Edward Elgar: Difference between revisions

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The name of [http://en.wikipedia.org/wiki/Edward_Elgar Edward Elgar] is not one that immediately springs to mind at the mention of microtonal music, but he merits a place here for a remark he made in a 1914 presidential speech to the Union of Graduates in Music. Displaying the complex blend of conservatism and progressivism which was such a feature of his musical character, he rails against the 'monkey tricks' of recent compositional trends, then adds:
{{Wikipedia|Edward Elgar}}
'''Edward Elgar''' (1857-1934) was an English (non-microtonal) composer. His name might not be one that immediately springs to mind at the mention of microtonal music, but he merits a place here for a remark he made in a 1914 presidential speech to the Union of Graduates in Music. Displaying the complex blend of conservatism and progressivism which was such a feature of his musical character, he rails against the 'monkey tricks' of recent compositional trends, then adds:


'The more subtle refinement is not yet with us and can only come by the use of a scale more minutely divided than our own; this would educate the ear to something finer than we have yet heard'.  
"The more subtle refinement is not yet with us and can only come by the use of a scale more minutely divided than our own; this would educate the ear to something finer than we have yet heard."


(Source: 'Edward Elgar - A Creative Life' by Jerrold Northrop Moore, OUP 1987, ISBN 0-19-284014-2, page 663.)
(Source: 'Edward Elgar - A Creative Life' by Jerrold Northrop Moore, OUP 1987, ISBN 0-19-284014-2, page 663.)
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Latest revision as of 06:40, 6 February 2022

English Wikipedia has an article on:

Edward Elgar (1857-1934) was an English (non-microtonal) composer. His name might not be one that immediately springs to mind at the mention of microtonal music, but he merits a place here for a remark he made in a 1914 presidential speech to the Union of Graduates in Music. Displaying the complex blend of conservatism and progressivism which was such a feature of his musical character, he rails against the 'monkey tricks' of recent compositional trends, then adds:

"The more subtle refinement is not yet with us and can only come by the use of a scale more minutely divided than our own; this would educate the ear to something finer than we have yet heard."

(Source: 'Edward Elgar - A Creative Life' by Jerrold Northrop Moore, OUP 1987, ISBN 0-19-284014-2, page 663.)