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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | '''Polymicrotonality''' is the use of multiple tuning systems in the same piece.<ref>[https://stereosociety.com/polymicrotonally/ Johnny Reinhard essay on his polymicrotonal experiences]</ref> [[Ivor Darreg]] also calls this '''polysystemic'''. <ref>[http://www.tonalsoft.com/sonic-arts/darreg/dar27.htm Ivor Darreg, ''Defining One's Terms'', June 1988]</ref> |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:vaisvil|vaisvil]] and made on <tt>2011-11-20 15:56:14 UTC</tt>.<br>
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| : The original revision id was <tt>277433584</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[https://www.stereosociety.com/jrpolymi.html|Johnny Reinhard essay on his polymicrotonal experiences]]
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| =polymicrotonality with equal temperaments= | | == Techniques == |
| | With [[equal divisions of the octave]] (or any other interval) tuning systems, polymicrotonality is achieved via the equal division which is the least common multiple of the two (or more) systems being played. [[Highly composite edo]]s are rich sources of polysystemicism as they have more divisors than any number before them, and thus provide strong opportunities of using multiple systems in one piece. |
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| **Compositions[[media type="custom" key="11384800"]]** | | == Music == |
| | ; [[Ambient Esoterica]] |
| | * [https://m.youtube.com/watch?v=X-Dk_63d9EY ''Poly Temperament Microtonality | 19edo + 29edo + 39edo''] (2023) |
| | * [https://www.youtube.com/watch?v=_Oykgk0uOZI ''Polymicrotonality ECHO-Pluck | 7edo + 72edo | Ars Goetia''] (2024) |
| | * [https://www.youtube.com/watch?v=8FcIBreEtOU ''Thoth AstroTarot Wheel of the Year''] (2025) – 12edo, 4edo, 10edo and 7edo |
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| | ; [[Amelia Huff]] / [[Zhea Erose]] |
| | * [https://www.youtube.com/watch?v=7RLwlGpyHz0 Prayer Room] [[31edo]] - [[12edo]] - [[Just intonation|JI]] (2019) |
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| | ; [[Bryan Deister]] |
| | * "In The Dark" from ''The Dying Saviour'' (2019) – [https://open.spotify.com/track/38HsURNmU6eKXvk69pnqg0 Spotify] | [https://bryandeister.bandcamp.com/track/in-the-dark Bandcamp] | [https://www.youtube.com/watch?v=FrWONIPAv_E YouTube] – 23edo, 22edo, 21edo, 20edo, 19edo and 18edo |
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| | ; [[Chris Vaisvil]] ([http://www.chrisvaisvil.com site]) |
| | * [http://chrisvaisvil.com/?p=1730 Tuning Survey from July 21 2010] |
| | ** [http://micro.soonlabel.com/simultaneous-tunings/Bill_Bremmer_ShiningBrow_and12edo.mp3 ''The Mouth Opens to Speak''] – Bill Bremmer Shining Brow tuning and 12edo |
| | ** [http://micro.soonlabel.com/simultaneous-tunings/12edo_andBoethiussChromaticTheCIis19by16.mp3 ''The Lumma Cryptic''] – Boethiuss Chromatic |
| | ** [http://micro.soonlabel.com/simultaneous-tunings/Graham%20Breed_blues_scale_in22-tETplus12edo.mp3 ''immoderate moderations''] – Gramham Breed blues scale in 22edo plus 12edo |
| | ** [http://micro.soonlabel.com/simultaneous-tunings/daily20100528-12tet-and17-limit-quasi-meantone-in-a-major.mp3 ''untitled 1''] – 12edo and 17-limit quasi-meantone in A major |
| | * ''In Search of Perfect Consonance'' (2010) – [http://micro.soonlabel.com/simultaneous-tunings/daily20100502-pythag17and12tet.mp3 play] | [https://chrisvaisvil.com/in-search-of-perfect-consonance/ blog] – Roland GR-20 re-tuned to Arabic 17-note Pythagorean tuning and electric guitar in 12 equal |
| | * ''Seventeen Years in the Sixties'' (2011) – [http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3 play] | [https://chrisvaisvil.com/seventeen-years-in-the-sixties/ blog] – 17edo guitar, 12edo 5-string bass & drums |
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| [[http://micro.soonlabel.com/simultaneous-tunings/daily20100502-pythag17and12tet.mp3|In Search of Perfect Consonance]] Roland GR-20 re-tuned to Arabic 17 note Pythagorean tuning and electric guitar in 12 equal by [[@http://www.chrisvaisvil.com|Chris Vaisvil]] => [[@http://chrisvaisvil.com/?p=139|performance details]]
| | ; Chris Vaisvil and [[Paul H. Muller]] |
| [[http://micro.soonlabel.com/simultaneous-tunings/daily20110916_santabarbra_shipwreck_diving-12edo-19edo.mp3|Santa Barbara Shipwreck]] 19 edo guitar with 12 edo synthesizer [[@http://chrisvaisvil.com/?p=1685|by Paul H. Muller and Chris Vaisvil]]
| | * ''Santa Barbara Shipwreck'' (2011) – [http://micro.soonlabel.com/simultaneous-tunings/daily20110916_santabarbra_shipwreck_diving-12edo-19edo.mp3 play] | [https://chrisvaisvil.com/santabarbara-chipwreck/ blog] – 19edo guitar with 12edo synthesizer |
| **[[http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3|Seventeen Years in the Sixties]] - 17 edo guitar, 12 edo 5 string bass & drums by [[http://www.chrisvaisvil.com|Chris Vaisvil]] => [[@http://chrisvaisvil.com/?p=585|Details]]**
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| [[@http://chrisvaisvil.com/?p=1730|The following from a tuning survey by Chris Vaisvil]] | | ; [[Carlo Serafini]] |
| [[http://micro.soonlabel.com/simultaneous-tunings/Bill_Bremmer_ShiningBrow_and12edo.mp3|The Mouth Opens to Speak]] Bill Bremmer Shining Brow tuning and 12 edo<br>
| | * ''Venusian Wedding Band'' (2014) – [http://www.seraph.it/dep/det/VenusianWeddingBand.mp3 play] | [http://www.seraph.it/blog_files/163171a0fc06728cd9a61d31eea492ef-190.html blog] |
| [[http://micro.soonlabel.com/simultaneous-tunings/12edo_andBoethiussChromaticTheCIis19by16.mp3|The Lumma Cryptic]] Boethiuss Chromatic <br>
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| [[http://micro.soonlabel.com/simultaneous-tunings/Graham%20Breed_blues_scale_in22-tETplus12edo.mp3|immoderate moderations]] Gramham Breed blues scale in 22 edo plus 12 edo<br>
| | ; Most music by [[James Wyness]] |
| [[http://micro.soonlabel.com/simultaneous-tunings/daily20100528-12tet-and17-limit-quasi-meantone-in-a-major.mp3|untitled 1]] <span class="wiki_link_ext">12 edo and 17-limit quasi meantone in a major</span><br></pre></div> | | |
| <h4>Original HTML content:</h4>
| | == References == |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Polymicrotonality</title></head><body><a class="wiki_link_ext" href="https://www.stereosociety.com/jrpolymi.html" rel="nofollow">Johnny Reinhard essay on his polymicrotonal experiences</a><br />
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| <a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/daily20100502-pythag17and12tet.mp3" rel="nofollow">In Search of Perfect Consonance</a> Roland GR-20 re-tuned to Arabic 17 note Pythagorean tuning and electric guitar in 12 equal by <a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank">Chris Vaisvil</a> =&gt; <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=139" rel="nofollow" target="_blank">performance details</a><br />
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| <a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/daily20110916_santabarbra_shipwreck_diving-12edo-19edo.mp3" rel="nofollow">Santa Barbara Shipwreck</a> 19 edo guitar with 12 edo synthesizer <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1685" rel="nofollow" target="_blank">by Paul H. Muller and Chris Vaisvil</a><br />
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| <strong><a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3" rel="nofollow">Seventeen Years in the Sixties</a> - 17 edo guitar, 12 edo 5 string bass &amp; drums by <a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow">Chris Vaisvil</a> =&gt; <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=585" rel="nofollow" target="_blank">Details</a></strong><br />
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| <br />
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| <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1730" rel="nofollow" target="_blank">The following from a tuning survey by Chris Vaisvil</a><br />
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| <a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/Bill_Bremmer_ShiningBrow_and12edo.mp3" rel="nofollow">The Mouth Opens to Speak</a> Bill Bremmer Shining Brow tuning and 12 edo&lt;br&gt;<br />
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| <a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/12edo_andBoethiussChromaticTheCIis19by16.mp3" rel="nofollow">The Lumma Cryptic</a> Boethiuss Chromatic &lt;br&gt;<br />
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| <a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/Graham%20Breed_blues_scale_in22-tETplus12edo.mp3" rel="nofollow">immoderate moderations</a> Gramham Breed blues scale in 22 edo plus 12 edo&lt;br&gt;<br />
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| <a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/daily20100528-12tet-and17-limit-quasi-meantone-in-a-major.mp3" rel="nofollow">untitled 1</a> <span class="wiki_link_ext">12 edo and 17-limit quasi meantone in a major</span>&lt;br&gt;</body></html></pre></div>
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