12edt: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Spt3125 (talk | contribs)
m <pre> Scala file
Dummy index (talk | contribs)
Theory: fix link
 
(16 intermediate revisions by 9 users not shown)
Line 1: Line 1:
=Division of the tritave (3/1) into 12 equal parts=
{{Infobox ET}}
12edt divides 3, the tritave, into 12 equal parts of 158.496 cents each, corresponding to 7.571 edo, and can be used as a generator chain for [[Kleismic_family#Hemikleismic|hemikleismic temperament]]. From a no-twos point of view, it tempers out 49/45 and 27/25 in the 7-limit, and 1331/1125 and 1331/1225 in the 11-limit. [[category:macrotonal]]
{{ED intro}}


=Scala file=
12edt corresponds to 7.571&nbsp;edo, and can be used as a generator chain for [[Kleismic_family#Hemikleismic|hemikleismic temperament]]. From a no-twos point of view, it tempers out 49/45 and 27/25 in the 7-limit, and 1331/1125 and 1331/1225 in the 11-limit.


== Prime harmonics ==
{{Harmonics in equal|12|3|1|intervals=prime}}
== Theory ==
In octave land, 12edo handles the 2.3.5 subgroup and [[11edo]] handles the 2.7.11 subgroup—ie. meantone and orgone temperaments. In tritave land however, 13edt handles the 3.5.7 territory (Bohlen–Pierce) and 12edt handles the 2.3.5.13.17.19—and, it is a multiple of 4edt which is the simplest BP equal temperament.
=== Macrodiatonic and macromeantone ===
12edt can be viewed as a version of [[12edo]] with octaves stretched out to [[3/1|tritaves]], so it contains an extremely stretched diatonic scale or [[macrodiatonic]] {{mos scalesig|5L 2s<3/1>}} scale. This scale has an identical structure to diatonic, but with everything stretched out to be unrecognizable, since, for example, the [[generator]] is now the size of a major seventh instead of a perfect fifth. The stretched perfect fifth can be approximated by [[17/9]] and the stretched major third by [[13/9]]. This gives rise to a "macromeantone" temperament which operates in the 3.13.17 [[subgroup]], equating 4 [[17/9]] to [[13/9]] tritave-reduced, rather than 4 [[3/2]] to [[5/4]] octave-reduced (although this is not a completely exact stretching of meantone, unlike some macromeantones like [[meansquared]] which repeats at [[4/1]]).
Another example of a macrodiatonic scale is [[17ed5|hyperpyth]] which repeats at the fifth harmonic and is based on the 5:9:13:(17):(21) chord.
== Interval table ==
{{Interval table}}
== Scala file ==
<pre>
<pre>
! C:\Cakewalk\scales\tritave-in-12.scl
! C:\Cakewalk\scales\tritave-in-12.scl
Line 24: Line 39:
</pre>
</pre>


=Exactly analogous to meantone=
== Compositions ==
In octave land, 12edo handles the 2.3.5 subgroup and 11edo handles the 2.7.11 subgroup - ie. meantone and orgone temperaments. In tritave land however, 13edt handles the 3.5.7 territory (Bohlen-Pierce) and 12edt handles the 2.3.5.13.17.19 -- AND! it is a multiple of 4edt which is the simplest BP equal temperament. Now, exactly analogous to meantone, in which (3/2)^4=5/1, here (17/9)^4=(19/10)^4=13/1, tempering out the 171/170, 85293/83521 and 130321/130000 commas. In fact, even the MOS pattern is the same for this higher limit meantone! Relish the sweet 9:13:17 and 20:27:38 chords.
[https://archive.org/details/InstantGamelan Instant Gamelan] by [[Carlo_Serafini|Carlo Serafini]]
 
Another example of a macrodiatonic scale is [[17ed5|hyperpyth]] which is found in the fifth harmonic and is based on the 5:9:13:(17):(21) chord.
 
=Compositions=
[http://www.seraph.it/XenoTunes3.html Instant Gamelan] [http://www.seraph.it/XenoTunes3_files/instant%20gamelan.mp3 play] by [[Carlo_Serafini|Carlo Serafini]]


[http://micro.soonlabel.com/tritave_in_12/tritavein12_cleaned.mp3 Tritave in 12] by [http://www.chrisvaisvil.com Chris Vaisvil]      [[Category:edonoi]]
[http://micro.soonlabel.com/tritave_in_12/tritavein12_cleaned.mp3 Tritave in 12] by [http://www.chrisvaisvil.com Chris Vaisvil]       
[[Category:edt]]
[[Category:equal]]
[[Category:listen]]
[[Category:listen]]
[[category:macrotonal]]

Latest revision as of 13:09, 29 September 2025

← 11edt 12edt 13edt →
Prime factorization 22 × 3 (highly composite)
Step size 158.496 ¢ 
Octave 8\12edt (1267.97 ¢) (→ 2\3edt)
Consistency limit 3
Distinct consistency limit 3

12 equal divisions of the tritave, perfect twelfth, or 3rd harmonic (abbreviated 12edt or 12ed3), is a nonoctave tuning system that divides the interval of 3/1 into 12 equal parts of about 158 ¢ each. Each step represents a frequency ratio of 31/12, or the 12th root of 3.

12edt corresponds to 7.571 edo, and can be used as a generator chain for hemikleismic temperament. From a no-twos point of view, it tempers out 49/45 and 27/25 in the 7-limit, and 1331/1125 and 1331/1225 in the 11-limit.

Prime harmonics

Approximation of prime harmonics in 12edt
Harmonic 2 3 5 7 11 13 17 19 23 29 31
Error Absolute (¢) +68.0 +0.0 +66.6 -40.4 -30.4 -2.6 +8.4 -25.6 -39.4 +34.8 +77.8
Relative (%) +42.9 +0.0 +42.0 -25.5 -19.2 -1.7 +5.3 -16.2 -24.9 +21.9 +49.1
Steps
(reduced)
8
(8)
12
(0)
18
(6)
21
(9)
26
(2)
28
(4)
31
(7)
32
(8)
34
(10)
37
(1)
38
(2)

Theory

In octave land, 12edo handles the 2.3.5 subgroup and 11edo handles the 2.7.11 subgroup—ie. meantone and orgone temperaments. In tritave land however, 13edt handles the 3.5.7 territory (Bohlen–Pierce) and 12edt handles the 2.3.5.13.17.19—and, it is a multiple of 4edt which is the simplest BP equal temperament.

Macrodiatonic and macromeantone

12edt can be viewed as a version of 12edo with octaves stretched out to tritaves, so it contains an extremely stretched diatonic scale or macrodiatonic 5L 2s⟨3/1⟩ scale. This scale has an identical structure to diatonic, but with everything stretched out to be unrecognizable, since, for example, the generator is now the size of a major seventh instead of a perfect fifth. The stretched perfect fifth can be approximated by 17/9 and the stretched major third by 13/9. This gives rise to a "macromeantone" temperament which operates in the 3.13.17 subgroup, equating 4 17/9 to 13/9 tritave-reduced, rather than 4 3/2 to 5/4 octave-reduced (although this is not a completely exact stretching of meantone, unlike some macromeantones like meansquared which repeats at 4/1).

Another example of a macrodiatonic scale is hyperpyth which repeats at the fifth harmonic and is based on the 5:9:13:(17):(21) chord.

Interval table

Steps Cents Hekts Approximate ratios
0 0 0 1/1
1 158.5 108.3 21/19, 23/21
2 317 216.7 6/5, 13/11, 17/14, 23/19
3 475.5 325 17/13
4 634 433.3 13/9, 19/13
5 792.5 541.7 11/7, 14/9
6 951 650 19/11
7 1109.5 758.3 17/9, 21/11
8 1268 866.7 19/9, 23/11
9 1426.5 975
10 1585 1083.3 5/2
11 1743.5 1191.7 19/7
12 1902 1300 3/1

Scala file

! C:\Cakewalk\scales\tritave-in-12.scl
!
3/1 in 12
12
!
158.49625
316.99250
475.48875
633.98500
792.48125
950.97750
1109.47375
1267.97000
1426.46625
1584.96250
1743.45875
3/1

Compositions

Instant Gamelan by Carlo Serafini

Tritave in 12 by Chris Vaisvil