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Polymicrotonality: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
'''Polymicrotonality''' is the use of multiple tuning systems in the same piece.<ref>[https://stereosociety.com/polymicrotonally/ Johnny Reinhard essay on his polymicrotonal experiences]</ref> [[Ivor Darreg]] also calls this '''polysystemic'''. <ref>[http://www.tonalsoft.com/sonic-arts/darreg/dar27.htm Ivor Darreg, ''Defining One's Terms'', June 1988]</ref>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2007-06-07 21:04:44 UTC</tt>.<br>
: The original revision id was <tt>4840576</tt>.<br>
: The revision comment was: <tt>link article by j. reinhard</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[https://www.stereosociety.com/jrpolymi.html|Johnny Reinhard essay on his polymicrotonal experiences]]


=polymicrotonality with equal temperaments=  
== Techniques ==
**Compositions**
With [[equal divisions of the octave]] (or any other interval) tuning systems, polymicrotonality is achieved via the equal division which is the least common multiple of the two (or more) systems being played. [[Highly composite edo]]s are rich sources of polysystemicism as they have more divisors than any number before them, and thus provide strong opportunities of using multiple systems in one piece.
[[http://zebox.com/cgi-bin/artists/dl.cgi?danstearns_2_-_largo_in_20_19_and_12-edo.m3u+qp+m4|Don‘t Leave me Here, in 20, 19 and 12-tone equal temperament]] by [[http://www.myspace.com/danstearns/|Daniel Stearns]]</pre></div>
 
<h4>Original HTML content:</h4>
== Music ==
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Polymicrotonality&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;a class="wiki_link_ext" href="https://www.stereosociety.com/jrpolymi.html" rel="nofollow"&gt;Johnny Reinhard essay on his polymicrotonal experiences&lt;/a&gt;&lt;br /&gt;
; [[Ambient Esoterica]]
&lt;br /&gt;
* [https://m.youtube.com/watch?v=X-Dk_63d9EY ''Poly Temperament Microtonality | 19edo + 29edo + 39edo''] (2023)
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="polymicrotonality with equal temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;polymicrotonality with equal temperaments&lt;/h1&gt;
* [https://www.youtube.com/watch?v=_Oykgk0uOZI ''Polymicrotonality ECHO-Pluck | 7edo + 72edo | Ars Goetia''] (2024)
&lt;strong&gt;Compositions&lt;/strong&gt;&lt;br /&gt;
* [https://www.youtube.com/watch?v=8FcIBreEtOU ''Thoth AstroTarot Wheel of the Year''] (2025) – 12edo, 4edo, 10edo and 7edo
&lt;a class="wiki_link_ext" href="http://zebox.com/cgi-bin/artists/dl.cgi?danstearns_2_-_largo_in_20_19_and_12-edo.m3u+qp+m4" rel="nofollow"&gt;Don‘t Leave me Here, in 20, 19 and 12-tone equal temperament&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://www.myspace.com/danstearns/" rel="nofollow"&gt;Daniel Stearns&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
 
; [[Amelia Huff]] / [[Zhea Erose]]
* [https://www.youtube.com/watch?v=7RLwlGpyHz0 Prayer Room] [[31edo]] - [[12edo]] - [[Just intonation|JI]] (2019)
 
; [[Bryan Deister]]
* "In The Dark" from ''The Dying Saviour'' (2019) – [https://open.spotify.com/track/38HsURNmU6eKXvk69pnqg0 Spotify] | [https://bryandeister.bandcamp.com/track/in-the-dark Bandcamp] | [https://www.youtube.com/watch?v=FrWONIPAv_E YouTube] – 23edo, 22edo, 21edo, 20edo, 19edo and 18edo
 
; [[Chris Vaisvil]] ([http://www.chrisvaisvil.com site])
* [http://chrisvaisvil.com/?p=1730 Tuning Survey from July 21 2010]
** [http://micro.soonlabel.com/simultaneous-tunings/Bill_Bremmer_ShiningBrow_and12edo.mp3 ''The Mouth Opens to Speak''] – Bill Bremmer Shining Brow tuning and 12edo
** [http://micro.soonlabel.com/simultaneous-tunings/12edo_andBoethiussChromaticTheCIis19by16.mp3 ''The Lumma Cryptic''] – Boethiuss Chromatic
** [http://micro.soonlabel.com/simultaneous-tunings/Graham%20Breed_blues_scale_in22-tETplus12edo.mp3 ''immoderate moderations''] – Gramham Breed blues scale in 22edo plus 12edo
** [http://micro.soonlabel.com/simultaneous-tunings/daily20100528-12tet-and17-limit-quasi-meantone-in-a-major.mp3 ''untitled 1''] – 12edo and 17-limit quasi-meantone in A major
* ''In Search of Perfect Consonance'' (2010) – [http://micro.soonlabel.com/simultaneous-tunings/daily20100502-pythag17and12tet.mp3 play] | [https://chrisvaisvil.com/in-search-of-perfect-consonance/ blog] – Roland GR-20 re-tuned to Arabic 17-note Pythagorean tuning and electric guitar in 12 equal
* ''Seventeen Years in the Sixties'' (2011) – [http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3 play] | [https://chrisvaisvil.com/seventeen-years-in-the-sixties/ blog] – 17edo guitar, 12edo 5-string bass &amp; drums
 
; Chris Vaisvil and [[Paul H. Muller]]
* ''Santa Barbara Shipwreck'' (2011) – [http://micro.soonlabel.com/simultaneous-tunings/daily20110916_santabarbra_shipwreck_diving-12edo-19edo.mp3 play] | [https://chrisvaisvil.com/santabarbara-chipwreck/ blog] – 19edo guitar with 12edo synthesizer
 
; [[Carlo Serafini]]
* ''Venusian Wedding Band'' (2014) – [http://www.seraph.it/dep/det/VenusianWeddingBand.mp3 play] | [http://www.seraph.it/blog_files/163171a0fc06728cd9a61d31eea492ef-190.html blog]
 
; Most music by [[James Wyness]]
 
== References ==
<references/>
 
[[Category:Terms]]
[[Category:Listen]]
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