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A key benefit of using pitches exclusively from the same harmonic series is that they share a fundamental. By using the 8<sup>th</sup> octave of a harmonic series, said fundamental will almost certainly be [https://www.merriam-webster.com/dictionary/infrasonic infrasonic], but it will still have a [[wikipedia:Psychoacoustics|psychoacoustic]] presence. | A key benefit of using pitches exclusively from the same harmonic series is that they share a fundamental. By using the 8<sup>th</sup> octave of a harmonic series, said fundamental will almost certainly be [https://www.merriam-webster.com/dictionary/infrasonic infrasonic], but it will still have a [[wikipedia:Psychoacoustics|psychoacoustic]] presence. | ||
An illustratively surprising result of this higher harmonic tuning is that, since a just 4/3 does not have a power of 2 in the denominator and thus does not exist in the (octave-reduced) harmonic series, it will not be used in this tuning. Instead, when the inverse of the 3/2 ratio is needed, one may use 43/32 (511.517706¢) or 171/128 (501.423018¢). | An illustratively surprising result of this higher harmonic tuning is that, since a just [[4/3]] does not have a power of 2 in the denominator and thus does not exist in the (octave-reduced) harmonic series, it will not be used in this tuning. Instead, when the inverse of the [[3/2]] ratio is needed, one may use [[43/32]] (511.517706¢) or [[171/128]] (501.423018¢). | ||
== Reading == | == Reading == | ||