Conic Bellophone in 96edo: Difference between revisions
Wikispaces>tonysalinas **Imported revision 8152599 - Original comment: ** |
m Links, todo, category |
||
| (14 intermediate revisions by 6 users not shown) | |||
| Line 1: | Line 1: | ||
{{todo|inline=1|cleanup|improve layout}} | |||
This is an | |||
: | {{External Image| http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg {{dead link}} }} | ||
{{External Image| URL = http://www.facebook.com/photo.php?pid=227558&id=696302104 {{dead link}} }} | |||
The | |||
Conic Bellophone [[Conic Bellophone Demo|( Listen to a demo by Lee Ferguson, the percussionist from 'Duo Contour')]] | |||
First official presentation in March 2007 at the [[UK Microfest]]. | |||
This instrument is designed and built by [[Tony Salinas]] (J.A. Martin Salinas) and has an [[octave]] range with 96 conic | |||
bells (2mm steel spun on a lathe) tuned to the [[96edo|96 equal temperament]], even though the conic bells can be tuned | |||
from 5 to 240 notes per octave. The maximum range they can cover keeping pleasant [[timbre|timbrical]] properties is 2 | |||
octaves and a fifth incorporating extensions of the stands and with a 45 degree angle towards the player | |||
(producing a kind of cage). | |||
{{External Image| http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg {{dead link}} }} | |||
{{External Image| URL = http://www.facebook.com/photo.php?pid=227559&id=696302104 {{dead link}} }} | |||
This is the performance of 'Autumn I' for [[Conic Bellophone]], [[percussion]], [[trombone]], [[trumpet]], [[cello]] and bass [[clarinet]]. | |||
[[Steve Altoft]] has a trumpet with a [[quartertone]] valve which was required for the composition. Steve plays in the duo | |||
contour with [[Lee Ferguson]] percusionist who is the percussionist playing the conic bellophone. | |||
[[Bozidar Vukotic]], the London-based Russian Cellist was very precise! | |||
The contemporary trombonist [[Allan Tomlinson]] enjoyed the continuous glissandi and requested a solo piece. | |||
The Italian bass clarinetist [[Guido Arbonelli]] gave me a good lesson about multiphonics. | |||
The [[Timpanist Matthew West]] had incredible sight-reading skills. | |||
Many thanks to [[Lewis Jones]], my main research supervisor, who conducted at 60 b.p.m. with great control over the | |||
players. Also many thanks to my composition tutor, [[Javier Garavaglia]]. | |||
{{External Image| http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg {{dead link}} }} | |||
{{External Image| URL = http://www.facebook.com/photo.php?pid=227560&id=696302104 {{dead link}} }} | |||
Here I am introducing the Autumn piece for the UK Microfest 2007 | |||
{{External Image| http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg {{dead link}} }} | |||
{{External Image| URL = http://www.facebook.com/photo.php?pid=227561&id=696302104 {{dead link}} }} | |||
This is the French guitarist [[Wim Hoogewerf]] with the percussionist from Duo Contour, [[Lee Ferguson]]. Wim has a | |||
96 equal temperament guitar (1/4 tone frets and 6 E strings 1/16 of a tone apart). They played an ascending | |||
chromatic scale using the 96 notes in unison with the help of a bottle neck for the guitar. | |||
They performed chromatic zig-zag exercises in unison covering the full range of the octave. | |||
They also played a duet I wrote for 96 equal temperament guitar and bellophone. | |||
These materials are really worthy waiting for the video to be edited! | |||
Wim also performed on the same guitar a piece by [[Pascal Criton]] (who was in the audience). | |||
{{External Image| URL = http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg {{dead link}} }} | |||
{{External Image| URL = http://www.facebook.com/photo.php?pid=227562&id=696302104 {{dead link}} }} | |||
Lee Ferguson explains the characteristics and the tough time he had preparing for the concert in one evening | |||
when it was the first time for him to see the instrument. He took the instrument back to Germany, and we hope | |||
to hear about his performances with the conic bellophone in the future. | |||
{{External Image| URL = http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg {{dead link}} }} | |||
{{External Image| URL = http://www.facebook.com/photo.php?pid=227563&id=696302104 {{dead link}} }} | |||
From the percussionist's point of view. | |||
{{External Image| URL = http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg {{dead link}} }} | |||
{{External Image| URL = http://www.facebook.com/photo.php?pid=227563&id=696302104 {{dead link}} }} | |||
Jacob and Aaron checking the piccolo conic bellophone, | |||
which is made with bicycle bells, and can expand the maximum range | |||
of the conic bellophone by a major third with almost the same sound. | |||
[[Category:Instruments]][[Category:96edo]] | |||