1/6-comma meantone: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
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: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-06-17 16:57:22 UTC</tt>.<br>
| en = 1/6-comma meantone
: The original revision id was <tt>237366911</tt>.<br>
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<h4>Original Wikitext content:</h4>
'''1/6-comma meantone''' is the tuning of [[meantone]] temperament which tunes the fifth as the sixth root of 45/4, or in other words 698.371 [[cent]]s. This means the fifth is flattened by 1/6 of the [[81/80|syntonic comma (81/80)]] of 21.506 cents, which is to say by 3.584 cents, hence the name 1/6-comma meantone. In 1/6-comma meantone, the diatonic tritone [[45/32]] is tuned justly, and it can be characterized fully as the regular tuning [[tempering out]] 81/80 and tuning 2 and 45/32 justly. [[55edo]] and [[67edo]] approximate it flatly and sharply, respectively, while [[122edo]] using the c val does so near perfectly. Leopold Mozart and Wolfgang Amadeus Mozart recommended this tuning (implemented as 55edo or something close to it), with a subset and further approximation used for keyboard instruments which (apart from an experimental instrument) did not have enough notes per octave to accommodate it in full.<ref>Chesnut, John (1977) ''Mozart's Teaching of Intonation'', '''Journal of the American Musicological Society''' Vol. 30, No. 2 (Summer, 1977), pp. 254-271 (Published By: University of California Press) [https://doi.org/10.2307/831219 doi.org/10.2307/831219], [http://www.jstor.org/stable/831219 https://www.jstor.org/stable/831219]</ref>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">1/6 comma meantone is the tuning of [[Meantone family|meantone temperament]] which tunes the fifth as the sixth root of 45/4, or in other words 698.371 cents. This means the fifth is flattened by 1/6 of the syntonic comma (81/80 ratio) of 21.506 cents, which is to say by 3.584 cents, hence the name 1/6-comma meantone. It is closely related to [[55edo]] in terms of its tuning.


=Links=
== Tuning profile ==
[[http://music.case.edu/~rwd/baroquetemp/XMT.intro.html|Baroque Ensemble Tuning in Extended 1/6 Syntonic Comma Meantone]] by Ross W. Duffin [[http://www.webcitation.org/5zW8FuybZ|permalink]]</pre></div>
[[Projection map]]:  
<h4>Original HTML content:</h4>
 
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;1-6 Syntonic Comma Meantone&lt;/title&gt;&lt;/head&gt;&lt;body&gt;1/6 comma meantone is the tuning of &lt;a class="wiki_link" href="/Meantone%20family"&gt;meantone temperament&lt;/a&gt; which tunes the fifth as the sixth root of 45/4, or in other words 698.371 cents. This means the fifth is flattened by 1/6 of the syntonic comma (81/80 ratio) of 21.506 cents, which is to say by 3.584 cents, hence the name 1/6-comma meantone. It is closely related to &lt;a class="wiki_link" href="/55edo"&gt;55edo&lt;/a&gt; in terms of its tuning.&lt;br /&gt;
{| class="right-all"
&lt;br /&gt;
|-
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Links&lt;/h1&gt;
| [⟨ || 1 || 2/3 || -4/3 || -19/3 || ]
&lt;a class="wiki_link_ext" href="http://music.case.edu/~rwd/baroquetemp/XMT.intro.html" rel="nofollow"&gt;Baroque Ensemble Tuning in Extended 1/6 Syntonic Comma Meantone&lt;/a&gt; by Ross W. Duffin &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5zW8FuybZ" rel="nofollow"&gt;permalink&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
|-
| ⟨ || 0 || 1/3 || 4/3 || 10/3 || ]
|-
| ⟨ || 0 || 1/6 || 2/3 || 5/3 || ]
|-
| ⟨ || 0 || 0 || 0 || 0 || ]]
|}
 
[[Tuning map]]: {{val| 1200 1898.3706 2793.4825 3383.7062 }}
 
[[Error map]]: {{val| 0 -3.5844 +7.1688 +14.8803 }}
 
== Links ==
* ''Baroque Ensemble Tuning in Extended 1/6 Syntonic Comma Meantone'' by [[Ross W. Duffin]] ([https://www.webcitation.org/5zW8FuybZ WebCite])
* ''Mozart's tuning: 55-EDO and its close relative, 1/6-comma meantone'' by [[Joseph Monzo]] ([https://web.archive.org/web/20120214163510/sonic-arts.org/monzo/55edo/55edo.htm Internet Archive] [https://www.webcitation.org/5zW910Jax WebCite])
 
== References ==
<references />
 
[[Category:Meantone]]
[[Category:Historical]]

Latest revision as of 21:24, 15 February 2025

1/6-comma meantone is the tuning of meantone temperament which tunes the fifth as the sixth root of 45/4, or in other words 698.371 cents. This means the fifth is flattened by 1/6 of the syntonic comma (81/80) of 21.506 cents, which is to say by 3.584 cents, hence the name 1/6-comma meantone. In 1/6-comma meantone, the diatonic tritone 45/32 is tuned justly, and it can be characterized fully as the regular tuning tempering out 81/80 and tuning 2 and 45/32 justly. 55edo and 67edo approximate it flatly and sharply, respectively, while 122edo using the c val does so near perfectly. Leopold Mozart and Wolfgang Amadeus Mozart recommended this tuning (implemented as 55edo or something close to it), with a subset and further approximation used for keyboard instruments which (apart from an experimental instrument) did not have enough notes per octave to accommodate it in full.[1]

Tuning profile

Projection map:

[⟨ 1 2/3 -4/3 -19/3 ]
0 1/3 4/3 10/3 ]
0 1/6 2/3 5/3 ]
0 0 0 0 ]]

Tuning map: 1200 1898.3706 2793.4825 3383.7062]

Error map: 0 -3.5844 +7.1688 +14.8803]

Links

References

  1. Chesnut, John (1977) Mozart's Teaching of Intonation, Journal of the American Musicological Society Vol. 30, No. 2 (Summer, 1977), pp. 254-271 (Published By: University of California Press) doi.org/10.2307/831219, https://www.jstor.org/stable/831219