Kite Guitar Originals by Kite Giedraitis: Difference between revisions

(7 intermediate revisions by the same user not shown)

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All tabs are for a guitar tuned in downmajor 3rds. Some of these are more riffs than songs.

== Evening Rondo ==

See [https://www.tallkite.com/music/EveningRondo.html TallKite.com/music/EveningRondo.html] for score, tab, video and mp3s.

== Underground Revolution ==

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Iv7 N.C / /

vIII^m6 / / /

#~~IVvm7(b5)~~ / / /

#IVvdv7 / / /

IVv7 / / /

Iv7 / / /

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Chords:<tt>

intro: Vv7 vIII^~~m7(b5)~~ Vv7 vIII^~~m7(b5)~~

intro: Vv7 vIII^d^7 Vv7 vIII^d^7

Vv7 vIII^~~m7(b5)~~ Vv7 /

Vv7 vIII^d^7 Vv7 /

solos: Iv7 vbIII^m6 IVv7 /

Iv7 vbIII^m6 IVv7 /

bVIIv7 ~~bVIIv7no1~~ vbIII^m6 /

bVIIv7 bVIIv7noR vbIII^m6 /

vbVI^ vbVI^7 Vv7 /

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Iv7 vbVII^m6 Iv7 /

chorus: vVI^m7 / vVII^m6(b5) /

chorus: vVI^m7 / vVII^d6 / (vVII^d6 = vIII^7b9noR)

/ / vVI^m7 /

/ / vVII^~~m6(b5)~~ /

/ / vVII^d6 /

vVI^7 vVI^~~m6(b5)~~ Vv7 /

vVI^7 vVI^d6 Vv7 /

breakdown: Iv7 vbVII^m6 bVv7 [vbbVII=^#V]^m6

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Iv7 vbVII^m6 Iv7 IIv7

bridge: Vv7 ~~Vvm7(b5)~~ IIv7 /

bridge: Vv7 Vvdv7 IIv7 /

/ ~~IIvm7(b5)~~ Vv7 VIvm7

/ IIvdv7 Vv7 VIvm7

IIIv7 ~~IIIvm7(b5) VIv7,b9~~ VIv6

IIIv7 IIIvdv7 VIv7b9 VIv6

/ ~~VIvm7(b5)~~ IIv7 Vv7

/ VIvdv7 IIv7 Vv7

coda: Iv7 / vbVII^m7 /

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<tt>

intro chords: Vv7 . 17 17 16 14 .

vIII^~~m7(b5)~~ 18 . 15 16 18 . (2nd time play 18 17 15 16)

vIII^d^7 18 . 15 16 18 . (2nd time play 18 17 15 16)

walkdown (5,17) (5,13) (6,16) (6,15)

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bVIIv7 8 . 7 5 9 .

~~bVIIv7no1~~ . 8 7 5 9 .

bVIIv7noR . 8 7 5 9 .

vbIII^m6no5 . . 3 2 6 4 (fingering: 2 1 4 3)

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chorus chords: vVI^m7 18 20 19 . 18 . (see comments above for the bass line)

(passing chord) . 17 19 . 18 . (fingering: 1 3 2)

vVII^~~m6(b5)~~ . 13 17 16 20 .

vVII^d6 . 13 17 16 20 .

(passing chord) . 19 . 16 20 . (fingering: 3 2 4)

vVI^9 . 20 21 19 18 18

vVI^~~m6(b5)~~ . 20 19 * . . (* riff between 17 and 23)

vVI^d6 . 20 19 * . . (* riff between 17 and 23)

Vv7 . 17 17 16 14 .

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bridge chords: Vv7 15 17 17 (16) 14 . (see comments above for the bass line)

~~Vvm7(b5)~~ . 13 15 14 14 . (lacks the root unfortunately)

Vvdv7 . 13 15 14 14 . (lacks the root unfortunately)

IIv7 15 . 14 12 16 . (use this for the pickup chord as well)

~~IIvm7(b5)~~ . 13 12 12 14 . (lacks the root unfortunately)

IIvdv7 . 13 12 12 14 . (lacks the root unfortunately)

VIvm7 . . 14 12 13 11

IIIv7 10 12 12 (11) 9 .

~~IIIvm7(b5)~~ . 8 10 9 9 . (lacks the root unfortunately)

IIIvdv7 . 8 10 9 9 . (lacks the root unfortunately)

~~VIv7,b9~~ . . 14 14 13 11 (lacks the 9th unfortunately)

VIv7b9 . . 14 14 13 11 (lacks the 9th unfortunately)

VIv6 . . 14 14 16 15 (lacks the 5th unfortunately)

~~VIvm7(b5)~~ . . 14 12 11 11

VIvdv7 . . 14 12 11 11

Vv7 . 17 17 16 14 .

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| ----

|~~vM7~~

|M7

| ----

|To

|Ta

| ----

| - - - ~~ₒₒ3~~ - -

| - - ⸰0 - - -

| - - - 11 - -

| - - 16 - - -

| - - - ~~ₒₒₒ3~~ - -

| - - ⸰⸰0 - - -

| - - - 15 - -

| - - 20 - - -

| ----

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The lead could improvise their pickup notes, e.g. "How I long for that sweet" with v7 8 9 8 v7 8 melody, 2 & 3 & 4 1 rhythm, or "Love love love my Kite guitar" with 5 v7 9 v7 v11 v7 8 melody, 1 & 2 & 3 4 1 rhythm.

JI version using [[color notation]]:

{| class="wikitable"

|+

! rowspan="2" |lyrics

! colspan="8" |vocal parts

! colspan="4" |[[41edo solfege]]

! colspan="3" rowspan="2" |chords

! colspan="3" rowspan="2" |chord

homonyms

|-

! colspan="2" |bass

! colspan="2" |bari

! colspan="2" |lead

! colspan="2" |tenor

!Bs

!Br

!Ld

!Tn

|-

|Gim-

| colspan="2" rowspan="3" |

|P5

|w5

| colspan="2" rowspan="3" |

| ----

|Sa

| ----

| colspan="3" rowspan="3" |

| colspan="3" rowspan="6" |

|-

| -me

|M6

|w6

| ----

|La

| ----

|-

|That

|M7

|Lw7

| ----

|Ta

| ----

|-

|Sweet

|P5

|w5

|vm7

|z7

| rowspan="5" |P8

| rowspan="5" |w8

|vM3

|y3

|Sa

|Tho

| rowspan="5" |↑Da

|Mo

|Iv7

|Ih7

|hiR3

|-

|Sweet

|P4

|w4

|vM6

|y6

|vm3

|z3

|Fa

|Lo

|No

|IVv7

|IVh7

|close

|-

|Har-

|^m3

|g3

|^m6

|g6

|b5

|zg5

|Nu

|Flu

|Sha

|^bVIv7

|gVIh7

|lo5

|-

| -mo-

|vM2

|y2

|vm6

|z6

|P4

|w4

|Ro

|Flo

|Fa

|vII^d^7

|yIIg7(zg5)

|hi3

|bVIIv9noR

|VIIh9noR

|hi5

|-

| -ny

|P1

|w1

|P5

|w5

|vM3

|y3

|Da

|Sa

|Mo

|Iv

|Iy

|add8hi3

| colspan="3" |

|}

== Downminor Etude==

Video: [https://youtu.be/hZ55MohHUb4 youtu.be/hZ55MohHUb4] (guitar & violin)

https://youtu.be/iTL_siVUnEs and https://youtu.be/uOsOQUDow6M (guitar & Linnstrument)

Video (backing part only): [http://tallkite.com/KiteGuitar/Downminor%20Etude.m4v TallKite.com/KiteGuitar/Downminor Etude.m4v]

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| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |

IVvm bVIIv Iv ~~Ivdim~~

IVvm bVIIv Iv Ivd

| - - - - - - - - | - - - - - - - - | - - 6 - - - 6 - | - - 4 - - - 4 - |

| - - 9 - - - 9 - | - - 9 - - - 9 - | - 7 - 7 - 7 - 7 | - 5 - 5 - 5 - 5 |

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| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |

vbVII^ vbVII^m ~~Vvdim~~ vbIII^9

vbVII^ vbVII^m Vvd vbIII^9

| - - 2 - - - 2 - | - - 2 - - - 2 - | - - - - - - - - | - - - - 2 - - - |

| - 4 - 4 - 4 - 4 | - 2 - 2 - 2 - - | - - 2 - - - 2 - | - - - 2 - 2 - - |

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| . . vC D Eb D vC - | /vC - - A - - . . | . . vC D Eb D vC - | A - - - E - - - |

</tt>

== Blues in G==

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==The Tri-sub song==

In 12edo, a tritone substitution changes V7-IM7 to bII7-IM7. In 41edo, the bII can be translated to either ^bII or vbII. This song uses both. I used a ^~~dim,v7~~ chord instead of the more standard ^~~dim7~~ chord because I liked how it led into the following chord. The final ^9 chord uses a very dissonant high-3 voicing which makes an extreme contrast with the very pleasant vM7 chord that it resolves to.

In 12edo, a tritone substitution changes V7-IM7 to bII7-IM7. In 41edo, the bII can be translated to either ^bII or vbII. This song uses both. I used a ^dv7 chord instead of the more standard ^d7 chord because I liked how it led into the following chord. The final ^9 chord uses a very dissonant high-3 voicing which makes an extreme contrast with the very pleasant vM7 chord that it resolves to.

IvM7 vVI^m9

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| - - - - - - - - | - - - - - - - - | 2 - - - - - - 2 | - - - - - - - - |

vII^m9 IVv7 IV^~~dim,v7~~

vII^m9 IVv7 IV^dv7

| - - 4 - 2 4 - - | - 2 - 4 - 2 4 - | - - 0 - 0 0 - - | - 0 - 0 - - 0 - |

| - - 2 - 2 2 - - | - 2 - 2 - 2 2 - | - - 2 - 2 2 - - | - 0 - 0 - - 0 - |

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Some people simply don't hear the rapid upwards tonic drift until it's pointed out to them. Even after becoming aware of it, it still feels incredibly jarring to go from the ^^V chord to a I chord. The ear insists on hearing the ^^V chord as a V chord and not a vbVI chord, and it insists on the ^^I chord coming next.

The vocals are very close to the bass line:

Just a four-chord song (5 5 5 v3 1) (rhythm: 6 & 7 8 1)<br>

Won't you sing along (1 1 1 vb3 4) (6 & 7 8 1) <br>

But before too long (4 4 4 v3 vb3) (6 & 7 8 1) <br>

You'll hear that something's wro-ong (vb3 b5 vb3 vb7 vb7 vb7 ^^5) (& 6 & 7 8 1 &)<br>

With my four-chord song (^^5 ^^5 ^^5 ^3 ^^1) (6 & 7 8 1)

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<tt>

II^m7 V^7 IvM7 Iv,^7 Iv7

II^m7 V^7 IvM7 Iv^7 Iv7

| - - 3 - - 3 - - | - 3 - - 3 - 3 - | - - 6 - 6 6 - 6 | - 6 - - 6 - 6 - |

| - - 1 - - 1 - - | - 4 - - 4 - 4 - | - - 7 - 7 7 - 7 | - 7 - - 7 - 7 - |

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</tt>

==Latrizo Pump riff==

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<tt>

Iv7 #~~Ivm7(b5)~~ vVI^m7

Iv7 #Ivdv7 vVI^m7

| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |

| 1 - - 1 - - - - | 3 - - 3 - - - - | 5 - - 5 - - - - | 5 - - 5 - - - - |

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==~~V9 - I7~~ riff ==

== Yin Yang riff ==

A nice demo of the two kinds of dom7 chords.

A nice demo of the two kinds of dom7 chords. Harmonic/subharmonic aka otonal/utonal are sort of like yin/yang. Or is that yang/yin?

<tt>

~~V^9 Iv7~~

| - - - - - - - 0 | - - - - - - - - | - - - - - - 1 5 | - 1 - - - - - - |

| - - - - - - 0 - | - 0 - - - - - - | - - - - 3 - - - | - - - 3 - - - - |

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| 2 - - - - - - - | - - - - - - 2 - | - - - - - - - - | - - - - - - - - |

| - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |

</tt>

Which chord feels like the tonic chord to you? Is it I^9 - IVv7, or V^9 - Iv7?

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==Mid-9th riff ==

~~==Mid~~-~~9th riff ==~~

Is it Iv - Vvm(~5), or just one big v7~9 chord? Who cares, it's the blues -- play it slow and bendy.

~~Is it Iv - Vvm(~5), or just one big v7,~9 chord? Who cares, it's the blues -- play it slow and bendy.~~

<tt>

| - - - 9 - - | 5 - 5 - - - | - - - 9 - - | 5 - - - - - |

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_ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _

Ivm7 ^bVIv7 IVv7 V4,^b9

Ivm7 ^bVIv7 IVv7 V4^b9

6 _ _ 6 _ _ _ _ | 6 _ _ 6 _ _ _ _ | 6 _ _ 6 _ _ _ _ | 6 _ _ 6 _ _ _ _

4 _ _ 4 _ _ _ _ | 6 _ _ 6 _ _ _ _ | 7 _ _ 7 _ _ _ _ | 6 _ _ 6 _ _ _ _

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_ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _

</tt>

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</tt>

~~== Modulation demo ==~~

~~A simple riff that modulates through 4 keys~~. ~~The freedom of an equal temperament!~~

== Harmonic Blues ==

https://www.youtube.com/watch?v=pix_DruZZM4

~~The key goes up by smaller intervals each time. The bass line changes key a bit earlier than the high line~~.

No score yet, unfinished piece.

~~Play it slow and staccato, with lots of swing. Midi demo: https://soundcloud.com/tallkite/kite-guitar-modulation-demo~~

<tt>

== Tiny Steps ==

The opposite of Coltrane's "Giant Steps"! A simple riff that modulates through 4 keys and demonstrates the freedom of an equal temperament.

The key goes up by smaller intervals each time. The bass line changes key a bit earlier than the high line does.

Play it slow and staccato, with lots of swing. "1--3", "9--11", etc. all indicate an optional slide up 2 frets.

Video: https://www.youtube.com/watch?v=s0QUqWhFMks <tt>

in B | _ _ 4 _ 1 _ _ _ | _ _ 2 _ _ _ _ _ | _ _ 4 _ 1 _ _ _ | _ _ 2 _ 1 _ 0 _ |

| _ _ 0 _ 0 _ 0 4 | _ _ _ _ 4 _ 0 _ | 4 _ 0 _ 0 _ 0 4 | _ _ _ _ _ _ _ _ |

_ _ 2 | _ _ _ _ _ _ 2 _ | _ _ 5 _ 5 _ _ 2 | _ _ _ _ _ _ 2 _ | _ 2 _ 2 _ _ _ _ |

1 3 _ | _ _ _ _ _ 3 _ _ | 5 _ _ _ _ 1 3 _ | _ _ _ _ _ 3 _ _ | _ _ _ _ _ _ _ 10 |

1--3 _ | _ _ _ _ _ 3 _ _ | 5 _ _ _ _ 1--3 _ | _ _ _ _ _ 3 _ _ | _ _ _ _ _ _ _ 10 |

| 3 _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | 3 _ _ _ _ _ _ _ | 3 _ _ _ _ 9 11 _ |

| 3 _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | 3 _ _ _ _ _ _ _ | 3 _ _ _ _ 9--11 _ |

| _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ |

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|12 _ 8 _ 8 _ 8 12 | _ _ _ _ 12 _ 8 _ |12 _ 8 _ 8 _ 8 12 | _ _ _ _ _ _ _ _ |

| _ _ _ _ _ _ 10 _ | _ _ 13 _ 13 _ _ 10 | _ _ _ _ _ _ 10 _ | _ 10 _ 10 _ _ _ 11 |

| _ _ _ _ _ 11 _ _ |13 _ _ _ _ 9 11 _ | _ _ _ _ _ 11 _ _ | _ _ _ _ _ 10 12 _ |

| _ _ _ _ _ 11 _ _ |13 _ _ _ _ 9--11 _ | _ _ _ _ _ 11 _ _ | _ _ _ _ _ 10--12 _ |

|11 _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ |11 _ _ _ _ _ _ _ |11 _ _ _ _ _ _ _ |

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or vDb | _ _ 13 _ 10 _ _ _ | _ _ 11 _ _ _ _ _ | _ _ 13 _ 10 _ _ _ | _ _ 11 _ 10 _ 9 _ |

|13 _ 9 _ 9 _ 9 13 | _ _ _ _ 13 _ 9 _ |13 _ 9 _ 9 _ 9 13 | _ _ _ _ _ _ _ 5 |

| _ _ _ _ _ _ 11 _ | _ _ 14 _ 14 _ _ 11 | _ _ _ _ _ _ 11 _ | _ 11 _ 11 _ 4 6 _ |

| _ _ _ _ _ _ 11 _ | _ _ 14 _ 14 _ _ 11 | _ _ _ _ _ _ 11 _ | _ 11 _ 11 _ 4--6 _ |

| _ _ _ _ _ 12 _ _ |14 _ _ _ _ 10 12 _ | _ _ _ _ _ 12 _ _ | _ _ _ _ _ _ _ _ |

| _ _ _ _ _ 12 _ _ |14 _ _ _ _ 10--12 _ | _ _ _ _ _ 12 _ _ | _ _ _ _ _ _ _ _ |

|12 _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ |12 _ _ _ _ _ _ _ |12 _ _ _ _ _ _ _ |

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| 7 _ 3 _ 3 _ 3 7 | _ _ _ _ 7 _ 3 _ | 7 _ _ _ 3 _ _ _ | 3 _ _ _ _ _ _ _ |

| _ _ _ _ _ _ 5 _ | _ _ 8 _ 8 _ _ 5 | _ _ _ _ 5 _ _ _ | 5 _ _ _ _ _ _ _ |

| _ _ _ _ _ 6 _ _ | 8 _ _ _ _ 4 6 _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ |

| _ _ _ _ _ 6 _ _ | 8 _ _ _ _ 4--6 _ | _ _ _ _ _ _ _ _ | 6 _ _ _ _ _ _ _ |

| 6 _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | 6 _ _ _ 6 _ _ _ | 6 _ _ _ _ _ _ _ |

| 6 _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | 6 _ _ _ 6 _ _ _ | - _ _ _ _ _ _ _ |

| _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ |

</tt>

@@ Line 2: / Line 2: @@
 All tabs are for a guitar tuned in downmajor 3rds. Some of these are more riffs than songs.
 == Evening Rondo ==
 See [https://www.tallkite.com/music/EveningRondo.html TallKite.com/music/EveningRondo.html] for score, tab, video and mp3s.
 == Underground Revolution ==
@@ Line 27: / Line 29: @@
   Iv7          N.C        /           /
   vIII^m6       /         /           /
-  #IVvm7(b5)    /         /           /
+  #IVvdv7       /         /           /
   IVv7          /         /           /
   Iv7           /         /           /
@@ Line 71: / Line 73: @@
 Chords:<tt>
-  intro:      Vv7        vIII^m7(b5)  Vv7         vIII^m7(b5)
+  intro:      Vv7        vIII^d^7     Vv7         vIII^d^7
-              Vv7        vIII^m7(b5)  Vv7            /
+              Vv7        vIII^d^7     Vv7            /
   solos:      Iv7        vbIII^m6     IVv7           /
               Iv7        vbIII^m6     IVv7           /
-              bVIIv7     bVIIv7no1    vbIII^m6       /
+              bVIIv7     bVIIv7noR    vbIII^m6       /
               vbVI^      vbVI^7       Vv7            /
@@ Line 84: / Line 86: @@
               Iv7        vbVII^m6     Iv7            /
-  chorus:     vVI^m7        /         vVII^m6(b5)    /
+  chorus:     vVI^m7        /         vVII^d6        /         (vVII^d6 = vIII^7b9noR)
                /            /         vVI^m7         /
-               /            /         vVII^m6(b5)    /
+               /            /         vVII^d6        /
-              vVI^7      vVI^m6(b5)   Vv7            /
+              vVI^7      vVI^d6       Vv7            /
   breakdown:  Iv7        vbVII^m6     bVv7        [vbbVII=^#V]^m6
@@ Line 95: / Line 97: @@
               Iv7        vbVII^m6     Iv7         IIv7
-  bridge:     Vv7        Vvm7(b5)     IIv7           /
+  bridge:     Vv7        Vvdv7        IIv7           /
-               /         IIvm7(b5)    Vv7         VIvm7
+               /         IIvdv7       Vv7         VIvm7
-              IIIv7      IIIvm7(b5)   VIv7,b9     VIv6
+              IIIv7      IIIvdv7      VIv7b9      VIv6
-               /         VIvm7(b5)    IIv7        Vv7
+               /         VIvdv7       IIv7        Vv7
   coda:       Iv7           /         vbVII^m7       /
@@ Line 119: / Line 121: @@
 <tt>
   intro chords:   Vv7             .  17  17  16  14   .
-                  vIII^m7(b5)    18   .  15  16  18   .        (2nd time play 18  17  15  16)
+                  vIII^d^7       18   .  15  16  18   .        (2nd time play 18  17  15  16)
                   walkdown      (5,17) (5,13) (6,16) (6,15)
@@ Line 127: / Line 129: @@
                   bVIIv7          8   .   7   5   9   .
-                  bVIIv7no1       .   8   7   5   9   .
+                  bVIIv7noR       .   8   7   5   9   .
                   vbIII^m6no5     .   .   3   2   6   4        (fingering: 2 1 4 3)
@@ Line 140: / Line 142: @@
   chorus chords:  vVI^m7         18  20  19   .  18   .        (see comments above for the bass line)
                  (passing chord)  .  17  19   .  18   .        (fingering: 1 3 2)
-                  vVII^m6(b5)     .  13  17  16  20   .
+                  vVII^d6         .  13  17  16  20   .
                  (passing chord)  .  19   .  16  20   .        (fingering: 3 2 4)
                   vVI^9           .  20  21  19  18  18
-                  vVI^m6(b5)      .  20  19   *   .   .        (* riff between 17 and 23)
+                  vVI^d6          .  20  19   *   .   .        (* riff between 17 and 23)
                   Vv7             .  17  17  16  14   .
@@ Line 158: / Line 160: @@
   bridge chords:  Vv7            15  17  17 (16) 14   .        (see comments above for the bass line)
-                  Vvm7(b5)        .  13  15  14  14   .        (lacks the root unfortunately)
+                  Vvdv7           .  13  15  14  14   .        (lacks the root unfortunately)
                   IIv7           15   .  14  12  16   .        (use this for the pickup chord as well)
-                  IIvm7(b5)       .  13  12  12  14   .        (lacks the root unfortunately)
+                  IIvdv7          .  13  12  12  14   .        (lacks the root unfortunately)
                   VIvm7           .   .  14  12  13  11
                   IIIv7          10  12  12 (11)  9   .
-                  IIIvm7(b5)      .   8  10   9   9   .        (lacks the root unfortunately)
+                  IIIvdv7         .   8  10   9   9   .        (lacks the root unfortunately)
-                  VIv7,b9         .   .  14  14  13  11        (lacks the 9th unfortunately)
+                  VIv7b9          .   .  14  14  13  11        (lacks the 9th unfortunately)
                   VIv6            .   .  14  14  16  15        (lacks the 5th unfortunately)
-                  VIvm7(b5)       .   .  14  12  11  11
+                  VIvdv7          .   .  14  12  11  11
                   Vv7             .  17  17  16  14   .
@@ Line 273: / Line 275: @@
 | ----
 | ----
-|vM7
+|M7
 | ----
 | ----
 | ----
-|To
+|Ta
 | ----
-|  -  -  -  ₒₒ3  -  -
+|  -  -  ⸰0  -  -  -
-| -  -  -  11  -  -
+|  -  -  16  -  -  -
-|  -  -  -  ₒₒₒ3  -  -
+|  -  -  ⸰⸰0  -  -  -
-| -  -  -  15  -  -
+|  -  -  20  -  -  -
 | ----
 | ----
@@ Line 366: / Line 368: @@
 The lead could improvise their pickup notes, e.g. "How I long for that sweet" with v7 8 9 8 v7 8 melody, 2 & 3 & 4 1 rhythm, or "Love love love my Kite guitar" with 5 v7 9 v7 v11 v7 8 melody, 1 & 2 & 3 4 1 rhythm.
+JI version using [[color notation]]:
+{| class="wikitable"
+|+
+! rowspan="2" |lyrics
+! colspan="8" |vocal parts
+! colspan="4" |[[41edo solfege]]
+! colspan="3" rowspan="2" |chords
+! colspan="3" rowspan="2" |chord
+homonyms
+|-
+! colspan="2" |bass
+! colspan="2" |bari
+! colspan="2" |lead
+! colspan="2" |tenor
+!Bs
+!Br
+!Ld
+!Tn
+|-
+|Gim-
+| colspan="2" rowspan="3" |
+| colspan="2" rowspan="3" |
+|P5
+|w5
+| colspan="2" rowspan="3" |
+|  ----
+|  ----
+|Sa
+|  ----
+| colspan="3" rowspan="3" |
+| colspan="3" rowspan="6" |
+|-
+|  -me
+|M6
+|w6
+|  ----
+|  ----
+|La
+|  ----
+|-
+|That
+|M7
+|Lw7
+|  ----
+|  ----
+|Ta
+|  ----
+|-
+|Sweet
+|P5
+|w5
+|vm7
+|z7
+| rowspan="5" |P8
+| rowspan="5" |w8
+|vM3
+|y3
+|Sa
+|Tho
+| rowspan="5" |↑Da
+|Mo
+|Iv7
+|Ih7
+|hiR3
+|-
+|Sweet
+|P4
+|w4
+|vM6
+|y6
+|vm3
+|z3
+|Fa
+|Lo
+|No
+|IVv7
+|IVh7
+|close
+|-
+|Har-
+|^m3
+|g3
+|^m6
+|g6
+|b5
+|zg5
+|Nu
+|Flu
+|Sha
+|^bVIv7
+|gVIh7
+|lo5
+|-
+|  -mo-
+|vM2
+|y2
+|vm6
+|z6
+|P4
+|w4
+|Ro
+|Flo
+|Fa
+|vII^d^7
+|yIIg7(zg5)
+|hi3
+|bVIIv9noR
+|VIIh9noR
+|hi5
+|-
+|  -ny
+|P1
+|w1
+|P5
+|w5
+|vM3
+|y3
+|Da
+|Sa
+|Mo
+|Iv
+|Iy
+|add8hi3
+| colspan="3" |
+|}
 == Downminor Etude==
 Video: [https://youtu.be/hZ55MohHUb4 youtu.be/hZ55MohHUb4] (guitar & violin)
+https://youtu.be/iTL_siVUnEs and https://youtu.be/uOsOQUDow6M (guitar & Linnstrument)
 Video (backing part only): [http://tallkite.com/KiteGuitar/Downminor%20Etude.m4v TallKite.com/KiteGuitar/Downminor Etude.m4v]
@@ Line 396: / Line 527: @@
     | - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
-      IVvm              bVIIv             Iv                Ivdim
+      IVvm              bVIIv             Iv                Ivd
     | - - - - - - - - | - - - - - - - - | - - 6 - - - 6 - | - - 4 - - - 4 - |
     | - - 9 - - - 9 - | - - 9 - - - 9 - | - 7 - 7 - 7 - 7 | - 5 - 5 - 5 - 5 |
@@ Line 404: / Line 535: @@
     | - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
-      vbVII^            vbVII^m           Vvdim             vbIII^9
+      vbVII^            vbVII^m           Vvd               vbIII^9
     | - - 2 - - - 2 - | - - 2 - - - 2 - | - - - - - - - - | - - - - 2 - - - |
     | - 4 - 4 - 4 - 4 | - 2 - 2 - 2 - - | - - 2 - - - 2 - | - - - 2 - 2 - - |
@@ Line 447: / Line 578: @@
   | . . vC D Eb D vC - | /vC - - A - - . . | . . vC D Eb D vC - | A - - - E - - - |
 </tt>
 == Blues in G==
@@ Line 551: / Line 683: @@
 ==The Tri-sub song==
-In 12edo, a tritone substitution changes V7-IM7 to bII7-IM7. In 41edo, the bII can be translated to either ^bII or vbII. This song uses both. I used a ^dim,v7 chord instead of the more standard ^dim7 chord because I liked how it led into the following chord. The final ^9 chord uses a very dissonant high-3 voicing which makes an extreme contrast with the very pleasant vM7 chord that it resolves to.
+In 12edo, a tritone substitution changes V7-IM7 to bII7-IM7. In 41edo, the bII can be translated to either ^bII or vbII. This song uses both. I used a ^dv7 chord instead of the more standard ^d7 chord because I liked how it led into the following chord. The final ^9 chord uses a very dissonant high-3 voicing which makes an extreme contrast with the very pleasant vM7 chord that it resolves to.
      IvM7                                vVI^m9
@@ Line 561: / Line 693: @@
    | - - - - - - - - | - - - - - - - - | 2 - - - - - - 2 | - - - - - - - - |
-     vII^m9                              IVv7          IV^dim,v7
+     vII^m9                              IVv7          IV^dv7
    | - - 4 - 2 4 - - | - 2 - 4 - 2 4 - | - - 0 - 0 0 - - | - 0 - 0 - - 0 - |
    | - - 2 - 2 2 - - | - 2 - 2 - 2 2 - | - - 2 - 2 2 - - | - 0 - 0 - - 0 - |
@@ Line 600: / Line 732: @@
 Some people simply don't hear the rapid upwards tonic drift until it's pointed out to them. Even after becoming aware of it, it still feels incredibly jarring to go from the ^^V chord to a I chord. The ear insists on hearing the ^^V chord as a V chord and not a vbVI chord, and it insists on the ^^I chord coming next.
+The vocals are very close to the bass line:
+Just a four-chord song (5 5 5 v3 1) (rhythm: 6 & 7 8 1)<br>
+Won't you sing along (1 1 1 vb3 4) (6 & 7 8 1) <br>
+But before too long (4 4 4 v3 vb3) (6 & 7 8 1) <br>
+You'll hear that something's wro-ong (vb3 b5 vb3 vb7 vb7 vb7 ^^5) (& 6 & 7 8 1 &)<br>
+With my four-chord song (^^5 ^^5 ^^5 ^3 ^^1) (6 & 7 8 1)
@@ Line 607: / Line 747: @@
 <tt>
-     II^m7         V^7                   IvM7          Iv,^7       Iv7
+     II^m7         V^7                   IvM7          Iv^7        Iv7
    | - - 3 - - 3 - - | - 3 - - 3 - 3 - | - - 6 - 6 6 - 6 | - 6 - - 6 - 6 - |
    | - - 1 - - 1 - - | - 4 - - 4 - 4 - | - - 7 - 7 7 - 7 | - 7 - - 7 - 7 - |
@@ Line 616: / Line 756: @@
 </tt>
 ==Latrizo Pump riff==
@@ Line 640: / Line 781: @@
 <tt>
-     Iv7               #Ivm7(b5)         vVI^m7
+     Iv7               #Ivdv7            vVI^m7
    | - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
    | 1 - - 1 - - - - | 3 - - 3 - - - - | 5 - - 5 - - - - | 5 - - 5 - - - - |
@@ Line 659: / Line 800: @@
-==V9 - I7 riff ==
+== Yin Yang riff ==
-A nice demo of the two kinds of dom7 chords.
+A nice demo of the two kinds of dom7 chords. Harmonic/subharmonic aka otonal/utonal are sort of like yin/yang. Or is that yang/yin?
 <tt>
-    V^9                                 Iv7
    | - - - - - - - 0 | - - - - - - - - | - - - - - - 1 5 | - 1 - - - - - - |
    | - - - - - - 0 - | - 0 - - - - - - | - - - - 3 - - - | - - - 3 - - - - |
@@ Line 670: / Line 810: @@
    | 2 - - - - - - - | - - - - - - 2 - | - - - - - - - - | - - - - - - - - |
    | - - - - - - - - | - - - - - - - - | - - - - - - - - | - - - - - - - - |
 </tt>
+Which chord feels like the tonic chord to you? Is it I^9 - IVv7, or V^9 - Iv7?
@@ Line 737: / Line 877: @@
+==Mid-9th riff ==
-==Mid-9th riff ==
+Is it Iv - Vvm(~5), or just one big v7~9 chord? Who cares, it's the blues -- play it slow and bendy.
-Is it Iv - Vvm(~5), or just one big v7,~9 chord? Who cares, it's the blues -- play it slow and bendy.
 <tt>
    | - - - 9 - - | 5 - 5 - - - | - - - 9 - - | 5 - - - - - |
@@ Line 794: / Line 934: @@
   _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _
-  Ivm7             ^bVIv7             IVv7              V4,^b9
+  Ivm7             ^bVIv7             IVv7              V4^b9
 _ _ 6 _ _ _ _ | 6 _ _ 6 _ _ _ _ | 6 _ _ 6 _ _ _ _ | 6 _ _ 6 _ _ _ _
 _ _ 4 _ _ _ _ | 6 _ _ 6 _ _ _ _ | 7 _ _ 7 _ _ _ _ | 6 _ _ 6 _ _ _ _
@@ Line 802: / Line 942: @@
   _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _ | _ _ _ _ _ _ _ _
 </tt>
@@ Line 828: / Line 967: @@
 </tt>
-== Modulation demo ==
-A simple riff that modulates through 4 keys. The freedom of an equal temperament!
+== Harmonic Blues ==
+https://www.youtube.com/watch?v=pix_DruZZM4
-The key goes up by smaller intervals each time. The bass line changes key a bit earlier than the high line.
+No score yet, unfinished piece.
-Play it slow and staccato, with lots of swing. Midi demo: https://soundcloud.com/tallkite/kite-guitar-modulation-demo
-<tt>
+== Tiny Steps ==
+The opposite of Coltrane's "Giant Steps"! A simple riff that modulates through 4 keys and demonstrates the freedom of an equal temperament.
+The key goes up by smaller intervals each time. The bass line changes key a bit earlier than the high line does.
+Play it slow and staccato, with lots of swing. "1--3", "9--11", etc. all indicate an optional slide up 2 frets.
+Video: https://www.youtube.com/watch?v=s0QUqWhFMks <tt>
   in B    | _  _  4  _  1  _  _  _ | _  _  2  _  _  _  _  _ | _  _  4  _  1  _  _  _ | _  _  2  _  1  _  0  _ |
           | _  _  0  _  0  _  0  4 | _  _  _  _  4  _  0  _ | 4  _  0  _  0  _  0  4 | _  _  _  _  _  _  _  _ |
   _  _  2 | _  _  _  _  _  _  2  _ | _  _  5  _  5  _  _  2 | _  _  _  _  _  _  2  _ | _  2  _  2  _  _  _  _ |
-3  _ | _  _  _  _  _  3  _  _ | 5  _  _  _  _  1  3  _ | _  _  _  _  _  3  _  _ | _  _  _  _  _  _  _ 10 |
+--3  _ | _  _  _  _  _  3  _  _ | 5  _  _  _  _  1--3  _ | _  _  _  _  _  3  _  _ | _  _  _  _  _  _  _ 10 |
-          | 3  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ | 3  _  _  _  _  _  _  _ | 3  _  _  _  _  9 11  _ |
+          | 3  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ | 3  _  _  _  _  _  _  _ | 3  _  _  _  _  9--11 _ |
           | _  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ |
@@ Line 848: / Line 994: @@
           |12  _  8  _  8  _  8 12 | _  _  _  _ 12  _  8  _ |12  _  8  _  8  _  8 12 | _  _  _  _  _  _  _  _ |
           | _  _  _  _  _  _ 10  _ | _  _ 13  _ 13  _  _ 10 | _  _  _  _  _  _ 10  _ | _ 10  _ 10  _  _  _ 11 |
-          | _  _  _  _  _ 11  _  _ |13  _  _  _  _  9 11  _ | _  _  _  _  _ 11  _  _ | _  _  _  _  _ 10 12  _ |
+          | _  _  _  _  _ 11  _  _ |13  _  _  _  _  9--11 _ | _  _  _  _  _ 11  _  _ | _  _  _  _  _ 10--12 _ |
           |11  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ |11  _  _  _  _  _  _  _ |11  _  _  _  _  _  _  _ |
@@ Line 854: / Line 1,000: @@
   or vDb  | _  _ 13  _ 10  _  _  _ | _  _ 11  _  _  _  _  _ | _  _ 13  _ 10  _  _  _ | _  _ 11  _ 10  _  9  _ |
           |13  _  9  _  9  _  9 13 | _  _  _  _ 13  _  9  _ |13  _  9  _  9  _  9 13 | _  _  _  _  _  _  _  5 |
-          | _  _  _  _  _  _ 11  _ | _  _ 14  _ 14  _  _ 11 | _  _  _  _  _  _ 11  _ | _ 11  _ 11  _  4  6  _ |
+          | _  _  _  _  _  _ 11  _ | _  _ 14  _ 14  _  _ 11 | _  _  _  _  _  _ 11  _ | _ 11  _ 11  _  4--6  _ |
-          | _  _  _  _  _ 12  _  _ |14  _  _  _  _ 10 12  _ | _  _  _  _  _ 12  _  _ | _  _  _  _  _  _  _  _ |
+          | _  _  _  _  _ 12  _  _ |14  _  _  _  _ 10--12 _ | _  _  _  _  _ 12  _  _ | _  _  _  _  _  _  _  _ |
           |12  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ |12  _  _  _  _  _  _  _ |12  _  _  _  _  _  _  _ |
@@ Line 861: / Line 1,007: @@
           | 7  _  3  _  3  _  3  7 | _  _  _  _  7  _  3  _ | 7  _  _  _  3  _  _  _ | 3  _  _  _  _  _  _  _ |
           | _  _  _  _  _  _  5  _ | _  _  8  _  8  _  _  5 | _  _  _  _  5  _  _  _ | 5  _  _  _  _  _  _  _ |
-          | _  _  _  _  _  6  _  _ | 8  _  _  _  _  4  6  _ | _  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ |
+          | _  _  _  _  _  6  _  _ | 8  _  _  _  _  4--6  _ | _  _  _  _  _  _  _  _ | 6  _  _  _  _  _  _  _ |
-          | 6  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ | 6  _  _  _  6  _  _  _ | 6  _  _  _  _  _  _  _ |
+          | 6  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ | 6  _  _  _  6  _  _  _ | -  _  _  _  _  _  _  _ |
           | _  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ | _  _  _  _  _  _  _  _ |
 </tt>