Kite Guitar Originals by Kite Giedraitis: Difference between revisions
corrected the 3rd note of "Sweet Sweet Harmony", updated the chord names, a few other minor changes |
→Downminor Etude: added the bass guitar part |
||
| (2 intermediate revisions by the same user not shown) | |||
| Line 414: | Line 414: | ||
| ---- | | ---- | ||
| ---- | | ---- | ||
| | |Ta | ||
| ---- | | ---- | ||
|- | |- | ||
| Line 496: | Line 496: | ||
== Downminor | == Downminor Nocturne== | ||
Video: [https://youtu.be/hZ55MohHUb4 youtu.be/hZ55MohHUb4] (guitar & violin) | Video: [https://youtu.be/hZ55MohHUb4 youtu.be/hZ55MohHUb4] (guitar & violin) | ||
| Line 510: | Line 510: | ||
Key: A downminor | Key: A downminor | ||
Guitar part: | |||
<tt> | <tt> | ||
vbVI^ Ivm vbVI^ Ivm | vbVI^ Ivm vbVI^ Ivm | ||
| Line 551: | Line 553: | ||
| - - - - - - - - | - - - - 6 - - - | - - - - - - - - | - - - - 6 - - - | | | - - - - - - - - | - - - - 6 - - - | - - - - - - - - | - - - - 6 - - - | | ||
</tt> | </tt> | ||
Bass guitar: the tuning is 1 octave below the lowest 5 strings of the guitar. <br> | |||
The pickup notes are written twice, for convenience. | |||
<tt> | |||
vbVI^ Ivm vbVI^ Ivm | |||
|- - - - - - - -|- - - - - - - -|- - - - - - - -|- - - - - - - -| | |||
|- - - - - - - -|- - - - - - - -|- - - 7 - - - -|- - - - - - - -| | |||
|- - - - - - - -|- - - - - - - -|6 - - - - 6 - -|- - - 5 - - - -| | |||
|- - - - - - - -|- - - - - - - 4|- - - - - - - 4|- - - - - - - 4| | |||
|- - - - - - - -|- - - - - - - -|- - - - - - - -|6 - - - - - - -| | |||
vbVI^ Ivm vbVI^ Ivm | |||
|- - - - - - - -|- - - - - - - -|- - - - - - - -|- - - - - - - -| (2x) | |||
|- - - 7 - - - -|- - - - - - - -|- - - 7 - - - -|- - - - - - - -| | |||
|6 - - - - 6 - -|- - - 5 - - - -|6 - - - - 6 - -|- - - 5 - - - -| | |||
4|- - - - - - - 4|- - - - - - - 4|- - - - - - - 4|- - - - - - - 4| | |||
|- - - - - - - -|6 - - - - - - -|- - - - - - - -|6 - - - - - - -| | |||
IVvm bVIIv IVv7 | |||
|- - - - - - - -|- - - - - - - -|- - - - - - - -|- - - - - - - -| | |||
|- - - 7 - - - -|- - - - - - - -|- - - 7 - - - -|- - - - - - - -| | |||
|6 - - - - 6 - -|- - - 10- - - -|8 - - - - 8 - -|- - - - - - - -| | |||
4|- - - - - - - 8|- - - - - - - 8|- - - - - - - 8|- - - 8 - - - 4| | |||
|- - - - - - - -|9 - - - - - - -|- - - - - - - -|6 - - - - - - -| | |||
IVvm bVIIv Iv Ivd | |||
|- - - - - - - -|- - - - - - - -|- - - - - - - -|- - - - - - - -| | |||
|- - - 7 - - - -|- - - - - - - -|- - - 7 - - - -|- - - - - - - -| | |||
|6 - - - - 6 - -|- - - 10- - - -|5 - - - - 5 - -|- - - 3 - - - -| | |||
4|- - - - - - - 8|- - - - - - - -|- - - - - - - 6|- - - - - - - -| | |||
|- - - - - - - -|9 - - - - - - 6|- - - - - - - -|6 - - - - - - 2| | |||
vbVII^ vbVII^m Vvd vbIII^9 | |||
|- - - - - - - -|- - - - - - - -|- - - 2 - - - -|- - - - - - - -| | |||
|- - - 3 - - - -|- - - - - - - -|3 - - - - 3 - -|- - - 3 - - - -| | |||
|1 - - - - 1 - -|- - - 1 - - - -|- - - - - - - 5|- - - - - - - -| | |||
|- - - - - - - 3|- - - - - - - 1|- - - - - - - -|4 - - - - - - 4| | |||
2|- - - - - - - -|2 - - - - - - -|- - - - - - - -|- - - - - - - -| | |||
vbVI^ Ivm vbVI^ Ivm | |||
|- - - - - - - -|- - - - - - - -|- - - - - - - -|- - - - - - - -| (2x) | |||
|- - - 7 - - - -|- - - - - - - -|- - - 7 - - - -|- - - - - - - -| | |||
|6 - - - - 6 - -|- - - 5 - - - -|6 - - - - 6 - -|- - - 5 - - - -| | |||
4|- - - - - - - 4|- - - - - - - 4|- - - - - - - 4|- - - - - - - 4| | |||
|- - - - - - - -|6 - - - - - - -|- - - - - - - -|6 - - - - - - -| | |||
</tt> | |||
Bass line as notes (A' means A an octave higher, likewise for G' and vG' and Bb'): | |||
<tt> | |||
vF^ Avm vF^ Avm | |||
vC vF A' vF vC A E | |||
vF^ Avm vF^ Avm | |||
vC vF A' vF vC A E vC vF A' vF vC A E (2x) | |||
Dvm Gv Dv7 | |||
vC vF A' vF D vB G' D vF# A' vF# D A D | |||
Dvm Gv Av Avd | |||
vC vF A' vF D vB G' A E A' E vC# A Eb | |||
vG^ vG^m Evd vC^9 | |||
vG vD vG' vD B vG vD Bb vG' Bb' vG' E vC vG' | |||
vF^ Avm vF^ Avm | |||
vC vF A' vF vC A E vC vF A' vF vC A E (2x) | |||
</tt> | |||
Chords and melody ("/" means bend up to the note): | Chords and melody ("/" means bend up to the note): | ||
| Line 560: | Line 629: | ||
| . . vC D Eb D vC - | /vC - - A - - - - | . . vC D Eb D vC - | A - - E - . E - | | | . . vC D Eb D vC - | /vC - - A - - - - | . . vC D Eb D vC - | A - - E - . E - | | ||
vF^ | vF^ Avm vF^ Avm | ||
| /vF - - - - . vF - | E - - - - vF E - | Eb - - - Eb - Eb - | D - - - - . . . | | | /vF - - - - . vF - | E - - - - vF E - | Eb - - - Eb - Eb - | D - - - - . . . | | ||
Dvm | Dvm Gv Dv7 | ||
| /vF - D - - - - . | /vF - D - - . vF - | E - - E E vC - A | - - - . . A vC E | | | /vF - D - - - - . | /vF - D - - . vF - | E - - E E vC - A | - - - . . A vC E | | ||
Dvm | Dvm Gv Av Avd | ||
| /vF - D - - - - . | /vF - D - - . vF - | E - A'- - . E - | vG - A' - - - - . | | | /vF - D - - - - . | /vF - D - - . vF - | E - A'- - . E - | vG - A' - - - - . | | ||
vG^ | vG^ vG^m Evd vC^9 | ||
| . . vG B'vA'vG F - | E - Bb'- . . E vD | vC# - vG - - . /Bb'vG | - - - . /Bb'vG - Bb'| | | . . vG B'/vA'vG F - | E - Bb'- . . E vD | vC# - vG - - . /Bb'vG | - - - . /Bb'vG - Bb'| | ||
vF^ Avm vF^ | vF^ Avm vF^ Avm | ||
| A'- vF vC - - - . | vG A' - vG A'- vG - | /A'- vF vC - - A'- | vG - E vC - - - . | | | A'- vF vC - - - . | vG A' - vG A'- vG - | /A'- vF vC - - A'- | vG - E vC - - - . | | ||
vF^ Avm | vF^ Avm vF^ Avm | ||
| . . vC D Eb D vC - | /vC - - A - - . . | . . vC D Eb D vC - | A - - - E - - - | | | . . vC D Eb D vC - | /vC - - A - - . . | . . vC D Eb D vC - | A - - - E - - - | | ||
</tt> | </tt> | ||
== Blues in G== | == Blues in G== | ||
| Line 804: | Line 872: | ||
A nice demo of the two kinds of dom7 chords. Harmonic/subharmonic aka otonal/utonal are sort of like yin/yang. Or is that yang/yin? | A nice demo of the two kinds of dom7 chords. Harmonic/subharmonic aka otonal/utonal are sort of like yin/yang. Or is that yang/yin? | ||
<tt> | <tt> | ||
https://www.youtube.com/watch?v=p3ktvcCrSwc | |||
| - - - - - - - 0 | - - - - - - - - | - - - - - - 1 5 | - 1 - - - - - - | | | - - - - - - - 0 | - - - - - - - - | - - - - - - 1 5 | - 1 - - - - - - | | ||
| - - - - - - 0 - | - 0 - - - - - - | - - - - 3 - - - | - - - 3 - - - - | | | - - - - - - 0 - | - 0 - - - - - - | - - - - 3 - - - | - - - 3 - - - - | | ||