Subharmonics 11–22: Difference between revisions
m Sintel moved page 11ifdo to Subharmonics 11–22 |
No edit summary |
||
| Line 1: | Line 1: | ||
{{Infobox | {{Infobox subharmonics|11}} | ||
{{Subharmonics intro|11}} | |||
It does not contain a perfect fourth or perfect fifth directly above its root, giving it an ungrounded 'floating' feeling similar to the 12edo whole tone scale ([[6edo]]), but with a similar step size to the chromatic scale of 12edo, and with very [[xenharmonic]] new harmonies available. Composers who find [[11edo]] and [[13edo]] appealing are likely to enjoy | It does not contain a perfect fourth or perfect fifth directly above its root, giving it an ungrounded 'floating' feeling similar to the 12edo whole tone scale ([[6edo]]), but with a similar step size to the chromatic scale of 12edo, and with very [[xenharmonic]] new harmonies available. Composers who find [[11edo]] and [[13edo]] appealing are likely to enjoy this scale for similar reasons. | ||
== Intervals == | == Intervals == | ||
| Line 91: | Line 91: | ||
{{todo|expand|inline=1}} | {{todo|expand|inline=1}} | ||
{{Navbox subharmonics}} | |||