22edo chord names: Difference between revisions

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Various [[22edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
#REDIRECT [[22edo chords#Ups and downs notation]]
{| class="wikitable"
|+
!
!m3
!^m3
!vM3
!M3
!P4
|-
!triad
|Cm
|C^m
|Cv
|C
|C4
|-
!vM6
|Cmv6
|C^mv6
|Cv6
|C,v6
|C4v6
|-
!M6
|Cm6
|C^m,6
|Cv,6
|C6
|C4,6
|-
!m7
|Cm7
|C^m,7
|Cv,7
|C7
|C4,7
|-
!^m7
|Cm^7
|C^m7
|Cv^7
|C,^7
|C4^7
|-
!vM7
|CmvM7
|C^mvM7
|CvM7
|C,vM7
|C4vM7
|-
!M7
|CmM7
|C^mM7
|Cv,M7
|CM7
|C4M7
|}
A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.
 
4:5:6:7 = C vE G Bb is named Cv,7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.
{| class="wikitable"
|+
!chord
!notes
! colspan="2" |ups and downs name
! colspan="2" |color name
|-
|4:5:6:7
|C vE G Bb
|C-down add-7
|Cv,7
|C har7
|Ch7
|-
|7/6/5/4
|C Eb ^Gb Bb
|C minor7 upflat-5
|Cm7(^b5)
|C sub7
|Cs7
|-
|12/10/8/7
|C ^Eb G A
|C upminor add-6
|C^m,6
|C sub6
|Cs6
|}
See also:
 
* [[19edo Chord Names]]
* [[24edo Chord Names]]
* [[31edo Chord Names]]
* [[41edo Chord Names]]
* [[Kite Guitar Chord Shapes (downmajor tuning)]]
 
[[Category:22edo]]
[[Category:Chords]]
[[Category:Ups and Downs Notation]]
[[Category:Notation]]

Latest revision as of 01:37, 20 August 2025