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| <h2>IMPORTED REVISION FROM WIKISPACES</h2> | | __NOTOC__ <!-- TOC not necessary unless this page is extended further --> |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | '''John Lank Moriarty''' (born March 25th, 1992) is a vocalist, keyboardist, composer, and inventor currently living in Northern Virginia. |
| : This revision was by author [[User:JlMoriart|JlMoriart]] and made on <tt>2016-05-26 23:38:54 UTC</tt>.<br>
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| : The original revision id was <tt>584194221</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**John Lank Moriarty** (Born the 25th of March, 1992) is a student and composer of mircrotonal music, presently teaching voice in eastern Pennsylvania.
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| He releases most of his tuning-related material on his [[https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ|youtube page]] and his [[https://soundcloud.com/john-lank1|soundcloud page]].
| | Most of his tuning-related work is available on Youtube and Soundcloud. In 2020, he released ''Don't Look Back'', a compilation of microtonal works, on Bandcamp. |
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| | John also has designed (and continues to improve) a 3D printable isomorphic keyboard piano overlay which can be printed in configurations for numbers of notes per octave other than 12. |
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| Some of my crazy ramblings:
| | John is trying to fund these projects via his Patreon page. |
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Inspiration: What notes are diatonic to C as a tonic? Does it depend on the mode? I don’t think so. I think that twelve notes, the six fifths above and below, are all “diatonically” related to C, which I think lines up with the description of “mode mixture”.</span>
| | == See also == |
| | * [[John Moriarty's Thoughts On Solfege]] |
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">With a Tonic C, then, the “diatonic” notes are:</span>
| | == External links == |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">C Db D Eb E F F# Gb G Ab A Bb B</span>
| | === Music platforms === |
| | * [https://johnmoriarty.bandcamp.com/ Bandcamp profile] |
| | * [https://soundcloud.com/john-lank1 Soundcloud profile] |
| | * [https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ Youtube channel] |
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!</span>
| | === Other links === |
| | * [https://isomorphickeyboardoverlay.weebly.com/microtonal-overlays.html 3D printable isomorphic keyboard piano overlay] |
| | * [https://www.patreon.com/johnmoriarty Patreon page] |
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Let’s name those notes diatonic to C as follows:</span>
| | {{DEFAULTSORT:Moriarty, John Lank}} |
| | | [[Category:People]] |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti</span>
| | [[Category:Composers]] |
| | | [[Category:Developers]] |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Where one sized generic intervals (unisons and octaves) and their chroma shifts are named</span>
| | [[Category:Musicians]] |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, perfect, or augmented</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -o, and -u, respectively</span>
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| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">And then two sized generic intervals and their chroma shifts are named</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, minor, major, or augmented </span>
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -a, -i, and -u, respectively</span>
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| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all major to the tonic.)</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Ionian- Do Ri Mi Fa Si Li Ti Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Mixolydian- Do Ri Mi Fa Si Li Ta Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Dorian- Do Ri Ma Fa Si Li Ta Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean- Do Ri Ma Fa Si La Ta Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Phrygian- Do Ra Ma Fa Si La Ta Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all minor to the tonic.)</span>
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| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Minor- Do Ri Ma Fa Si La Ti Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Melodic major- Do Ri Mi Fa Si La Ta Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Major- Do Ri Mi Fa Si La Ti Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Double Harmonic- Do Ra Mi Fa Si La Ti Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian aug2- Do Ru Mi Fi Si Li Ti Do</span>
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| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean dim6- Do Ra Ma Fa Sa La Te</span></pre></div>
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| <h4>Original HTML content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>John Moriarty</title></head><body><strong>John Lank Moriarty</strong> (Born the 25th of March, 1992) is a student and composer of mircrotonal music, presently teaching voice in eastern Pennsylvania.<br />
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| <br />
| |
| He releases most of his tuning-related material on his <a class="wiki_link_ext" href="https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ" rel="nofollow">youtube page</a> and his <a class="wiki_link_ext" href="https://soundcloud.com/john-lank1" rel="nofollow">soundcloud page</a>.<br />
| |
| <br />
| |
| <br />
| |
| Some of my crazy ramblings:<br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Inspiration: What notes are diatonic to C as a tonic? Does it depend on the mode? I don’t think so. I think that twelve notes, the six fifths above and below, are all “diatonically” related to C, which I think lines up with the description of “mode mixture”.</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">With a Tonic C, then, the “diatonic” notes are:</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">C Db D Eb E F F# Gb G Ab A Bb B</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Let’s name those notes diatonic to C as follows:</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Where one sized generic intervals (unisons and octaves) and their chroma shifts are named</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, perfect, or augmented</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -o, and -u, respectively</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">And then two sized generic intervals and their chroma shifts are named</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, minor, major, or augmented </span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -a, -i, and -u, respectively</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all major to the tonic.)</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Ionian- Do Ri Mi Fa Si Li Ti Do</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Mixolydian- Do Ri Mi Fa Si Li Ta Do</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Dorian- Do Ri Ma Fa Si Li Ta Do</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean- Do Ri Ma Fa Si La Ta Do</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Phrygian- Do Ra Ma Fa Si La Ta Do</span><br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all minor to the tonic.)</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Minor- Do Ri Ma Fa Si La Ti Do</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Melodic major- Do Ri Mi Fa Si La Ta Do</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Major- Do Ri Mi Fa Si La Ti Do</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Double Harmonic- Do Ra Mi Fa Si La Ti Do</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian aug2- Do Ru Mi Fi Si Li Ti Do</span><br />
| |
| <br />
| |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean dim6- Do Ra Ma Fa Sa La Te</span></body></html></pre></div>
| |
John Lank Moriarty (born March 25th, 1992) is a vocalist, keyboardist, composer, and inventor currently living in Northern Virginia.
Most of his tuning-related work is available on Youtube and Soundcloud. In 2020, he released Don't Look Back, a compilation of microtonal works, on Bandcamp.
John also has designed (and continues to improve) a 3D printable isomorphic keyboard piano overlay which can be printed in configurations for numbers of notes per octave other than 12.
John is trying to fund these projects via his Patreon page.
See also
External links
Music platforms
Other links