt; 2.56 ||= Parizeksma ||=  ||  ||


=Compositions=
[[File:9edo_wheel.png|alt=9edo wheel.png|385x385px|9edo wheel.png]]


* [[https://soundcloud.com/overtoneshock/tencaious-chorale-9-edo-studio-version|Tenacious Chorale (only movement I is in 9-EDO)]] by Stephen Weigel
==Commas==
* [[https://soundcloud.com/overtoneshock/in-our-own-little-worlds-9-edo|In Our Own Lonely Worlds]] by Stephen Weigel
9 EDO tempers out the following commas. (Note: This assumes val &lt; 9 14 21 25 31 33 |.)
* Nocturne in 9tet by [[http://home.snafu.de/djwolf/WorksDescriptive.htm|Daniel Wolf]]
* //[[http://www.h-pi.com/mp3/Prelude9ET.mp3|Prelude in 9ET]]// by [[Aaron Andrew Hunt]]
* //[[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3|Improvisation for Electric Guitar in 9 edo]]// by [[http://www.chrisvaisvil.com|Chris Vaisvil]][[media type="custom" key="10221463"]]
* [[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3|Comets Over Flatland 8]] by [[Randy Winchester]]
* [[http://www.youtube.com/watch?v=bDFCsCoaUO4|Nine tones per Octave (9-EDO / 9-TET)]] by [[Ivor Darreg]]
* [[http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3|Gerbils at the Wheel of Government]] by [[@http://chrisvaisvil.com/?p=1402|Chris Vaisvil]] (in 9 and 18 edo simultaneously)
* [[http://www.seraph.it/dep/det/NewWorld.mp3|New World]] by [[Carlo Serafini]] ([[http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html|blog entry]])
* [[https://soundcloud.com/santiagocosentino/interdimensional-train-ride|Interdimensional Train Ride by Santiago Cosentino]]
 
=Ear Training=
9 EDO ear-training exercises by Alex Ness available [[@https://drive.google.com/a/playgroundsessions.com/folderview?id=0BwsXD8q2VCYUamtVWEgyRFA5alU&amp;usp=sharing#list|here]].
 
===**Instruments**===
 
[[image:IMG_2223-800x600.jpg width="400"]]


Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte)</pre></div>
{| class="wikitable"
<h4>Original HTML content:</h4>
|-
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;9edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="/9%E5%B9%B3%E5%9D%87%E5%BE%8B"&gt;日本語&lt;/a&gt;&lt;br /&gt;
! | Comma
&lt;/span&gt;&lt;br /&gt;
! | Monzo
The 9EDO scale, which divides the octave into nine equal parts each of 133+1/3 cents precisely, has the peculiar property of representing certain &lt;a class="wiki_link" href="/Harmonic%20Limit"&gt;7-limit&lt;/a&gt; intervals almost exactly. A 7-limit version of 9EDO goes&lt;br /&gt;
! | Value (Cents)
&lt;br /&gt;
! | Name 1
1: 27/25 133.238 large limma, BP small semitone&lt;br /&gt;
! | Name 2
2: 7/6 266.871 septimal minor third&lt;br /&gt;
! | Name 3
3: 63/50 400.108 quasi-equal major third&lt;br /&gt;
|-
4: 49/36 533.742 Arabic lute acute fourth&lt;br /&gt;
| style="text-align:center;" | 135/128
5: 72/49 666.258 Arabic lute grave fifth&lt;br /&gt;
| | | -7 3 1 &gt;
6: 100/63 799.892 quasi-equal minor sixth&lt;br /&gt;
| style="text-align:right;" | 92.18
7: 12/7 933.129 septimal major sixth&lt;br /&gt;
| style="text-align:center;" | Major Chroma
8: 50/27 1066.762 grave major seventh&lt;br /&gt;
| style="text-align:center;" | Major Limma
9: 2/1 1200.000 octave&lt;br /&gt;
| | Pelogic Comma
&lt;br /&gt;
|-
Here the characterizations are taken from &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Scala_%28program%29" rel="nofollow"&gt;Scala&lt;/a&gt;, which also describes the scale itself as &amp;quot;Pelog Nawanada: Sunda&amp;quot;. Chords such as 1/1 - 7/6 - 49/36 - 12/7/1 are therefore natural ones for 9EDO. The above scale generates the &lt;a class="wiki_link" href="/Just%20intonation%20subgroups"&gt;just intonation subgroup&lt;/a&gt; 2.27/25.7/3, which is closely related to 9EDO.&lt;br /&gt;
| style="text-align:center;" | 16875/16384
&lt;br /&gt;
| | | -14 3 4 &gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Notation&lt;/h1&gt;
| style="text-align:right;" | 51.12
&lt;br /&gt;
| style="text-align:center;" | Negri Comma
9edo can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the &lt;u&gt;melodic&lt;/u&gt; meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.&lt;br /&gt;
| style="text-align:center;" | Double Augmentation Diesis
&lt;br /&gt;
| |
The second approach preserves the &lt;u&gt;harmonic&lt;/u&gt; meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 9edo &amp;quot;on the fly&amp;quot;.&lt;br /&gt;
|-
&lt;br /&gt;
| style="text-align:center;" | 128/125
| | | 7 0 -3 &gt;
| style="text-align:right;" | 41.06
| style="text-align:center;" | Diesis
| style="text-align:center;" | Augmented Comma
| |
|-
| style="text-align:center;" | 2109375/2097152
| | | -21 3 7 &gt;
| style="text-align:right;" | 10.06
| style="text-align:center;" | Semicomma
| style="text-align:center;" | Fokker Comma
| |
|-
| style="text-align:center;" | 36/35
| | | 2 2 -1 -1 &gt;
| style="text-align:right;" | 48.77
| style="text-align:center;" | Septimal Quarter Tone
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 525/512
| | | -9 1 2 1 &gt;
| style="text-align:right;" | 43.41
| style="text-align:center;" | Avicenna
| style="text-align:center;" | Avicenna's Enharmonic Diesis
| |
|-
| style="text-align:center;" | 49/48
| | | -4 -1 0 2 &gt;
| style="text-align:right;" | 35.70
| style="text-align:center;" | Slendro Diesis
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 686/675
| | | 1 -3 -2 3 &gt;
| style="text-align:right;" | 27.99
| style="text-align:center;" | Senga
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 2430/2401
| | | 1 5 1 -4 &gt;
| style="text-align:right;" | 20.79
| style="text-align:center;" | Nuwell
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 1728/1715
| | | 6 3 -1 -3 &gt;
| style="text-align:right;" | 13.07
| style="text-align:center;" | Orwellisma
| style="text-align:center;" | Orwell Comma
| |
|-
| style="text-align:center;" | 225/224
| | | -5 2 2 -1 &gt;
| style="text-align:right;" | 7.71
| style="text-align:center;" | Septimal Kleisma
| style="text-align:center;" | Marvel Comma
| |
|-
| style="text-align:center;" | 6144/6125
| | | 11 1 -3 -2 &gt;
| style="text-align:right;" | 5.36
| style="text-align:center;" | Porwell
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 65625/65536
| | | -16 1 5 1 &gt;
| style="text-align:right;" | 2.35
| style="text-align:center;" | Horwell
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 99/98
| | | -1 2 0 -2 1 &gt;
| style="text-align:right;" | 17.58
| style="text-align:center;" | Mothwellsma
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 121/120
| | | -3 -1 -1 0 2 &gt;
| style="text-align:right;" | 14.37
| style="text-align:center;" | Biyatisma
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 176/175
| | | 4 0 -2 -1 1 &gt;
| style="text-align:right;" | 9.86
| style="text-align:center;" | Valinorsma
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 385/384
| | | -7 -1 1 1 1 &gt;
| style="text-align:right;" | 4.50
| style="text-align:center;" | Keenanisma
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 540/539
| | | 2 3 1 -2 -1 &gt;
| style="text-align:right;" | 3.21
| style="text-align:center;" | Swetisma
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 91/90
| | | -1 -2 -1 1 0 1 &gt;
| style="text-align:right;" | 19.13
| style="text-align:center;" | Superleap
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 676/675
| | | 2 -3 -2 0 0 2 &gt;
| style="text-align:right;" | 2.56
| style="text-align:center;" | Parizeksma
| style="text-align:center;" |
| |
|}


=Compositions=


&lt;table class="wiki_table"&gt;
<ul><li>[https://soundcloud.com/overtoneshock/tencaious-chorale-9-edo-studio-version Tenacious Chorale (only movement I is in 9-EDO)] by Stephen Weigel</li><li>[https://soundcloud.com/overtoneshock/in-our-own-little-worlds-9-edo In Our Own Lonely Worlds] by Stephen Weigel</li><li>Nocturne in 9tet by [http://home.snafu.de/djwolf/WorksDescriptive.htm Daniel Wolf]</li><li>''[http://www.h-pi.com/mp3/Prelude9ET.mp3 Prelude in 9ET]'' by [[Aaron_Andrew_Hunt|Aaron Andrew Hunt]]</li><li>''[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3 Improvisation for Electric Guitar in 9 edo]'' by [http://www.chrisvaisvil.com Chris Vaisvil]</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3 Comets Over Flatland 8] by [[Randy_Winchester|Randy Winchester]]</li><li>[http://www.youtube.com/watch?v=bDFCsCoaUO4 Nine tones per Octave (9-EDO / 9-TET)] by [[Ivor_Darreg|Ivor Darreg]]</li><li>[http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3 Gerbils at the Wheel of Government] by [http://chrisvaisvil.com/?p=1402 Chris Vaisvil] (in 9 and 18 edo simultaneously)</li><li>[http://www.seraph.it/dep/det/NewWorld.mp3 New World] by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html blog entry])</li><li>[https://soundcloud.com/santiagocosentino/interdimensional-train-ride Interdimensional Train Ride by Santiago Cosentino]</li></ul>
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;&lt;span style="color: #660000;"&gt;&lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Degree"&gt;Degree&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Cent"&gt;Cent&lt;/a&gt;s&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Approximate&lt;br /&gt;
Ratios&lt;br /&gt;
&lt;/td&gt;
        &lt;td colspan="2" style="text-align: center;"&gt;Major wider&lt;br /&gt;
than minor&lt;br /&gt;
&lt;/td&gt;
        &lt;td colspan="2" style="text-align: center;"&gt;Major narrower&lt;br /&gt;
than minor&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;0&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;0&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;1/1&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;perfect unison&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;D&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;perfect unison&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;D&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;1&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;133&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;13/12, 12/11&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;minor 2nd&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;E&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;major 2nd&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;E&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;2&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;267&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;7/6&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;major 2nd, minor 3rd&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;E#, Fb&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;minor 2nd, major 3rd&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Eb, F#&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;3&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;400&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;5/4, 9/7&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;major 3rd&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;F&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;minor 3rd&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;F&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;4&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;533&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;4/3, 11/8&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;perfect 4th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;G&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;perfect 4th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;G&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;5&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;667&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;16/11, 3/2&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;perfect 5th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;A&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;perfect 5th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;A&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;6&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;800&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;14/9, 8/5&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;minor 6th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;B&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;major 6th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;B&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;7&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;933&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;12/7&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;major 6th, minor 7th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;B#, Cb&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;minor 6th, major 7th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Bb, C#&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;8&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;1067&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;11/6, 24/13&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;major 7th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;C&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;minor 7th&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;C&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;9&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;1200&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;2/1&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;octave&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;D&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;octave&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;D&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;


&lt;br /&gt;
=Ear Training=
&lt;br /&gt;
9 EDO ear-training exercises by Alex Ness available [https://drive.google.com/a/playgroundsessions.com/folderview?id=0BwsXD8q2VCYUamtVWEgyRFA5alU&usp=sharing#list here].
9EDO contains a pentatonic &lt;a class="wiki_link" href="/MOSScales"&gt;MOS scale&lt;/a&gt; -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called &amp;quot;mavila&amp;quot; or &amp;quot;antidiatonic&amp;quot;). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a &lt;a class="wiki_link_ext" href="http://www.neuroscience-of-music.se/pelog%20historical.htm" rel="nofollow"&gt;9EDO tradition&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
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&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Images"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Images&lt;/h1&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:506:&amp;lt;img src=&amp;quot;/file/view/9edo%20wheel.png/516973334/385x385/9edo%20wheel.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 385px; width: 385px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/9edo%20wheel.png/516973334/385x385/9edo%20wheel.png" alt="9edo wheel.png" title="9edo wheel.png" style="height: 385px; width: 385px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:506 --&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="Images-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Commas&lt;/h2&gt;
9 EDO tempers out the following commas. (Note: This assumes val &amp;lt; 9 14 21 25 31 33 |.)&lt;br /&gt;
&lt;br /&gt;


==='''Instruments'''===


&lt;table class="wiki_table"&gt;
[[File:IMG_2223-800x600.jpg|alt=IMG_2223-800x600.jpg|400px|IMG_2223-800x600.jpg]]
    &lt;tr&gt;
        &lt;th&gt;Comma&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;Monzo&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;Value (Cents)&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;Name 1&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;Name 2&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;Name 3&lt;br /&gt;
&lt;/th&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;135/128&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -7 3 1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;92.18&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Major Chroma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Major Limma&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Pelogic Comma&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;16875/16384&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -14 3 4 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;51.12&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Negri Comma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Double Augmentation Diesis&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;128/125&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| 7 0 -3 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;41.06&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Diesis&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Augmented Comma&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;2109375/2097152&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -21 3 7 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;10.06&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Semicomma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Fokker Comma&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;36/35&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| 2 2 -1 -1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;48.77&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Septimal Quarter Tone&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;525/512&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -9 1 2 1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;43.41&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Avicenna&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Avicenna's Enharmonic Diesis&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;49/48&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -4 -1 0 2 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;35.70&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Slendro Diesis&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;686/675&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| 1 -3 -2 3 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;27.99&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Senga&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;2430/2401&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| 1 5 1 -4 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;20.79&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Nuwell&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;1728/1715&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| 6 3 -1 -3 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;13.07&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Orwellisma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Orwell Comma&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;225/224&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -5 2 2 -1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;7.71&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Septimal Kleisma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Marvel Comma&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;6144/6125&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| 11 1 -3 -2 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;5.36&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Porwell&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;65625/65536&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -16 1 5 1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;2.35&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Horwell&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;99/98&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -1 2 0 -2 1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;17.58&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Mothwellsma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;121/120&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -3 -1 -1 0 2 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;14.37&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Biyatisma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;176/175&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| 4 0 -2 -1 1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;9.86&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Valinorsma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;385/384&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -7 -1 1 1 1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;4.50&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Keenanisma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;540/539&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| 2 3 1 -2 -1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;3.21&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Swetisma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;91/90&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| -1 -2 -1 1 0 1 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;19.13&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Superleap&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;676/675&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;| 2 -3 -2 0 0 2 &amp;gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: right;"&gt;2.56&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Parizeksma&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;


&lt;br /&gt;
Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte)
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Compositions&lt;/h1&gt;
[[Category:9-tone]]
&lt;br /&gt;
[[Category:9edo]]
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/overtoneshock/tencaious-chorale-9-edo-studio-version" rel="nofollow"&gt;Tenacious Chorale (only movement I is in 9-EDO)&lt;/a&gt; by Stephen Weigel&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/overtoneshock/in-our-own-little-worlds-9-edo" rel="nofollow"&gt;In Our Own Lonely Worlds&lt;/a&gt; by Stephen Weigel&lt;/li&gt;&lt;li&gt;Nocturne in 9tet by &lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/WorksDescriptive.htm" rel="nofollow"&gt;Daniel Wolf&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/Prelude9ET.mp3" rel="nofollow"&gt;Prelude in 9ET&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Aaron%20Andrew%20Hunt"&gt;Aaron Andrew Hunt&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3" rel="nofollow"&gt;Improvisation for Electric Guitar in 9 edo&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow"&gt;Chris Vaisvil&lt;/a&gt;&lt;!-- ws:start:WikiTextMediaRule:1:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/10221463?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;10221463&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://mediaplayer.yahoo.com/js"&gt;
[[Category:aaron_andrew_hunt]]
&lt;/script&gt;&lt;!-- ws:end:WikiTextMediaRule:1 --&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3" rel="nofollow"&gt;Comets Over Flatland 8&lt;/a&gt; by &lt;a class="wiki_link" href="/Randy%20Winchester"&gt;Randy Winchester&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=bDFCsCoaUO4" rel="nofollow"&gt;Nine tones per Octave (9-EDO / 9-TET)&lt;/a&gt; by &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3" rel="nofollow"&gt;Gerbils at the Wheel of Government&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1402" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; (in 9 and 18 edo simultaneously)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.seraph.it/dep/det/NewWorld.mp3" rel="nofollow"&gt;New World&lt;/a&gt; by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; (&lt;a class="wiki_link_ext" href="http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html" rel="nofollow"&gt;blog entry&lt;/a&gt;)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/santiagocosentino/interdimensional-train-ride" rel="nofollow"&gt;Interdimensional Train Ride by Santiago Cosentino&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
[[Category:edo]]
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc4"&gt;&lt;a name="Ear Training"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Ear Training&lt;/h1&gt;
[[Category:listen]]
9 EDO ear-training exercises by Alex Ness available &lt;a class="wiki_link_ext" href="https://drive.google.com/a/playgroundsessions.com/folderview?id=0BwsXD8q2VCYUamtVWEgyRFA5alU&amp;amp;usp=sharing#list" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;.&lt;br /&gt;
[[Category:macrotonal]]
&lt;br /&gt;
[[Category:scale]]
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="Ear Training--Instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;&lt;strong&gt;Instruments&lt;/strong&gt;&lt;/h3&gt;
[[Category:todo:unify_precision]]
&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:507:&amp;lt;img src=&amp;quot;/file/view/IMG_2223-800x600.jpg/248485599/IMG_2223-800x600.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;width: 400px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/IMG_2223-800x600.jpg/248485599/IMG_2223-800x600.jpg" alt="IMG_2223-800x600.jpg" title="IMG_2223-800x600.jpg" style="width: 400px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:507 --&gt;&lt;br /&gt;
&lt;br /&gt;
Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte)&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 00:00, 17 July 2018

日本語

The 9EDO scale, which divides the octave into nine equal parts each of 133+1/3 cents precisely, has the peculiar property of representing certain 7-limit intervals almost exactly. A 7-limit version of 9EDO goes

1: 27/25 133.238 large limma, BP small semitone

2: 7/6 266.871 septimal minor third

3: 63/50 400.108 quasi-equal major third

4: 49/36 533.742 Arabic lute acute fourth

5: 72/49 666.258 Arabic lute grave fifth

6: 100/63 799.892 quasi-equal minor sixth

7: 12/7 933.129 septimal major sixth

8: 50/27 1066.762 grave major seventh

9: 2/1 1200.000 octave

Here the characterizations are taken from Scala, which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7/1 are therefore natural ones for 9EDO. The above scale generates the just intonation subgroup 2.27/25.7/3, which is closely related to 9EDO.

Notation

9edo can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the melodic meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.

The second approach preserves the harmonic meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 9edo "on the fly".

Degree Cents Approximate

Ratios

Major wider

than minor

Major narrower

than minor

0 0 1/1 perfect unison D perfect unison D
1 133 13/12, 12/11 minor 2nd E major 2nd E
2 267 7/6 major 2nd, minor 3rd E#, Fb minor 2nd, major 3rd Eb, F#
3 400 5/4, 9/7 major 3rd F minor 3rd F
4 533 4/3, 11/8 perfect 4th G perfect 4th G
5 667 16/11, 3/2 perfect 5th A perfect 5th A
6 800 14/9, 8/5 minor 6th B major 6th B
7 933 12/7 major 6th, minor 7th B#, Cb minor 6th, major 7th Bb, C#
8 1067 11/6, 24/13 major 7th C minor 7th C
9 1200 2/1 octave D octave D

9EDO contains a pentatonic MOS scale -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called "mavila" or "antidiatonic"). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a 9EDO tradition.

alt : Your browser has no SVG support.

9ed2-001.svg

Images

9edo wheel.png

Commas

9 EDO tempers out the following commas. (Note: This assumes val < 9 14 21 25 31 33 |.)

Comma Monzo Value (Cents) Name 1 Name 2 Name 3
135/128 | -7 3 1 > 92.18 Major Chroma Major Limma Pelogic Comma
16875/16384 | -14 3 4 > 51.12 Negri Comma Double Augmentation Diesis
128/125 | 7 0 -3 > 41.06 Diesis Augmented Comma
2109375/2097152 | -21 3 7 > 10.06 Semicomma Fokker Comma
36/35 | 2 2 -1 -1 > 48.77 Septimal Quarter Tone
525/512 | -9 1 2 1 > 43.41 Avicenna Avicenna's Enharmonic Diesis
49/48 | -4 -1 0 2 > 35.70 Slendro Diesis
686/675 | 1 -3 -2 3 > 27.99 Senga
2430/2401 | 1 5 1 -4 > 20.79 Nuwell
1728/1715 | 6 3 -1 -3 > 13.07 Orwellisma Orwell Comma
225/224 | -5 2 2 -1 > 7.71 Septimal Kleisma Marvel Comma
6144/6125 | 11 1 -3 -2 > 5.36 Porwell
65625/65536 | -16 1 5 1 > 2.35 Horwell
99/98 | -1 2 0 -2 1 > 17.58 Mothwellsma
121/120 | -3 -1 -1 0 2 > 14.37 Biyatisma
176/175 | 4 0 -2 -1 1 > 9.86 Valinorsma
385/384 | -7 -1 1 1 1 > 4.50 Keenanisma
540/539 | 2 3 1 -2 -1 > 3.21 Swetisma
91/90 | -1 -2 -1 1 0 1 > 19.13 Superleap
676/675 | 2 -3 -2 0 0 2 > 2.56 Parizeksma

Compositions

Ear Training

9 EDO ear-training exercises by Alex Ness available here.

Instruments

IMG_2223-800x600.jpg

Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte)