12edt: Difference between revisions
m Removing from Category:Edt using Cat-a-lot |
Dummy index (talk | contribs) →Theory: fix link |
||
| (One intermediate revision by one other user not shown) | |||
| Line 11: | Line 11: | ||
=== Macrodiatonic and macromeantone === | === Macrodiatonic and macromeantone === | ||
12edt can be viewed as a version of [[12edo]] with octaves stretched out to [[3/1|tritaves]], so it contains an extremely stretched diatonic scale or [[ | 12edt can be viewed as a version of [[12edo]] with octaves stretched out to [[3/1|tritaves]], so it contains an extremely stretched diatonic scale or [[macrodiatonic]] {{mos scalesig|5L 2s<3/1>}} scale. This scale has an identical structure to diatonic, but with everything stretched out to be unrecognizable, since, for example, the [[generator]] is now the size of a major seventh instead of a perfect fifth. The stretched perfect fifth can be approximated by [[17/9]] and the stretched major third by [[13/9]]. This gives rise to a "macromeantone" temperament which operates in the 3.13.17 [[subgroup]], equating 4 [[17/9]] to [[13/9]] tritave-reduced, rather than 4 [[3/2]] to [[5/4]] octave-reduced (although this is not a completely exact stretching of meantone, unlike some macromeantones like [[meansquared]] which repeats at [[4/1]]). | ||
Another example of a macrodiatonic scale is [[17ed5|hyperpyth]] which repeats at the fifth harmonic and is based on the 5:9:13:(17):(21) chord. | Another example of a macrodiatonic scale is [[17ed5|hyperpyth]] which repeats at the fifth harmonic and is based on the 5:9:13:(17):(21) chord. | ||
| Line 43: | Line 43: | ||
[http://micro.soonlabel.com/tritave_in_12/tritavein12_cleaned.mp3 Tritave in 12] by [http://www.chrisvaisvil.com Chris Vaisvil] | [http://micro.soonlabel.com/tritave_in_12/tritavein12_cleaned.mp3 Tritave in 12] by [http://www.chrisvaisvil.com Chris Vaisvil] | ||
[[Category:listen]] | [[Category:listen]] | ||
[[category:macrotonal]] | [[category:macrotonal]] | ||