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Kite Guitar translations by Kite Giedraitis: Difference between revisions

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</tt>
</tt>
=== Sarniezz riff (Angine de Poitrine) ===
The lack of full triads and tetrads in AdP's music makes 41edo not particularly better-sounding than 24edo. But the slightly wider steps and the downminor septimal sound are rather nice.
Source: https://www.youtube.com/watch?v=t7OIc-DBRXM
See also Stephen Weigel's transcription video, but read the video description for an important correction.
https://www.youtube.com/watch?v=FZW_NV-RIoc
In E (the original key) using a low-7 tuning (vD ^^F ^A C# F vA ^^C), with the fingering:
| - - - - - - - - - - - - | - - - - - - - - - - - - |
| - - - - - - - - - - - - | - - - - - - - - - - - - |
| - - - - - - - - - - - - | - - - - - - - - - - - - |
| 1 2 3 4/5 1 2 3 4/5 5 4 | 3 2 1 - 1 - - - - - - - |
| - - - - - - - - - - - - | - - - 3 - 3 - - - - - - |
| - - - - - - - - - - - - | - - - - - - - 2 3 4 3 2 |
| - - - - - - - - - - - - | - - - - - - 4 - - - - - |
  1 2 3 4  1 2 3 4  4 3  2 1 1 2 1 2 ? ? ? ? ? ?
| - - - - - - - - - - - - | - - - - - - - - - - - - |
| - - - - - - - - - - - - | - - - - - - - - - - - - |
| - - - - - - - - - - - - | - - - - - - - 3 4 5 4 3 |
| 1 2 3 4/5 1 2 3 4/5 5 4 | 3 2 1 - 1 - - - - - - - |
| - - - - - - - - - - - - | - - - 3 - 3 - - - - - - |
| - - - - - - - - - - - - | - - - - - - - - - - - - |
| - - - - - - - - - - - - | - - - - - - 4 - - - - - |
</tt>
"4/5" means slide from the 4th fret up to the 5th fret with the same finger (the pinkie). "?" means there's multiple good fingerings for the last 6 notes of each half.


== Triadic Songs ==
== Triadic Songs ==
Line 1,912: Line 1,945:
Barbershop often uses very close voicings of a major 2nd. When this 2nd translates to a vM2 or an ^M2, both notes occur on the same string. The tab resolves the issue by using an open string, or using [[wikipedia:Tapping|tapping]]. Even if a note-for-note guitar performance of the tag is awkward, the tabs are still valuable for conveying to the singers subtle microtonal nuances.  
Barbershop often uses very close voicings of a major 2nd. When this 2nd translates to a vM2 or an ^M2, both notes occur on the same string. The tab resolves the issue by using an open string, or using [[wikipedia:Tapping|tapping]]. Even if a note-for-note guitar performance of the tag is awkward, the tabs are still valuable for conveying to the singers subtle microtonal nuances.  


See also Aaron Wolf's [[Kite Guitar Translations by Aaron Wolf#My%20old%20Kentucky%20Home%20.28barbershop%20tag.29|My old Kentucky Home]] translation.  
See also Aaron Wolf's [[Kite Guitar translations by Aaron Wolf#My%20old%20Kentucky%20Home%20.28barbershop%20tag.29|My old Kentucky Home]] translation.  


=== Please Don't Sell My Daddy No More Wine (Tom Lane) ===
=== Please Don't Sell My Daddy No More Wine (Tom Lane) ===
Line 3,945: Line 3,978:
|hi3addhi8
|hi3addhi8
| colspan="2" |
| colspan="2" |
|}
=== Cry (I Made You Cry) ===
The bass and baritone's P8 is the lead and tenor's P1. Everyone starts in unison. The chord for "I" and "you" has yet another homonym, bVIIv9noR in a hi3 ("I") or hi5 ("you") voicing.
The baritone must move up and then down by one fret (36/35).
{| class="wikitable"
|+
! rowspan="2" |Lyrics
! colspan="4" |vocal parts
! colspan="4" |[[41edo solfege|solfege]]
! colspan="2" rowspan="2" |chords and
their [[Hi-lo notation|voicings]]
! rowspan="2" |JI
chord
! colspan="3" rowspan="2" |chord
homonyms
|-
!Bass
!Bari
!Lead
!Tenor
!Bs
!Br
!Ld
!Tn
|-
| rowspan="3" |Cry
|P8
| P8
| rowspan="7" | P1
| P1
|↑Da
| ↑Da
| rowspan="7" | Da
| Da
| unison
|
|
| colspan="3" rowspan="3" |
|-
|vm7
| rowspan="2" |vm7
| rowspan="2" |vM3
|Tho
| rowspan="2" |Tho
| rowspan="2" |Mo
| rowspan="2" |Iv7
| rowspan="2" |lo57
| rowspan="2" |Ih7
|-
|P5
|Sa
|-
|I
|P4
|vm6
|vM2
|Pa
|Flo
|Ro
|IVvm6
|close
|IVz,y6
|vII^m7(b5)
|hiR
|yIIg7(zg5)
|-
|Made
|^m3
|^m6
|^m3
|Nu
|Flu
|Nu
|^bVIv
|addlo5
|gVIy
| colspan="3" |
|-
|You
|vM2
|vm6
|P4
|Ro
|Flo
|Fa
|IVvm6
|hiRlo6
|IVz,y6
|vII^m7(b5)
|hi3
|yIIg7(zg5)
|-
|Cry
|P1
|P5
|vM3
|Da
|Sa
|Mo
|Iv
|hi3add8
|Iy
| colspan="3" |
|}
An alternate version that makes the baritone melody more graceful. Changes are '''bolded'''. Note the extreme similarity to Sweet Sweet Harmony.
{| class="wikitable"
! rowspan="2" |Lyrics
! colspan="4" |vocal parts
! colspan="4" |[[41edo solfege|solfege]]
! colspan="2" rowspan="2" |chords and
their [[Hi-lo notation|voicings]]
! rowspan="2" |JI
chord
! colspan="3" rowspan="2" |chord
homonyms
|-
!Bass
!Bari
!Lead
!Tenor
!Bs
!Br
!Ld
!Tn
|-
| rowspan="3" |Cry
|P8
| P8
| rowspan="7" | P1
| P1
|↑Da
| ↑Da
| rowspan="7" | Da
| Da
| unison
|
|
| colspan="3" rowspan="5" |
|-
|vm7
| rowspan="2" |vm7
| rowspan="2" |vM3
|Tho
| rowspan="2" |Tho
| rowspan="2" |Mo
| rowspan="2" |Iv7
| rowspan="2" |lo57
| rowspan="2" |Ih7
|-
|P5
|Sa
|-
|I
|P4
|'''vM6'''
|'''vm3'''
|Pa
|'''Lo'''
|'''No'''
|'''IVv7'''
|close
|'''IVh7'''
|-
|Made
|^m3
|^m6
|'''d5'''
|Nu
|Flu
|'''Sha'''
|'''^bVIv7'''
|'''lo5'''
|'''gVIh7'''
|-
|You
|vM2
|vm6
|P4
|Ro
|Flo
|Fa
|IVvm6
|hiRlo6
|IVz,y6
|vII^m7(b5)
|hi3
|yIIg7(zg5)
|-
|Cry
|P1
|P5
|vM3
|Da
|Sa
|Mo
|Iv
|hi3add8
|Iy
| colspan="3" |
|}
|}
== World Music, Microtonal Music, etc. ==
== World Music, Microtonal Music, etc. ==
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