Major seventh chord: Difference between revisions

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{{Wikipedia}}
{{Wikipedia|Major seventh chord}}


A '''major seventh chord''' is a [[tetrad]] comprising a root, [[major]] third, [[perfect]] fifth, and major seventh.
A '''major seventh chord''' is a [[tetrad]] comprising a root, [[major]] third, [[perfect]] fifth, and major seventh.


== JI Tunings ==
== In just intonation ==
 
In the [[3-limit]]:
* [[128:162:192:243]] spans five octave-reduced fifths.


In the [[5-limit]]:
In the [[5-limit]]:
* [[8:10:12:15]] is found on on the I ({{Frac|1|1}}) and IV ({{Frac|4|3}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common [[5-limit]] diatonic.
* [[8:10:12:15]] is found on on the I ({{Frac|1|1}}) and IV ({{Frac|4|3}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common [[5-limit]] diatonic.
In the [[3-limit]]:
* [[128:162:192:243]] spans five octave-reduced fifths, and may be considered a 3-limit approximation of 8:10:12:15.


[[Category:Major seventh chords| ]]
[[Category:Major seventh chords| ]]
[[Category:Just intonation chords]]
[[Category:Just intonation chords]]

Latest revision as of 10:16, 27 October 2024

English Wikipedia has an article on:

A major seventh chord is a tetrad comprising a root, major third, perfect fifth, and major seventh.

In just intonation

In the 5-limit:

  • 8:10:12:15 is found on on the I (11) and IV (43) of Ptolemy's intense diatonic scale (Zarlino), perhaps the most common 5-limit diatonic.

In the 3-limit:

  • 128:162:192:243 spans five octave-reduced fifths, and may be considered a 3-limit approximation of 8:10:12:15.